Legendary Hollywood Director

The sun had already set.

The law and order in Los Angeles is not good, so Bella quickly returned to the hotel after watching the movie.

At this moment, when she opened the document, she only felt that she had something to write on her mind, but she really started to write, but she didn't know where to start——

She frowned to think of a better place to break the question.

The change of mind of the protagonist, the shamelessness of the executive man in the suit, and even the government's inaction alluded to in the film... These are all points that can be written.

But the problem is that most of the characters portrayed in the film are egoists, and rarely have that kind of positive stance - Angie doesn't count, children's minds are immature.

Perhaps, to generalize more comprehensively?

Bella thought about it for a long time and finally came up with a suitable idea.

Sitting in front of the computer, she typed on the keyboard to describe her review of Row to New York.

The title is - we can be humble as dust, not twisted like maggots.

...

I'm a person who doesn't like watching disaster films very much, because this kind of subject matter is extremely easy to limit the creator's thinking, and the theme of the whole article can't escape the three words 'survive'.

Either the desire to survive is greater than everything else, and the protagonists survive; or it makes sense to set how the protagonists die.

Obviously, if disaster films want to shape characters, they can only work hard in these two directions, but the point is that the same theme makes it more difficult to highlight the highlights.

To put it badly, with so many successful disaster movies, such as Independence Day and Alien series, how many characters can be remembered?

Not much new. Wei Guangzheng has too many characters, so he gets bored, and he can't touch it if he is far away.

But Row to New York is different.

There are always people who think that the world is black and white, but ignore gray.

Jingwei is clearly not good, and the too one-sided portrayal of the characters is even more so thin and confusing.

It can be said that most of the characters in New York Row are often encountered in reality. Aside from the background setting, it will be a proving ground that focuses on depicting 'human nature'.

For example, in the movie, as soon as the protagonist Jack appeared, and the zombies were still more than halfway away from them, he could very cruelly shut the strong man and his pregnant wife out of the door. People who can't run fast enough are self-declared death sentences.

If it weren't for the strong man's quick hands and feet, he would definitely die from the mouth of the zombies, and it would not be too much to be scolded as 'scumbag'.

But is he bad? Can't. Put yourself in the shoes and think about it, the unknown infected person will bite and rush over here. In such a critical situation, who can make the most selfless choice?

In fact, most of the reality is like this, and often the more something is missing, the more something is advocated.

Isn't it more and more valuable because of advocating to be selfless and take the overall situation into consideration?

The fact is that the human heart is unpredictable, and when people face the choice between life and death, they will always reveal the truest choice in their hearts.

Therefore, it cannot be said that Jack's choice was wrong, nor that he was right.

Opening the door can indeed save the two faster, but the risk factor is too great.

What if they were breached by zombies, what would happen to the people in the carriage, including their daughter Anji?

Under the circumstances at that time, it was safer not to open the door than to open it, it was as simple as that.

There's nothing wrong with selfishness, but it's hard to be accustomed to hurting others.

For example, the transformation of the protagonist Jack is also Anji, and a kind of redemptive psychology of self;

Another example is a cheerleader who would rather risk being ostracized with a loved one than go along with the waves;

Also, a strong man with a sense of responsibility, the life of the person he loves is more important than anything else...

These characters can make people feel good, but they are also based on protecting the people around them, they belong to self-help, and they can't say where selflessness is going.

As for the villain in the movie, the executive man in a suit is also an egoist. Is there any difference from the above?

Everyone wants to live, and the fault lies in it. He likes to let others sacrifice their lives.

He also pretends to be full of benevolence, righteousness and morality to manipulate people's hearts.

This is what makes him disgusting. There is nothing wrong with trying to survive, but it can't interfere with other people's lives!

To mobilize one group of people to force another group to die, and to kill the humanity of the survivors around them in order to survive, is the most vicious concept of this film.

At every turning point of the plot, this extremely selfish person can deliver the most precious assists.

Urge the train conductor to leave as soon as possible; provoke people to refuse to open the door; confuse the train conductor to go out to attract zombies; if he can't escape, he pushes the cheerleader to the zombies that are chasing him; until the end, he can kill the driver who came to save him and join forces with him. Jack died together.

Arguably, he's one of the best characters (smiles).

In addition to the characters, in the movie, the zombie scene that rushes to the face and the heart beats is equally powerful. The combination of special effects and costumes reveals a shocking visual effect. The director's portrayal of the fragile performance of people in the face of disaster and panic is even more admirable.

The reality is often more cruel than imagined, and the so-called undead halo of the protagonist has never existed.

Although, I don't want Jack to die (laughs).

The review is finished.

Check it out, and Bella quickly sent it to the reviewing editor.

...

Late at night, the Beverly Hills mansion.

Lyman leaned against the head of the bed, holding Eva, who had just finished exercising and was sweating slightly, in his arms, and unconsciously rubbed his right hand on her smooth back.

There are still several hours before the midnight show ends, and the box office at the midnight show will be released. Why don't you go to bed first, and you'll know when you wake up tomorrow. Eva suggested looking at his slightly tired face.

I can't sleep. If you are sleepy, go to sleep first, I'm waiting. Lyman touched her cheek.

He is now a frightened bird, for fear that any news that is not conducive to New York Trip will appear.

Why? Really short of money.

The acquisition of Lismanwish Films has almost exhausted the working capital of Firefly Films. In order to keep Ryan's private property, he has to pay back more than 100 million personal loans. If New York City suffered severe losses and could not make any money, You have to think about who to sell the shares to hematopoietic.

Warner, Paramount, Lionsgate... These three partners who often deal with each other have all moved to win over.

And if New York City is strong, Firefly Pictures and Blue Butterfly Pictures still have more than 30 million US dollars on their books to maintain stability, and they can support WB TV to share the proceeds of Prison Break——

The TV world is not much different from the movie world, but there is always a need to divide profits batch by batch.

The first batch is the income of more than 20 million yuan from the purchase of broadcasting rights.

When the bulk of the advertising costs and the offline market are not shared, it is estimated that the money will not be seen until March next year.

The company's daily expenses and movie announcements can't be delayed, so it is necessary to act on a whim. You can't see any problems with the company's capital chain. For this reason, people have to accept it.

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