Life in Tokyo starting as a child star

Kita Sumire treated Kusakabe Hezi and the others to a meal.

But what surprised them was that.

Compared to traditional Japanese home cooking.

Kita Sumire actually cooked more dishes that were closer to the Chinese cuisine.

Dishes like stir-fried pork with green peppers were simply made with ease.

This surprised them a little.

Could it be that Kita Sumire specially learned Chinese cuisine?

Otherwise, her skills wouldn't be so skillful?

But the child servant training center probably wouldn't teach such things, right?

The key is that the taste is really good.

Even someone like Kusakabe Hezi who doesn't like to eat at other people's homes ate a lot of it.

The other party's cooking level is really beyond reproach.

So they had a comfortable meal.

After sharing the cake brought by Akiyama Shion and the "White Lover" cookies brought by Hosokawa Shibaizumi.

Kusakabe Hezi and the others were ready to leave with their own child servants.

But before leaving——

"Do you want to ask me about Shion-chan's family situation?"

Shoko Sugimu, who had packed her belongings and was ready to leave, showed a surprised expression.

She really didn't expect that Kita Sumire would stop her specifically for this matter.

She hesitated.

After all, Shion Akiyama's family problems belong to her personal private affairs.

In principle.

As an agent, Shoko Sugimu cannot disclose the family private affairs of the agency's sub-servicemen to others.

But.

Kita Sumire didn't look like he asked this question out of pure gossip.

And the most important thing is

Thinking of Kita Sumire's 'half-forced' Shion Akiyama, who could only eat nutritious meals, to eat the fried chicken nuggets he made

And thinking of Shion Akiyama's eyes that were somewhat happy because of Kita Sumire's 'forced'.

She was silent for a while, looked at Kita Sumire, and nodded.

The next thing was very simple.

She told the other party what she knew about Shion Akiyama's family situation and many things about Shion Akiyama's mother, Runa Akiyama.

"So that's how it is."

Kitasumi blinked.

I thought Akiyama Shion was just over-exploited.

I didn't expect it to be so serious.

Three meals a day are specially equipped with nutritious meals - the kind that have no taste at all, purely for supplementing the nutrients needed by the body.

I have to accept almost all the work outside.

I work until nearly nine o'clock every day before I get off work.

At the same time, Sugimu Shoko heard Akiyama Runa repeatedly PUA Akiyama Shion in the filming group more than once.

What 'Mom can actually live better without you' or 'You just need to listen to mom and don't think about anything else'.

These words sound very serious.

Looking at Akiyama Shion who was timid and didn't dare to talk back, it seemed that her face had lost its bright expression.

Sugimu Shoko frowned and wanted to say something.

But she took a step and stopped in the end.

Because it was Akiyama Shion's family affair.

As an agent, she could only assist Akiyama Shion in work at most.

Regarding family affairs, especially the education of the child-serving family.

She is a pure outsider.

There is no way to interfere.

Even if she always regards Akiyama Shion as a family member, it is still the same.

Sometimes Sugimu Shoko really hates her powerlessness as an adult.

She is obviously an adult.

She should have the ability to change some things.

But she can only watch Akiyama Shion being educated by her mother in an extremely cruel way.

It is really unwilling.

But there is no way.

This is her usual portrayal at work.

When she said this.

She sighed heavily, then raised her head and looked at Kita Sumire.

She wanted to see if the other party had the same feeling of helplessness as herself.

But what she didn't expect was——

"Really? So that's the case, I know. Akiyama Runa"

Kita Sumire's voice after pondering was very calm.

The calmness in the tone made Sugimu Shoko stunned for a moment.

However, unlike the stable response,

Sugimu Shoko clearly saw the bright colors jumping in the eyes of Kita Sumire who was thinking deeply.

That feeling

was like a high-level predator staring at its prey.

Gulp——

Sugimu Shoko couldn't help swallowing her saliva.

As an adult, she had an overwhelming advantage over Kita Sumire who was only eight years old.

But at this moment.

She felt an indescribable chill.

Looking at Kita Sumire muttering Akiyama Runa's name.

Sugimu Shoko shook her body.

I don't know why.

At this moment, she actually felt sympathy for Akiyama Runa.

Because the other party was stared at by Kita Sumire, the most abnormal child in the industry.

Time passed.

It was Sunday.

The heavy snow on this day weakened.

Public transportation facilities in Tokyo began to resume operation.

And this also made Tanaka Kenzo excited.

Noticing that the weather had improved, he called Kita Sumimi and Akiyama Shion without even stopping, asking them to rush to Kyoto today—they must not miss this rare snowy weather!

In such a hurry.

The snow scene shooting of "Swordsman Den", which was two days late, finally started with Tanaka Kenzo's roar.

"Hurry! Hurry up and decorate! While there's still a little snow! Hurry up and decorate the scenery!"

"The prop team over there, have the tracks been checked? Don't let anything go wrong then!"

"."

Generally speaking, the staff who check the layout of specific equipment should be site attendants.

The director only needs to do the final confirmation work.

But today Tanaka Kenzo went straight into battle.

One can imagine how much he values ​​this scene.

This is also something that can't be helped.

After all, I missed this snow, and I don’t know when it will be next time I turn on the phone.

Moreover, "Swordsman Den" has a total of two snow scene scenes when it is launched this time. These two snow scene scenes have laid the foundation for "Jianhao Den".

The first scene of the snow scene is the scene when Minoru Kitami read the script of "Swordsman Den".

Aoki Kenichi lost his best friend.

Finally, the rebelliousness engraved in my bones was abandoned.

He pulled out the knife his father had given him.

At the same time, he also got rid of the 'swordsman's dream' that had always been trapped in him.

After being polished by reality, he settled down again.

Thinking about the meaning of the sword he held.

Not just for readers.

This is also true for the character Aoki Kenichi.

This snow scene is a milestone.

In the second scene of the snow scene, Yukishiro Kaoru, wearing a snow-white Wufu, is holding an oil-paper umbrella and standing among the falling snowflakes.

Looking back, he saw Kenichi Aoki walking out of Kyoto city covered in blood.

He looked up at her waiting in the snow.

If the snow scene in the previous scene is the expression of the characters.

Then the second scene shot is the ultimate beauty and romance.

Of course Tanaka Kenzo is very concerned about this.

Wait until everything is almost arranged.

Field recorder.

A brazier rolled to the ground enters the painting.

There were scattered blood stains on the ground paved with heavy snow.

It is enough to show how tragic the fight between Kenichi Aoki and Ichiro Kitaoka just now was.

Aoki Kenichi lowered his head.

In his arms.

It was my friend Sensei Kiyoshi with a pale face.

The blood stain on the chest gradually expanded.

Life is passing away.

But even so.

He was also persuading Aoki Kenichi.

Draw your sword.

As long as he draws his sword, he is the strongest swordsman.

Under the lens.

Kitaki Minoru pursed her lips tightly.

Clenched teeth.

Tanaka Kenzo and all the staff couldn't help but admire it.

"As expected of you, Beicheng-kun, your condition is still so perfect."

According to Kitazumi's state.

This lens can probably be passed in one pass.

The staff of "Kenhaoden" have also been working with Minoru Kitami for nearly two months.

Of course I am very impressed by this son who is always in perfect condition.

Now I won't be stingy in praising him.

After all, everyone hopes to finish filming as soon as possible - it's still snowing outside, and I don't have any hobby of making selfies. Who likes to stay on location in the ice and snow?

They sighed there.

Many people nodded.

Only one person gritted his teeth about this situation and was even unwilling to do so.

This person is no one else.

It was Runa Akiyama, the mother of Akiyama Shion, whom Kitami Minoru and Sugi Shoko mentioned before.

As the parent of a child, she usually comes to the filming scene with Akiyama Shion.

It’s just that there are things to deal with in the past few weeks.

That's why she didn't come over.

But now she can be said to be very unwilling, and even a little dissatisfied with Tanaka Kenzo.

Because in her opinion, the daughter she had worked so hard to educate was better than other children in every aspect.

As a result, he was overshadowed by a second-rate prostitute in the industry at the filming location.

Of course she was dissatisfied.

In particular, this second-rate servant was Kitumi Minoru, whom she had looked down on before and who rebelled against her biological parents.

This made her even more dissatisfied.

Looking at Akiyama Shion, who is almost only a supporting role in this scene.

Akiyama Runa tightened her phone.

It's crazy.

The filming team of "Swordsman Den" actually let a son-in-law who doesn't even respect his own parents join the filming.

What did Director Tanaka think?

Generally speaking, after causing such a big mess, one should try to avoid using Minoru Kitazumi, right?

She was very dissatisfied.

Really dissatisfied.

There is an idea to find a theory from Tanaka Kenzo.

But this is just an idea.

Kenzo Tanaka is the director.

And she is just Ziyi's parent.

In terms of filming.

Akiyama Runa has no position to criticize the director with the highest status on the scene.

Even if she was dissatisfied, she could only continue reading.

The filming progress on Kitami Minori's side was very fast.

As Tanaka Kenzo said.

This scene of snowy scenery passed through in one go.

Take advantage of this momentum.

He didn't hesitate at all.

Just let Kitumi come over and continue shooting the second snow scene.

First, artificial plasma was naturally applied to Kitumi Minoru's body, navy blue robe, and side face.

Then put on makeup carefully.

Press down on his fair complexion.

The venue was tidied up again and moved to another set.

The second snow scene scene begins.

After pulling out the long knife forged by his father.

Aoki Kenichi killed Kitaoka Ichiro.

But his own situation is not good either.

Injured by the opponent's blade.

Blood soaked the body.

Under the heavy snow in Kyoto.

Everything seemed to be wrapped in snow-white color.

There are shallow and deep footprints on the ground.

And spreading forward along the different depths of footprints is Aoki Kenichi walking forward slowly.

Sudden.

His steps stopped.

He looked at the slim girl standing in front of him in the heavy snow, holding an oil-paper umbrella.

She was wearing snow-white Wu clothes.

Stand in front of him.

A pair of clear eyes stared at him unblinkingly.

"smoke."

Calling her name, Aoki Kenichi stood in front of her.

Although he still looks so unruly.

But at this time, Aoki Kenichi was completely different.

Experiencing the death of a close friend.

The sharp eyes that looked like cold blades were no longer hidden.

It was obviously just a look.

But Tanaka Kenzo couldn't help but tremble and felt very surprised.

"That expression is very nice."

At this time, Aoki Kenichi seems to be the same person as before.

But in fact, he experienced a mental baptism.

He who was as sharp as a sword is a thing of the past.

Now he has learned to hide his edge.

Just by a look.

Kitami Minoru is able to interpret that feeling that can only be found in comics.

This is really good.

Filming continues.

He just called Yukiyo Kaoru's name and stood in front of her.

Aoki Kenichi stopped moving.

Yukiyo Kaoru, who was holding an oil-paper umbrella, looked at him.

He also looked at Yukiyo Kaoru.

The two looked at each other.

Time seemed to have frozen at this moment.

Snowflakes fell one after another around me.

Yukiyo Kaoru finally made a move.

Her expression seemed a little touched, but also a little sad.

Touched that he could come back safely.

Sad that he was scarred.

But finally.

She smiled anyway.

"If you get sick, it won't be good."

Her oil-paper umbrella tilted.

"Um."

He nodded and walked under her umbrella.

Nothing more was said.

There is no need to say anything more.

Snowflakes are flying.

Covering up the two people's retreating figures.

Finally, take a long shot and pull back.

Take out Kyoto and the back figures of Aoki Kenichi and Yukiyo Kaoru continuing to walk forward in the heavy snow.

It shows that swordsman Aoki Kenichi’s journey still has no intention of stopping.

"very good!"

Tanaka Kenzo clapped his hands vigorously.

Both snow scenes are very difficult shots.

In the end, it was completed by Kitazumi Minoru and Akiyama Shion with outstanding performances!

This can indeed be called very good.

Even he couldn't find any fault with it.

However.

the other side--

"What's 'very good'?!"

A person is walking on the road to the shooting base, next to the landscape woods dyed white by heavy snow.

Akiyama Runa was extremely dissatisfied.

The two scenes just now were completely different from what she thought!

She was thinking that Beicheng was actually a green leaf, and her daughter Akiyama Shion was a flower.

Use the purity of the north to set off the poetic sound of Akiyama!

This is the most correct thing!

But there is something really wrong with that director!

You actually think that shot like that is ‘very good’?

Could it be that he is blind?

She clenched her fists and vented her dissatisfaction fiercely to the open space.

It was at this time.

A voice suddenly sounded from behind.

"Huh? Isn't this Shion-chan's mother, Auntie Runa? Why are you here alone?"

Akiyama Runa was stunned for a moment.

He looked towards the source of the sound in surprise.

He saw Minoru Kitaki, who had put on a brand new navy blue robe and was carrying a wooden sword, standing behind him at some point.

This little devil——

Listening to the other party calling his daughter ‘Shion-chan’.

I heard the term ‘Auntie Runa’ again.

Akiyama Runa's fists clenched unconsciously.

To be honest, she didn't want to talk to Kitaki Minoru.

This kind of child rebels against his parents.

Just one more look would make her feel very uncomfortable.

Available as an adult.

Her dissatisfaction can only be kept in her heart and cannot be shown directly to Kitaki Minoru.

Akiyama Runa could only take a deep breath.

He forced a smile on his face.

Then she walked over, half-crouched down, smiled and reached out to caress Kitumi Minoru's head in front of her.

"What a coincidence, Beicheng-kun, have you finished filming? Is there anything you can do here alone?"

This question was just a polite comment.

She didn't think there would be any intersection between herself and Kitumi Minoru.

However.

"Well, I have something I want to ask Auntie Runa for help with."

Why?

Hiss. It’s really troublesome.

There was a hint of impatience deep in his pupils.

But Akiyama Runa could only smile.

"Oh? So may I ask, why do you want me to help Beicheng-kun?"

"It's a very simple thing."

Fine snowflakes were falling.

The boy showed an innocent smile.

Then.

In front of him was Kitumi Minoru with a pure smile on her face.

She said something that Akiyama Runa had never thought of in her life.

"I want to ask Auntie Runa to be my dog, is that okay?"

“.Huh?”

Because these words were so shocking.

Akiyama Runa’s brain crashed for a while.

But she quickly reacted.

Her eyes widened in shock.

No?

What are you talking about?

This strange child?

Chapter 2! 4600 words!