Legendary Hollywood Director

The dispute over the interests of traditional media and streaming media has indeed run through the history of Netflix's development.

Whether it is the radical opposition between new channels and old channels, or the invasion of Internet capital and Wall Street capital into the creative circle, it means that it is impossible for the two parties to get along well.

Of course, it’s not that the traditional media side can’t see the innovation of the audience’s ideological trend. They just say that they hope to be slower and lead the change in the second broadcast field, rather than the impact on the old circle initiated by the giants with the spirit of the Internet.

It's a pity that the butt decides the head.

Mann Media has no TV stations, TV networks, and is also limited by the Paramount Act. It dares not or cannot have a shred of cinema shares. It can be said that this revolution of old and new channels is completely irrelevant for a content producer. No difference.

In any case, users will always spend money on their favorite users, whether HBO or streaming, essentially dominates and sells content.

From the moment Jayden Bryan walked out of the room, Lyman really had nothing else on his mind.

He is definitely going to be his own streaming media platform, with more value for additional content.

April 27.

When Johnson called to report that the acquisition was on track and that he was accepting assets, he quickly informed Perlman that the streaming content library was also part of the copyright operation, and he was still in charge of this work.

I contacted a design and decoration company, and their surveying and mapping staff will come to Burbank tomorrow. You can take them to the nearby industrial park to have a look. The streaming media business must be relocated here from Silicon Valley.

Lehman said: Don't buy a building first, rent a few floors for use, and then talk about it when conditions are available in the future.

FOtv is just a small platform, and there is no space requirement for a large office area.

——————

Perlman said: I have had people say hello to the city government, they are very welcome to enter the Internet companies, and some processes have been unclogged.

How is our copyright library? Lyman asked again.

Uh... Marvel's film and television series, including movies, are signed with Netflix once a year, and they get on-demand revenue. It's easy to get it back, and the same is true for TV series such as Breaking Bad , as long as it is not broadcast on TV channels; only Twilight and the zombie trilogy released with Lionsgate; Untouchable with the French side, and The Walking Dead (the original pledged funds were expanded The distribution channel, the proceeds were sold to Gao Meng and Europa) There are some problems. In the former case, it is authorized to the YouTube long video service, signed for 3 years, and will expire at the end of 12 years. In the latter case, we will have to launch our own streaming media. Let them know, in addition, part of the copyright of the Pacific Rim Monster Universe series is in the hands of China and Japan, and this part must be clearly discussed before it can directly enter the online film library.

What about the others, the film sources that have been collected one after another?

We have been hoarding some copyrights circulating on the market over the years, and we have also bought some film sources in Cannes, China and the pure offline market. In general, apart from the copyrights that can create high value on the big screen, there are a total of 4,200 There are many, but most of them don’t actually make money, at least in the offline market.” These are the 80% that are worthless in the field of traditional media monetization.

Most production companies' film libraries rely on their heads to earn royalties, and Firefly is no exception.

Of course,

These film sources are naturally different when they are placed on streaming media. If you can get a click, it is also a click traffic. The accumulation of small amounts will result in a different judgment of value. If you sell DVDs, bad films will not be sold for a month. Going out for a few copies can only be done by making a collection, such as a CD of comedy collections, horror and thriller collections. It depends on the quantity to win, but it is actually difficult to create value. After all, the cost of recording is also a cost. Relatively speaking, streaming media is not only a carrier It is more able to cater to the tastes of a wide range of people, but the cost is only to occupy some bandwidth, and the initial investment is about nothing.

Furthermore, radishes and vegetables have their own preferences. The so-called low-value film sources pushed to the corresponding user groups may not be without economic benefits. The value of traditional channels is based on the estimated radiation surface other than copying and transportation costs. , and in streaming media, the platform releases personal content. In essence, as long as one person can accept it, Avatar is no different from Afanxi (there are many such rubbish films in the offline market, what Rim of the Atlantic, Three Hundred Beggars of Sparta), the user himself spends a certain amount of time to watch it, providing his personal traffic value or substantial payment value based on activity.

In other words, both of them are new profit points for the platform side, but a high upper limit is more in line with the tastes of most people, while the latter has a relatively narrow space for promotion.

After chatting with Perlman, put down the phone and called the headhunting company again.

One thing: talent.

FOtv is just a shelf in his strategy. Mann Media itself can produce content, but algorithms and data analysis applications are another important area of ​​streaming media services, but after reading the configuration of the technical team, he found that there is still one missing one People with industry experience integration team - they are all honest programming talents without substantial market experience, certainly not

He has communicated this need for a long time.

The phone was connected, and a more specific goal was quickly given there: mainly the headhunting platform itself does this, and of course there will be no shortage of information resources.

Sir, he's going to Burbank this weekend.

In the basic resume sent to the mailbox in advance, it was a white man named Ron Brandon: born in 1979, American, studying at Stanford University, majoring in mathematics and computer science, after graduation, he successfully entered Cisco by virtue of his school results. In 2005, he jumped to Amazon and became a senior engineer in the network transmission and storage department. At the end of 10 years, he left and has been idle.

Lehman asked: Have you communicated with him? How are you willing to take the job?

This is not guaranteed, I can only say that he meets the needs of your company's recruiting senior managers. In addition, the reason for his departure last year was family affairs, not work or physical reasons. Now he is ready to look for a job in a related field. A company handed an offer, so in this regard, his own attitude is very important.

Okay, I get it.

The phone hung up, and Lyman said nothing.

Such a two-way choice is nothing more than jobs, rising prospects and salary space to impress, and there is nothing else to understand.

For now, once Mann Media's streaming media business is launched, it will definitely become a head-directed and resource-oriented department, and there is no need to worry about poor conditions.

Although he doesn't understand Internet programming, he doesn't need to understand technology very well, which does not prevent him from clearly recruiting professionals.

Skip this.

At 3 o'clock in the afternoon, Lehman went to another regular meeting for the preparations for the filming of Guardians of the Galaxy organized by Kevin Feige. With a production budget of 180 million yuan, trivial matters such as the selection of the location and the construction of the studio are also clearly arranged.

According to the idea of ​​the crew's preparation, all the preliminary matters should be completed in mid-May. At the end of May, the main creator will enter the group, and the official start-up will be combined. The filming and special effects work are combined. .

At night, Eva came back, chatted about the work of Rise of the Planet of the Apes for a while, and then fell asleep.

Please remember this book's first domain name: . Mobile version reading website: