Movie Master

This is a wonderful commercial film, but it is not just a simple commercial film. The huge and profound ideological core shines with wonderful human brilliance, and it truly combines business and art perfectly. This may be a natural The best work of commercial art since 'Titanic', and perhaps the best work of commercial art since '2001: A Space Odyssey'.

Just as the New York Times is to the East Coast media, the Los Angeles Times is also the leader of the West Coast media. Its influence is large enough to cover the entire Pacific Rim. It is comparable to professional and authoritative media such as The Hollywood Reporter. Now, the Los Angeles Times review of Fury Road is full of praise, which is really strange.

Strelo's works always have a delicate and real texture, which outlines the emotions of the characters in a meticulous manner, and then slowly penetrates into the essence of social life. The reflection and precipitation after watching the movie is the whole story. The most essential part of the movie. Elements such as color, light, and composition have become the weapons of Strelow's emotional expression. Deep psychological hints and abstract social metaphors are hidden in every corner of the lens. Road' was brought to the extreme.

From the design of each car, which fits the characters and reality, pieced together the majesty of the whole towering tree like leaves; to the construction of each scene, the red desert all over the sky, the vigorous collision and explosion, The clear and translucent blue sky supports the huge structure of the whole story like branches; and then to the shaping of each character, confrontation and cooperation, hatred and trust, hostility and friendship, digging down like intertwined roots The depth of the soul trembling.

Strelo has interpreted the aesthetics of violence to a new level. The collision of blue, red and black is more elegant and magnificent than court oil paintings; The mixture of blood, sweat and tears is more beautiful and moving than a sonnet. Chi Guoguo's violent confrontation is without any embellishment or embellishment. It is presented in a primitive and impulsive, rough and brutal way. The fragility and disregard of life are interpreted to the extreme against the background of the doomsday of the wasteland. The hearty visual effects detonate the audience. An adrenaline rush that's even crazier than a Fourth of July fireworks display.

But after the energy was vented, the frenzy of inner reflection surged, and all the emotions in the body were pulled away, and it fell apart in an instant, allowing people to see the cruelty, blood and indifference in the last days, and even the dark age when beliefs collapsed. Freedom and dreams have lost their meaning, and the desire for water and food has reduced human beings to animals, relying on their survival instincts/ability to crawl forward in disasters.

The awakening of humanity, the yearning for freedom, the passion of dreams, the revival of women's rights, and the support of faith are not only the last glimmer of light in the end of the wasteland, but also the last chance of human society.

Following the crime trilogy, Strelo built a society where blood and sand danced together in a doomsday world, answered the questions left over from before, and kept the spark of hope. The return of Max, the persistence of Firoza, the awakening of Nax, and the heroism of Angarad, the four characters jointly contributed the most explosive, exciting and eye-catching commercial blockbuster since the 21st century. The most profound, shocking and ghostly masterpiece of art since the 21st century.

The Los Angeles Times commented on Fury Road with the perfect combination of business and art. Such a clear and clear attitude is indeed impressive, not to mention the full score that matches it. One hundred points, and once again continued the attitude of other mainstream media.

Full marks, perfect. This seems to be the best interpretation of Fury Road.

From the Seattle Post to the San Francisco Chronicle to the Los Angeles Times, the most influential news media on the entire West Coast have maintained a unified opinion, which also means that all suspense is over, even the West Coast forces. They all worshiped, and the frenzy of praise for Fury Road has become unstoppable.

The double days of Sin City and Hard Candy are still vivid in our minds, but Fury Road has completely broken the shackles of cult movies and created a new era since Star Wars. , the craziest praise feast of cult movies, does this mean that Fury Road also has the possibility of replicating the miracle of Star Wars?

This is still an unknown, and only time can prove it, and only the market can prove it. This is not a feat that film critics can accomplish with their pens. But what is certain is that film critics are very happy to promote this historical process. The West Coast media and the East Coast media reached an unprecedented consensus. Even Variety Show and Hollywood Reporter temporarily shook hands and expressed the same point of view. .

Bold and reckless! Unrestrained and unrestrained! Reckless!

This is Lancelot Strelo, the unique Lancelot Strelo. This young director, risking the disgrace of the world, created a Fury Road, which is not only the weirdness and distortion of steampunk, but also the barrenness and cruelty of the end of the wasteland. An epic of women's rise! This courage alone is unrivaled in Hollywood.

Last year, Li filmed Brokeback Mountain, which shocked the whole Hollywood. So far, some people still refuse to watch this work, as if they are worried that after watching it, they will become gay or be brainwashed by homosexuality. This kind of panic in the face of a virus, which is afraid of avoiding it, has become a kind of joke.

This year, Strelow filmed Fury Road, which shocked the whole of the United States, and suddenly made those patriarchs feel overwhelmed. This is a movie that makes people ignore gender. Women are not a vassal of men, and men are not a step to promote women. Everyone is equal and respects each other. But some people don't think so.

They can't stand a 'men's' action movie where the women shine, they can't stand a movie where the hero doesn't kill the world and is above the heroine, they can't stand a movie 'The whole process is high-energy, the hero and heroine did not burst into love, but the friendship of comrades-in-arms is so good to see and make people explode' movie.

Maybe, these 'racists' will gradually change after all, maybe not; maybe 'Fury Road' will still be ignored like last year's 'Brokeback Mountain', and taken away by another unknown work All the lights; maybe 'Fury Road' will fail miserably at the box office, not only because the cult style is unacceptable to the world, but also because the majority of male audiences who are the main force of the summer film can't accept it. However, Strelo took this step, an unswerving step, showing a mind and vision far more advanced than the times.

This makes people can't help but think of the crime trilogy with profound meaning.

It is hard to imagine that a complete summer popcorn commercial work, a simple and rough visual blockbuster with many climaxes, has unearthed such connotations. The background is wasteland, but the core is hope. In hardcore action movies, independent women really hold up half the sky-this can be reflected for those action actresses who think they can play with a few sex/sensuality on the big screen. What a powerful riposte for feminist filmmakers.

Max, Filosa, and Nax, the three characters supported the wasteland world conceived by Strelow, and Angarad became the dark thread of the series of stories. On the basis of George Miller, it truly It constitutes a complete world view and develops a vigorous vitality. This is 'Mad Max', this is not 'Mad Max', this is Strelo's 'Fury Road'.

Lancelot Strelo, a director, an actor, a screenwriter, and a master. His work Road of Fury has truly pushed himself to the throne of a master. How lucky we are to be one of the witnesses.

This is a review from Variety magazine, which focuses on the lack of feminism in Hollywood movies. Every practitioner in the film industry knows that this is a man's, man's, man's world. The female vase of commercial films, all aspects of the entire industry reveal the essence of a patriarchal society that has been inherited for thousands of years.

Even in recent years, women's rights have gradually risen, and there have been Tomb Raider, Catwoman, Kill Bill, Charlie's Angels, Magic Woman Warrior, Resident Evil, Operation Smith And other female-dominated fighting movies, Angelina Jolie has become a representative of the new generation of female fighting stars. But as Variety Show magazine and Roger Ebert said, these works are all dressed in feminist cloaks and targeted at the male market with sexual/sensual visual effects. In the final analysis, these female characters are still A weapon used to please men.

However, Fury Road is completely different. It not only endows Firosha with a complete personality, but also strips away gender differences, and truly puts Firosha and Max on the same level. Help and move forward together. This is the real breakthrough-equality, the slogan that has been shouted for more than half a century, but it is the first time that it has never appeared on the big screen in a real and vivid way.

This is definitely a milestone in film history, just like last year's Brokeback Mountain.

Therefore, for the first time, Variety Show magazine cast aside the prejudice and difference between them and Hollywood Reporter, conveyed the same thought and identity, and the full score of 100 is not conspicuous among all the praises. However, it has increased the full-score team and truly put Fury Road on the classic throne.

All of a sudden, people discovered that all mainstream media, all authoritative media, and all professional media have unbelievably maintained a unity of opinion, which is unimaginable for a commercial film.