Legendary Hollywood Director

Shooting bloody, exciting scenes in a thriller is a very test of kung fu.

After all, it has been brewing for so long, and this will soon be a climax.

At least let the audience feel good. If people are not happy, it must mean that the film is going to hit the streets. Just like a man and a woman, when you can't satisfy each other, let's all experience the other person's mood.

Wen Ziren also seemed to take it seriously, and kept discussing with the shooting team with a serious look.

After all, he wrote the script with his friend Ray Warner. Do you know where the splendid passage of this movie is? Therefore, he designed this scene with 200% of his brain holes and technical reserves. Everything strives for perfection.

Let’s talk about the rubber calf model of the shooting props. I started preparing it a week in advance. During the period, because the effect was not good, I had to go back and redo it many times. This is how it looks like today.

On the lighting, it is also adjusted many times.

White light with very low brightness. The picture looks bleak.

Lehman watched from the side and had to admit that he was really talented.

As far as the scheduling of this scene is concerned, he estimates that it is not as good as Wen Ziren's, which can mobilize the audience's hormones to soar, giving them the visual temptation and inner satisfaction they want.

Seriously, I learned.

Of course, aside from the bloody scenes, in other aspects, Wen Ziren still has a lot of experience to accumulate, but it can still be seen that there is already a shadow of Wen-style horror films in later generations.

This is a bondage scene where Adam and Lawrence have to saw their legs and escape the shackles of their feet. At this moment, the basement sets are all deliberately old.

Wen Ziren stood behind the director's monitor with excitement on his face, his eyes full of anticipation - this person may really have a tendency to be perverted in his heart, and he showed great interest in such intuitive blood. Although he was persuaded to delete several of the close-up shots he wanted, he didn't give up entirely, adding a little hint, side shots, bloodstains to be spilled on the ground later, and, the model of the calf.

Originally, this guy also wanted to take a close-up long shot, and slowly use the saw to cut the calf and record all the pictures from the bottom of his heart. The skin and the flesh are torn together, the flesh and blood tissue is scattered, and the dark red blood flows out in an instant. It will definitely have a beauty and a more impact-beautiful, rushing or impacting, Leiman does not know, He only knew that if it was shot like this, the movie would definitely not be rated R.

(You must know that the highest-grossing film in NC-17 is still Uma Thurman's June Flower starring Uma Thurman, which is only 20 million US dollars. And R-rated films, as long as the quality is good, it is easy Over 20 million, this is the problem brought by the audience. Another example is G-rated movies, which can be watched by children and the elderly. The highest record is Finding Nemo, which is close to 1 billion US dollars in the world. The gap.)

Well, that Love in June Flowers, if you have the resources, I recommend everyone to watch it. It's similar to some classic third-level films of Xiangjiang.

Too SQ, too violent, too bloody, and there are not so many serious audiences who deliberately come to the cinema to support, okay? Even if you like to watch it, why not buy a disc and watch it at home? People don't want to be embarrassed. Therefore, this market is also destined to have no hope for the NC-17. Offline, you can expect to see big sales of DVDs and videotapes.

Although Lyman could not understand his bad taste, he chose to respect it. Just keep it under control.

Don't be so intuitive that it's disgusting and unappetizing.

Before the filming started, the drama management was still doing the final inspection work.

Hugo Weaving and Jason Statham, who were about to perform, were both sitting in chairs, brewing emotions.

Hugo Weaving's sitting position is very strange. He leaned against the back of the chair, his whole body sank as if powerless, and his eyes were closed - this would allow the muscles and spirit to be fully relaxed, which was his unique way of adjusting on the spot.

Jason Statham was much simpler, leaning back in his chair, script in hand, head bowed, and thinking about something else.

Both also understand the importance of the scene and the difficulty of acting.

There was an inexplicable serious atmosphere that suddenly came from the set, maybe everyone was waiting for it.

Lyman stood aside, also looking forward to it.

Because of the previous shooting, it has been very smooth - since he joined the group.

The actors, especially veteran actors like Hugo Weaving, were even more at ease when filming. This is the first time he has carefully prepared for foreplay.

Is everything okay? Wen Ziren asked.

Ok. The drama manager made a positive gesture.

—

The shot of the first camera first gave a close-up of the saw, and the cutting chain on it looked so sharp.

Then slowly panned, pulled back, and reflected Hugo-Weiwen's whole body.

He didn't know what to think in his eyes. He looked at the saw several times and lowered his head again, as if he was in the last ideological struggle.

His whole body trembled slightly, but he still stood firm - if he didn't, he would only die. That devil wants to see such a scene happen. He satisfies him.

Taking a few deep breaths and holding his breath again, Hugo Weaving lowered his eyes, picked up the hand saw in his right hand, and stared at the ground diagonally ahead without blinking. Jason Statham stared at him, seeming to be surprised by his actions.

The cameraman was very annoyed, and he went back and forth between the two of them, constantly taking pictures.

There was a corpse lying on the ground. The wound is no longer bleeding. It is the actor who plays the jigsaw, J-K Simmons. If the final reversal is the finishing touch, the front is all paving the way for the end. His shots are all swept away, let people know that this is a dead man. Now the focus is not on him, and we must deliberately reduce the sense of existence.

Hugo Weiwen suddenly pursed his lips, and there was an obvious forceful movement on his hand.

Blue veins burst out, and cold sweat dripped down.

He was gasping for breath, and his body was in a trance and swayed slightly, but it continued.

Finally, he couldn't bear it any longer, and roared violently, like a wounded beast trapped in a cage. His eyes also changed completely, becoming bloodthirsty and murderous.

His expression was extremely painful, but he was still firmer than ever before. The madness was expressed incisively and vividly at this moment.

Gradually, he collapsed to the ground as if he had lost his spine.

His face was pale, and he kept twitching.

The camera moved backwards, and I saw that there was still a shackle on a calf, and there were bloodstains from the props group on the sawtooth and on the ground. It was bloody and seemed to have an inexplicable throbbing.

Hugo-Weiwen seemed to be relieved and heaved a sigh of relief. His hands were beating on the ground, still enduring pain.

He did it, he escaped...

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