She dominates the entertainment industry with her disaster system

"Cut!" Kitagawa Yoshiko shouted in time, breaking the endless silence in the audition room.

Takeuchi Marin came back to her senses first, curled the corners of her lips slightly, and extended her right hand towards Su Lingxi in a friendly manner, "Surprisingly emotional appeal, you have successfully brought me into the play."

Su Lingxi smiled and shook his hand. "You are Mr. Takeuchi, right? Nice to meet you. Your performance just now was also wonderful."

"Call me Takeuchi. I don't know if you remember, but we've met many times before." Takeuchi Masahiro said seriously, and then couldn't help laughing. "Well, maybe it should be considered that I went to see you unilaterally - after all, you can often see the sets of advertising photos you shot for Dior at the Ginza subway station."

Although he looks a bit cold, his personality is obviously not the cold and picky type as rumored. On the contrary, he seems to love to laugh.

"Wow, really... please stop making such cliché jokes." Kitagawa Yoshiko glared at him unhappily, feeling an inexplicable sense of shame instead of embarrassment.

Takeuchi Marin was not embarrassed, she just smiled and replied: "Kitagawa, you should be thankful that your male and female protagonists are a good match and can get along well with each other in the crew. Otherwise, a lot of trouble will arise, and you will be the one in trouble in the end."

Kitagawa Yoshiko raised her eyebrows and paused meaningfully, "Oh, from what you said, you are very sure that I will choose Nicole to play Ayane? There are so many people waiting for the audition outside, are you sure?"

"She is Ayane, isn't she?" Takeuchi Marin asked slowly, "Anyone with a discerning eye can see that her temperament is exactly the same as Ayane's."

What he said was straightforward and clear, so Kitagawa Yoshiko didn't need to be mysterious anymore and simply praised: "She is very talented, and I have to mention one thing - Takeuchi, she can get into the role much faster than you."

Today's coordinated audition performance was planned in advance by Kitagawa Yoshiko and Takeuchi Marin.

As early as a month ago, Marin Takeuchi had already received the script.

He is a genuine experiential actor. His slow entry and exit is an inevitable result of his performance style. In addition, he had just finished playing the role of a gangster not long ago, so it takes him some time to completely detach himself from the role.

So even though he started preparing carefully a month in advance, the two of them only managed to end up in a tie.

"Dear Director Kitagawa, you've known that I'm slow to get into the role for a long time, it's not the first day. Why are you making such a fuss?" Faced with the somewhat cruel fact, Takeuchi Marin was not discouraged. Instead, she became more curious about Su Lingxi. "Come to think of it, Nicole, I've seen the two films you released in Japan. You're obviously an experiential actor like me. How did you manage to get into the role so quickly?"

After hearing this, Kitagawa Yoshiko turned to look at Su Lingxi: Obviously, she was also curious about the same question.

Su Lingxi slowed down, ignoring the obvious or hidden gazes around her, and smiled slightly: "It's actually not difficult to say it, I just changed the performance method a little bit, that's all."

"Whenever I enter a new role, I will use some external methods to push myself to get closer to the role's psychology. If I encounter a psychology or emotion that is difficult to understand, I will try to use similar experiences to replace it..."

"You should also know that pure experiential actors are easily limited in their acting range. It requires too high a degree of compatibility between the role and the actor. It is difficult for us to guarantee that we will always encounter such a suitable role."

Su Lingxi explained his ideas in the most concise way possible. Although outsiders could not understand him, Takeuchi Marin, an insider, understood him very clearly.

There is no doubt that the improvement measures she is taking now are an effort to make herself closer to a method actor.

To some extent, the method school is actually an extension of the experiential school. The two are generally similar, but differ in details.

The experiential school requires actors to absolutely "experience from their own perspective", even if there is only a little bit of similar emotion in their hearts, they must constantly magnify this point in order to fit the role; while the method school allows actors to replace similar emotions generated by other experiences.

To some extent, the method school is not as harmful to the body as the experiential school, and it also avoids the possibility of an actor constantly experiencing various roles in depth, which may eventually lead to psychological problems.

Method actors can achieve the effect of "a thousand faces for a thousand people" in a broader sense, and the compatibility requirements between the role and the actor are not that high.

Therefore, in Hollywood, where the film and television industry is highly developed, method actors emerge in large numbers, and it has almost become the base camp for method actors around the world.

Marin Takeuchi admits that he is indeed an experiential actor who is very picky about roles - he simply cannot play a role whose motives he cannot understand and whose trust he cannot generate.

But there is no distinction between high and low performance genres, only whether the performance is good or bad.

But... Takeuchi Marin glanced at the young woman sitting side by side with Kitagawa Yoshiko with complicated eyes, and felt a little envious.

Perhaps only such a talented contestant who is blessed by God can make changing the performance style sound as easy as eating and drinking water?

Takeuchi Marin sighed silently in her heart, striding back to her seat.

He had a feeling that the subsequent filming would be more challenging than he had imagined.

"Your name is Suzuki Ami?" When facing other people, Kitagawa Ryoko's expression was eight degrees colder than when she was in front of Su Lingxi. "We have all seen your video resume. You have a good temperament. If there is no problem, you can start your performance now."

Kitagawa Yoshiko closed the documents and gestured for Suzuki Ami to sit down.

"Director Kitagawa, I would like to try out the role of Erika Uezono, is that okay?" The girl's voice was very soft and her tone was very cautious.

Kitagawa Ryoko paused, "Erika? Are you here to audition for the third female role?"

"I want to take this opportunity to introduce myself to you... I'm afraid you won't be present at future auditions, so..."

Suzuki Ami tugged at the hem of her skirt, looking a little uncomfortable, but her eyes were determined.

Su Lingxi watched her actions and felt that “as expected”.

No wonder she chose this look. Was it to enhance her youthful student vibe?

It's a smart and bold move.