Legendary Hollywood Director

Film and television production is an industry that depends on creativity and experience.

Some things, if you can do it, you can do it, and if you can't do it, you have to accumulate and learn.

Compared with Huayi’s early start in the advertising business, Wanying Media has a high starting point for film and television shooting at the beginning of its establishment, backed by WanD Group. .

Regarding this point, Li Yaoguang, as a field operator entrusted with important tasks, of course also worked very hard, and actively cultivated and attracted talents.

It's a pity that the mainland movie market has unlimited potential, but there is no blank market. Behind every excellent movie, it is the result of market wrestling and hard work, and after the decline of Hong Kong Island movies, a large number of Taiwan and Hong Kong talents Going north, the competition is not low.

And the emergence of a market explosion project only exists in paper analysis, which is actually useless-Harry Potter is so popular, who has copied it?

So when Wang Jianlin knew that one of the key points of Pacific Rim was to use special filming elements acceptable to mainland audiences, he immediately thought that he could go to Japan to buy the adaptation rights and also make a monster film, Li Yaoguang had to shake his head - he I don't think Wanying can execute a similar project well.

We don't have a director that we can come up with. I have been in contact with Zhang Guoshi for a few years, but I haven't talked about a project. These directors who are already well-known, can't be moved by just budget funds.

If I want to sign a long-term cooperation contract with Firefly, what price do you think I will charge?

Unable to make up his mind, Wang Jianlin knocked on the table and quickly changed his mind.

That's right, after thinking about the above meaning, the reason why he recruited Wanying, which had been in business for less than two years, was naturally a very suitable plan that was more conducive to the promotion of his media sector.

Wang Jianlin thought very far, and his vision was not limited to one place, but aimed at the international market.

In his own words, after completing the small goals, he can naturally focus on the big goals and policies, and the industry he currently controls has indeed given him the confidence to do so.

The strategic analysis given by the think tank is based on WanD Cinemas, and it is a waste if it does not have certain international market operation capabilities.

But the problem is that he is a layman after all. Although he has long recognized that part of the role of the media sector is to serve his commercial real estate theory, it needs influence and IP traffic support after all - the theme of Disney and Universal The park doesn't need a good character economy supplement either.

But, what do you use to impress people?

Li Yaoguang was suddenly in trouble.

Cinema resources, it seems that Wan D's failure to release Pacific Rim is their own loss; publicize resources? Can it be compared with the tripartite forces of Huayi, Bona + China Film?

It is true that Hollywood's mainstream production model prefers to use cooperation or platters to spread risks, but it has never given up its share of successful projects - what to do.

I'll try it.

It is difficult, the boss has spoken, and it still has to be done.

We must strive for the sequel to Pacific Rim. Wang Jianlin said without hesitation: How likely do you think the sequel will fail?

Small.

The first film was successful, and the second film will be bad. Maybe only the producer makes mistakes, such as the budget is not well controlled, or the core of the blockbuster has changed.

Otherwise, according to the current situation, Pacific Rim is improving the market credit, and the basic market is not bad.

After this matter was settled, as the next good move in the media sector, when Li Yaoguang began to prepare to contact Laiman through China Film, Wang Jianlin still had a good bargaining chip, but it could not be revealed for the time being. It's still possible.

He straightened his thoughts and made a phone call, Go, call Hanzhong in.

After speaking, he closed his eyes and raised his mind.

After a while, a middle-aged man in his forties walked in.

Hanzhong, go to the AMC manager for help and make an appointment with Joseph, the general manager of Mann Media. Wang Jianlin spoke slowly, but his meaning was clear, Just communicate like this...

it is good.

......

The employees of Blue Butterfly Pictures' Beijing site were in a good mood at this time.

And because Pacific Rim is on a successful track, Andrew and Lehman are drawn and contacted by people from all walks of life almost all the time.

When approaching 400 million, Lehman himself went to China Film again to talk about market feedback and follow-up publicity; Bona and Huayi also kept inquiring about the preparations for serialization, and proposed to continue to deepen the Chinese elements in the film positive performance.

In fact, these things don't need to be reminded by these people, Lehman himself can know what the selling point of Pacific Rim is at the audience and box office levels - it will definitely boost the market in the region.

Lehmann even discussed these points with Gyro, and the next one will increase the proportion of Japan on the basis of catering to the Chinese market.

After all, Godzilla is a classic Japanese monster image. If you shoot it, it seems strange not to shoot in Japan.

Of course, these things are all adjustments at the production level. He is not stupid enough to say it now, so he just emphasizes that after the script is released, the senior management of Bona, Huayi, and China Film will understand what kind of story it is. The final result depends on how to add new content based on the existing plot background.

In this way, after going to several rounds in a row, Layman gradually stopped appearing, and Andrew was mainly responsible for maintaining contacts, but just when he felt that his trip to China could come to an end and was about to go back, an unexpected invitation was still made. He stayed a little longer--

Joseph's side called, saying that people from Wan D Group had made a line through AMC's executives and hoped to meet him.

Hearing this news, Lyman raised his eyebrows.

In his previous life, some of Wan D's actions were not a secret in the film and television industry. He knew very well that Wan D would definitely enter Hollywood, and several acquisitions once caused a lot of panic in the media - just like Sony's takeover of Columbia, etc. The same action, how to make alarmist.

Thinking of this, he suddenly understood why Wan D was looking for him.

As we all know, content is the most basic thing in the film industry. Without good content, it is impossible to create good value - just having channels and no water sources will not work.

However, Wan D has only been involved in the production field for a short time, and they, like many capitals, deal with unfamiliar fields, either relying on acquisitions to accumulate deficiencies, or relying on complementary resources and cooperation to accumulate experience.

Lehman certainly disagrees with the former, and the latter, platter investment in exchange for resource tilt is actually a very good model...

Afterwards, Lehman asked Andrew to find the information of Wanying's production project, flipped through it a little, and then called Joseph back.

Let caa help me investigate AMC's operating conditions. I need its recent financial reports and internal personnel. Send me an email tonight...

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