Legendary Hollywood Director

Once the crew starts working, they rarely stop.

Because Batman: Mystery of the Shadow had to finish the filming work a few years ago, and set aside time for post-production and scheduling for next year's summer vacation, there was not much time left for Director Nolan.

Although it took more than a month to shoot, almost half of the progress was completed.

But in the remaining month or so, there is no slack.

The crew members took a flight to Iceland immediately after filming in the UK.

It took another three days to transport the equipment to the mid-level lake at the end of the ninth road.

By late October, the climate in Iceland turns cold.

The film crew's location staff spent 500,000 yuan to find a large number of construction talents.

One hundred thousand of them is used to build a big wooden house on the mountain, labor, material costs... seventy-eighty-eight.

The rest goes to local government outreach agencies.

It is guaranteed that the film crew will get the support and approval of the government for filming here.

Although the crew can't afford the money, it's not that they can't come to Iceland to shoot, but the government will definitely not be too enthusiastic.

Not to mention a director like Nolan who has not yet emerged, even Lehmann was filming here, or internationally renowned directors like Spielberg and Cameron, when they go out to film, they will also meet Various difficulties and unexpected situations in many places.

For example, the local government asks you to publicize more about their special attractions, cultural relics, etc. Do you agree or not?

Not to mention this kind of political task, what if someone disturbs the filming or the crew clashes with the locals?

It's impossible for them to file a complaint with the police in the United States at any time when they are filming.

This kind of very necessary management, if something really happens, the relevant local departments will not be too slack.

......

Lyman has been on the set of Batman: Mystery for almost a week.

After the shooting was on track, I felt that there was no big problem, and I had the idea of ​​leaving.

In fact, he didn't have much work on the set, and his main time was chatting, chatting with actors, and chatting with Warners producers. talk nonsense.

Dispel the superfluous thoughts of some people.

But it was indeed time to leave.

Back in Los Angeles, there's a whole bunch of stuff waiting for him.

The later stage of New York Trip has been completed long ago, the schedule is scheduled for Christmas, and there is less than a month left. As an investor and producer, you have to go back and guard a little bit.

Also, the year-end awards for Million Dollar Baby; the post-production work for Daydream; the preview of the Prison Break TV series...

Just looking at it makes me feel busy.

However, although there are many things, it must be taken one by one slowly.

Bear the brunt of the TV series Prison Break.

......

Crack.

Wen Ziren clapped his hands, picked up the loudspeaker and said, Okay, let's finish work early today, everyone should be gone, I will contact you if there is anything.

The director let go, but the actors did not have much joyful voices.

Just quietly packing things up.

After so many days of filming, everyone enjoyed it a bit.

A group of marginal figures in the entertainment industry can have so many scenes for them to play, and it is very easy for them to be happy for them who really want to be actors.

Quite a bit of a taste of gain and loss.

why.

Today's American dramas have a very mature set of market rules.

After a few trial episodes, if there is no effect, it is likely to be cut off.

And a TV drama that has already been approved has been cut in half. As an actor, how can it be too happy.

That's what they worry about.

In one year, a TV station can successfully screen less than one-tenth of the total number of TV dramas.

That is to say.

After piloting more than ten TV dramas, only one or two were left in the end.

Most of them are dramas that have been released after one or two episodes and are unfinished.

However, this is the choice of the audience, and it has nothing to do with the TV station.

This is the advantage of the separation of production and broadcasting.

For very little money, TV stations can identify the most promising shows and buy them to play.

If it is self-produced and self-sold, whether it is a bad drama or a good drama, it is all in the pot, and there is not much room for choice.

Just like the saying, Money is spent, and if you don't release it, it's all a loss.

This is also the reason why many TV stations rarely see a high-quality TV series in a year before production and broadcasting are separated.

Of course, the situation inside is more complicated.

For example, corruption, struggle for power...all kinds of messy things.

However, Wen Ziren didn't have as much thought as the actors.

He, a film director, came to make a TV series, which was completely ordered by Lehman, otherwise, this guy would definitely not accept it.

In later generations, the only place he dealt with TV stations was when he was a TV producer.

It's because Warner paid too much money and wanted to make quick money.

And because the first two films of the Chainsaw series achieved good market results, Wen Ziren suddenly lost his sense of direction.

That is, I neither want to make a sequel of the same type and recreate it, nor do I have a good creative idea to shoot a new movie.

The new script has been written a lot, but I can't even pass my own test. I don't think it is innovative enough, and I dare not show it to Laiman.

After such a delay, more than a year has passed, and I have more days to be behind the scenes than to be a director.

However, he is also an active person.

Nothing great, and nothing in a hurry.

It's a good way to try to go behind the scenes.

In the middle of the year, follow Zach Snyder to tinker with The New York Trip.

The finished film Lehmann has already seen it and thinks it has a lot to do.

It belongs to the spark created by the collision of two excellent directors.

Based on the story of Train to Busan, this film adds Zha Dao's oil painting-like color style and Wen Ziren's control of rhythm and scene atmosphere.

It imaginatively turns the bloody footage into a canvas-like effect, with a unique violent aesthetic.

We can vaguely see some shadows in Sparta, especially the blurred, painted and enlarged visual effects of the flesh-and-blood lens when the zombies are biting.

Simply.

As for rhythm.

The rhythm of the original story is actually pretty good.

What Wen Ziren gives is more about the lens cut.

With sharp and fast editing, the tension of the plot is expanded.

All in all, in Lyman's view, this movie is definitely better than the original.

Wen Ziren packed up his things and prepared to leave.

After returning to Firefly Pictures, I immediately started editing the material for the third episode.

The pilot, even if Lyman thinks Prison Break is likely to be a success.

Also have to come up with the facts to convince the people of WB TV.

Without data to support it, it is still a family's words after all.

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