Life in Tokyo starting as a child star

Raising his glasses slightly, wiping the tears from the corners of his eyes, Ishikawa Bunta watched the closing announcement of the movie.

It was as if the figure of Tezuka Yukie and Lu Zhiyuan leaving was still on his retina.

He couldn't calm down his feelings for a long time, and even felt like he couldn't stand up.

He looked around at the audience.

He found that the audience in the theater were just like him, sitting in their seats, looking up at the final announcement of the movie, and no one stood up and left.

"This is true."

Ishikawa Bunta exhaled and became excited.

As a "Kitamura fan" on the Internet, he naturally knows Kitamura's acting skills inside and out.

He understands how powerful the "explosive power" of this seemingly 10-year-old child is on the screen.

But

"Isn't this explosion too powerful?"

Ishikawa Bunta sighed.

Kitamura is like a surprise box.

He always brings him all kinds of surprises.

Even though he has a certain degree of psychological expectation of Kitamura's ability.

But the other party can always break his psychological expectations.

Just like this time's "The Reason I'm Here".

Several times, the director used Kita Sumire as the "vent" of the whole movie to vent his emotions.

He really smashed the door.

The muffled sound and Kita Sumire's angry roar were like a giant hammer hitting his heart.

This requires a very high level of acting skills from the actors, and it is generally not given to actors who are more inclined to be entertaining.

But what is the result?

It happened that this "actor who is recognized by industry insiders" performed the best.

It can only be said that Kita Sumire's role is indeed out of common sense.

At the same time, on the other side of the Shibuya Comprehensive Cinema.

"It's over. This time, no one can stop this role."

Half raised his head and watched the first scene of "The Reason I'm Here" end.

Sugimu Shoko and Kusakabe Kazuko looked at each other.

They knew.

With Kita Sumire's current popularity, coupled with the outstanding performance of this movie.

The future of the role industry will be completely led by Kita Sumire.

As for why the two agents from different agencies would get together in the movie theater.

The reason is actually quite simple.

That is -

"No one can stop the annoying guy? It means that after this movie, the annoying guy has no rivals in the acting industry, right? Sister Shoko, Sister Hezi?"

Hosokawa Shibaizumi raised his head.

Those cute big eyes were full of curiosity.

Right next to the curious Shibaizumi, Akiyama Shion looked over curiously, although she didn't say anything.

That's right.

It was because Hosokawa Shibaizumi and Akiyama Shion asked them both at the same time.

They hoped that they could bring them to watch the premiere of "The Reason I'm Here".

This kind of premiere ticket is not easy to grab, especially for a popular movie like "The Reason I'm Here".

In addition, Hosokawa Shibaizumi and Akiyama Shion have a good relationship.

So the two of them decided to use their internal connections in the industry to get four tickets together.

At this time, seeing their own female acting girl, they asked curiously.

Sugimu Shoko and Kusakabe Hezi did not deny it, and nodded very straightforwardly.

"Yes. No one can stop him now."

Before, there was a Tachibana Ayumi who could fight with Kita Sumi. Although he could not stop Kita Sumi's progress, he could at least slow down Kita Sumi's progress.

But after the release of "The Reason I'm Here".

Sugimu Shoko and Kusakabe Hezi, two industry insiders, saw the situation clearly.

From now on, no one in the sub-service industry will be able to stop Kita Sumi.

Even slowing down Kita Sumi's progress is no longer possible.

In the future, Kita Sumi will definitely be a celebrity in front of major TV stations, producers, and directors.

Even if a Kita Sumi is copied now, it can no longer compete with the current Kita Sumi.

"Really?"

Akiyama Shion was stunned for a moment when she heard the answer from her agent, and an indescribable joy surged from her heart.

She is a girl who cares about her friends more than herself.

She turned to look at her mobile phone.

On her screen saver, there were stills from the filming of "Kengaoden".

Kita Sumire was wearing a navy blue swordsman's robe, with heavy snow falling behind him. He looked at the camera with a long sword in his hand, and the whole shot had an indescribable sense of handsomeness and coldness.

Looking at this photo, she smiled contentedly.

The smile was extremely innocent and sweet.

Because she knew that Kita Sumire had been working hard for this goal.

And now, the other party finally reached his goal.

How could she not be happy about it?

On the other side, Hosokawa Shibaizumi was even more direct.

After thinking about it, he planned to prepare a huge celebration cake for Kita Sumire.

The little face was slightly flushed, and it was even happier than winning the award.

The two were overjoyed over there.

It almost made Sugimu Shoko and Kusakabe Hezi on this side depressed.

".Why are you so happy?"

Sugimu Shoko and Kusakabe Hezi just felt a little liver pain.

Kitasumi's popularity is definitely not a good thing for the male role industry.

And Kitasumi is not just a pure male role.

When necessary, he can also dress up as a woman - the title of Reiwa's first beauty is not exaggerated.

That's when.

That's not just a job for men.

Even the women's service jobs will be snatched away by him.

Why don't the two female servants in my family have any sense of crisis?

This is a major event related to their future work!

Are you happy for Kitazumi Minoru?

It makes no sense at all, right?

Their eyebrows were furrowed and they were about to speak.

However--

"Because Minoru is a friend. Isn't it normal to be happy for a friend?"

There is no rhetoric, no hesitation.

Just over-the-top, childish remarks.

But it’s just these childish clean words.

However, Sugi Shoko and Kusakabe Heko fell into silence.

Because that's how children should be.

Isn’t it natural to be happy about your friends’ achievements?

It would be better to say that they, adults who are full of 'adult' thoughts, are the truly abnormal ones.

".Oh, forget it."

Although I am still a little concerned about whether Kitumi's fame will have an impact on the work of Hosokawa Shibaizumi and Akiyama Shion.

But think about it carefully.

That guy Kitami Minori probably wouldn't take away the jobs of Shiaizumi-chan and Shion-chan from their families.

As for other sub-service offices?

That has nothing to do with either of them.

After all, the sub-service industry is nothing more than a competitive battlefield where two people are holding knives. Either you chop me to death, or I stab you to death.

The more people who die, the better, as long as they don't die on their heads.

The two of them did not continue to care about these miscellaneous things, but just watched the entire movie with their son-in-law.

It's just different from when they both calmed down.

After the release of "The Reason I'm Here", it once again had an impact on the entire subtitle industry.

Many Ziyong training centers already have some headaches.

Because everyone can see that "The Reason I'm Here" definitely belongs to the category of classic movies.

A script and story that makes people savor, recall, and never get tired of it, a director with a solid shooting team, and actors who perfectly express the script and story.

None of these three hard conditions are missing in "The Reason I'm Here".

Plus the theme song "Hanabi" which is almost the finishing touch.

If this can't be called a classic, what other recent Japanese movies can be called a classic?

Therefore, just on the first day of release, word of mouth has already spread among the moviegoers.

In addition to the information on several commercial movies of the same period on the Internet.

Almost all of them were filled with discussions of "The Reason I'm Here".

Especially the sunset shot with artistic shooting techniques in the last scene.

Figures fading away.

The sunset is as red as blood.

A long and vast road spreading forward.

Paired with the theme song "Hanabi", it really suits the occasion.

The illusory sunset and the gradually blurring figures make people feel like they are dreaming back to the bubble economy era.

Are there any shortcomings in "The Reason I'm Here"?

Of course there is.

For example, since it is a Japanese version, some scenes involving the protagonist's family and life in China were deleted, resulting in some plots looking a little inconsistent.

For another example, despite a period of practice, Chen Mingdao, the actor who plays Lu Zhihong, still has some accent in Japanese.

But the problem is that these are all minor flaws, not fatal injuries at all, and they actually don’t have much impact on the overall movie.

Not to mention that there are no absolutely perfect movies in this world.

Aren't movies like "The Shawshank Redemption", "Green Book" and "Titanic" classic enough?

No, there are still some people who think there is a problem.

To put it bluntly, people's aesthetics are different.

A movie with absolutely perfect scores is just a concept and does not exist at all.

And so-called classic movies.

It is to be able to tolerate these criticisms and continue to spread over time.

It's like a gold nugget buried in the soil. No matter how long it takes, when you dig it out again, it still shines brightly.

But Beicheng Shi didn't pay attention to these outside voices at all.

After all, it was as early as the moment when Mr. Takeo Mikawa built momentum for his platform.

His position as the leader of the subordinates is already unshakable.

The current version of "The Reason I'm Here" is at best the icing on the cake, making his position more stable.

Compared to this, Kitaki Minoru cares more about——

"The box office of "The Reason I'm Here", which was released simultaneously in China, exceeded 150 million on the first day?"

To be honest, Beicheng was really stunned when he heard the news.

150 million box office.

This is converted according to the current exchange rate between China and Japan.

About 3.2 billion yen?

hiss.

this.

Should it be said that it is worthy of being a dynasty with a huge market?

The box office on this day is almost as high as the box office of the entire "Swordsman Den: Rejuvenation".

It's indeed a bit scary.

No wonder the animated films in Japan and Zhou Geng’s animations tend to be biased toward the Chinese market.

You can make so much money.

Whoever doesn’t make money is the real fool, right?

One more chapter - come on! effort!