Legendary Hollywood Director

In the crew of The Chainsaw, if Wen Ziren was to judge.

He is most satisfied with Hugo Weaving, followed by J-k Simmons, and finally Jason Statham.

The criteria for judging are simple: acting and the harmony of the scenes.

If you don't get married by relationship, this is the most intuitive thing an actor can see.

Who is good and who is bad is clear at a glance.

Hugo Weaving is the one he likes the most, with a good image, a thin body, and a professional temperament like a doctor. Wherever you go, you can be convincing and give a thumbs up from the bottom of your heart.

The actor industry needs a breath of life. The kind of spirit from the inside out that is closely related to the human being.

There are more stories, more insights, and more understanding, and that kind of feeling will naturally come out. Like flowers, it smells pleasant.

There is no doubt that Hugo-Weiwen has acted in dramas for nearly 20 years, and he is at the most mature time in his life. It's so transparent that people can't help but look away with his performance.

As for J-K Simmons, that's the script itself. Playing a corpse, lying there motionless, watching a ghost perform well.

However, people are also dedicated to their work. If they say that they pretend to be a corpse, they will pretend to be a corpse. They often lie there for more than half an hour. No one can pick a bad one.

As for Jason Statham, what to say.

He was a monk halfway through, and he didn't go through systematic study, so his foundation was weak.

There is no innate acting talent like Heath Ledger and Cage - we often call this type of people: God's food.

His filming relies entirely on blind thinking, hard work, and perseverance.

If this part doesn't work, just do it again, if it doesn't work, do it again... Repeat, repeat, use practice and skill to make up for the feeling and emotion that you need when performing.

Every night, he spends a lot of time thinking about the scenes that need to be filmed tomorrow and how to handle them.

In this case, the general scene is okay, and it can fully cope with the past. This is also the reason why the filming started to go smoothly.

But when it comes to the kind of particularly delicate or particularly strong paragraphs, it will inevitably appear that the expressiveness is not enough, and the fire is bad. That's the bottom line.

......

As for this part, you need to put it on hold. You see, Adam is a jerk who likes to take pictures secretly and has a more egoistic personality. After he was caught, he heard the sentence on the tape, there is only one of the two. If he can go out, he already has the intention to kill. He is not like Lawrence, his idea is simple, he thinks that the murderer deliberately provoked, he is watching a joke, or he can kill them directly when they are in a coma.

In the actor's rest room on the set, Wen Ziren was talking to Jason Statham. After the staff did their due diligence, they also rested there. Or chat, or sit quietly. Everyone is waiting.

But when he saw that Lawrence really dared to saw his own calf, he must have been shocked first, and distraught second. Because he escaped and he didn't. Do you understand? It must have had an influence on him, so he also took a ruthless heart, just like that...

Wen Ziren gestured continuously, talking about thoughts that he didn't quite understand, When you perform, you should suppress your emotions, but not too much, because you don't have the determination as Lawrence.

Jason Statham listened silently,

He rubbed the mineral water bottle in his hand. Confused for a while.

He understands what the director wants to say, and he also understands this paragraph. He can't be overshadowed by Lawrence too much, otherwise the rivalry of the two protagonists will become a one-man show. How does that work?

But what he needs is not these, but hopes that the director can tell him how to do it.

But in the profession of director, the least thing I know and dislike is how to teach people to act.

They are not acting teachers, can they still analyze the use of micro-expressions and body language?

But let's pull it down, it would be nice if they knew what they wanted to do. To a large extent, every performance should be the performance of the actors. It was a sudden outpouring of that emotion. Everything is designed, and then do it step by step, that is not called acting, that is called rehearsal.

In many cases, performance teachers can only teach some muscle control skills.

As for performance, it is a process of actors learning, accumulating, and slowly stacking up... Obviously, Jason Statham has not yet reached this level.

Therefore, even if he understood, he could not act.

At this time, another corner of the studio. Taking advantage of the break, Lyman was sitting there talking with Eva Green.

The filming was blocked, and it was not him who suffered the most.

On the contrary, he is in a good mood now.

I even want to see Wen Ziren's training skills.

How do you think it should be natural like Hugo Weaving?

Eva Green had also read the script, and it was after reading it that she realized that she might not be able to act like Jason Statham, or could not imagine what it would feel like to have someone's leg amputated. It cannot infect the audience and bring them a more realistic viewing effect.

If you play too much, you will naturally play, so there's no need to worry. Lehman leaned on the back of his chair and said nonchalantly.

In his view, actors need life experience. It's useless for a young man like Eva to think too much.

What if I can't act?

There are many ways. Lehman continued: Give a profile shot, let the audience's attention focus on the wound or the blood on the ground, and don't take a close-up of the character's face. , the climax point is not so cool. You know, seeing people in pain will also make people feel more involved and empathize with them.”

Hearing this, Eva nodded silently.

This method is also the most common shooting method of borrowing metaphors in movies. It is usually given to those who have poor acting skills, or who are quite helpless after the performance fails to achieve the desired effect. Can try to be better, who doesn't want to?

But this man has limits. It’s really not good, and it’s definitely not good to insist on it. (When watching some small fresh meat performances, such scenes often appear, or narration lines, and cover up the past without showing your face.)

Everyone rested for about half an hour before shooting again.

But looking at Jason Statham's still gloomy look, it doesn't seem to work?

Are you talking about a play?

I said it. Wen Ziren stood behind the monitor, threw out his hands rather roguely, and sighed, But I don't know what the effect will be. Let's try it first.

Camera is ok.

The radio is ready.

it is good,.

The camera is on Jason Statham again.

This time, he remembered to put it away.

His brows furrowed together, as if he was suffering from great pain...

Crack. Wen Ziren stopped filming less than a minute before the official start of filming.

No, it's too deliberate.

He turned his head and looked at Lyman who was watching the lively? ! .

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