The fast-forward journey after seizing the traverser system

Ximen Wuhen certainly had a hard time. Shi Yu did not deliberately target him. After all, he could kill himself.

His fans are still as brave as ever. Even though he has lost his job, they don't think there is anything wrong with their actions and even claim that they are just.

They were keen on seeking justice for Ximen Wuhen, and felt that their actions were very just and were helping to clear up the malpractices in the entertainment industry. Little did they know that they themselves were the biggest malpractices.

The farce still existed, but Shi Yu ignored them. Although he still stared at them, he was more focused on starting his own acting career.

Shi Yu’s abilities have been seen, and now the scripts handed to him are getting bigger and bigger, so he has more choices.

In order to fulfill his original idea, Shi Yu chose scripts that could showcase his acting skills, with high quality and three-dimensional characters.

Of course, there were also many strange scripts handed over, and some even claimed to be art films, but they were mixed with a lot of pretentious things, which Shi Yu looked down upon.

On the one hand, it wants to reflect the lower class people, but on the other hand, it stubbornly and hypocritically adds a lot of meaningless and even illogical suffering.

Having never experienced life in poverty, you want to sing praises of suffering.

They attribute simplicity and kindness to suffering, but this always brings a lot of unreasonable suffering, even though it is obviously not necessary.

Even some identities do not need to endure these hardships, but they appear inexplicably.

What gives Shi Yu the most headache is this kind of plot, where the villain inexplicably falls in love with the protagonist, even though they have always been enemies. The villain's personality is also very evil, but he just likes the kindness of the heroine.

Why did they kill so many kind people before? They were evil, but when the protagonist suddenly becomes kind, you fall in love with him.

The protagonist is also outrageous. You claim to be righteous, but why do you like evil people and even start to whitewash them?

In particular, a bright and righteous knight falls in love with a witch who does all kinds of evil, or a righteous female knight is moved by the villain's meticulous care, and thus another love line is born.

Shi Yu's eyes went dark when he saw such a plot. No matter how nice the villain was to the protagonist, he was already full of evil deeds and could not be washed away. He was a despicable person and did all kinds of evil things. Some of them even threatened the protagonist with the lives of innocent people, and the protagonist accepted the threat.

Shi Yu looked down upon such scripts. Their story revolved around love from beginning to end. The people of the world, the opposition between good and evil, were obviously their background, but in the end they all became the seasoning of love.

There are even some scripts that have good character portrayals, but once a love line appears, everything unreasonably gives way to love.

He is obviously a righteous young man, but he is bewitched by a femme fatale. He is struggling over whether she is his white moonlight or his cinnabar mole, and then his responsibilities in the world are treated as a joke.

The heroine will be moved by the villain and think he is truly affectionate, but how much evil is hidden in those actions.

But this is also a common thing. After all, if the villain keeps doing the dog-licking behavior and the protagonist ignores it and only wants to uphold justice, then the protagonist may also be judged.

Obviously, the theme of good and evil is a grand chapter, but they all use it to set off love, and even those love stories have only various outrageous coincidences.

Shi Yu was speechless when he looked at these scripts. Some of them started out really well, but suddenly turned to love in the end. Even those trivial family stories turned into melodramatic love stories.