Genshin Impact: Open the door, free trade!

Chapter 106 Drama and Rock, Yun Jin and Huang Jiaju

The more he listened, the hotter the light in Yun Jin's eyes became.

"It's a great play, and it's hard to believe that I've never seen such a great actor with such skills.

Mr. Su makes me even more curious."

Yun Jin looked at Su Qianyan and smiled.

There was no intention of concealing his thoughts at all.

“Everyone laughed at Yun.

There are countless strange people and things in the world, who can say that he knows everything and can do everything? "

"Mr. Su, you can just call me Yunjin. Today, Yunjin has learned a lot. It is true that there are always people better than you.

Yun Jin used to be a person who only saw the world from a narrow perspective, which made him a laughing stock. "

“In that case, Yun Jin can just call me Su Qian.

Yunjin, don't be so modest, Liyuexi, you are the undisputed number one.

These opera images I brought out may look similar to the Liyue opera, but they are different pieces of music.

It shouldn’t be compared, maybe it’s better to learn from it.”

Su Qian shook his head to deny Yun Jin's modesty. Yun Jin was indeed the undisputed number one in Liyue drama.

The Liyue drama only sounds like Peking opera, but it is actually just Mihoyo's nesting doll setting.

"Do you know the name of this opera?"

Yun Jin remained noncommittal. As someone at the pinnacle of a profession, it would be impossible for him to not have his own pride.

“Beijing opera.”

"Peking Opera?"

“Yes, his name is Peking Opera.

Peking Opera is good at depicting political and military struggles in historical themes.

Most of the stories are taken from historical epics and novels.

There are both full-length plays and a large number of excerpts, as well as some connected plays.

The four artistic techniques of Peking Opera performance: singing, reciting, acting and fighting, are also the four basic skills of Peking Opera performance. "

Su Qian explained with a smile.

“Sing, recite, act and fight?

There are similar names and techniques in the Liyue drama, which is indeed as you said, specious.

Could you explain this in more detail? I'm curious how this differs from the Liyue games."

Yun Jin looked straight at Su Qian, hoping to learn more.

Su Qian couldn't help but smile, and then continued to tell the story.

"Singing refers to singing, and reciting refers to musical recitation; the two complement each other.

"Song", one of the two major elements of the singing and dancing Peking Opera performing arts, refers to the dance-like body movements.

The combination of finger-striking martial arts and tumbling techniques constitutes "dance", one of the two major elements of the singing and dancing Peking Opera performing arts.

Opera actors have to be trained in these four aspects from a young age. Although some actors are good at singing (singing old male), some focus on acting (huadan), and some focus on martial arts (wujing).

However, every actor is required to have solid basic skills in singing, reciting, acting and fighting.

Only in this way can the artistic characteristics of Peking Opera be fully brought into play.

Better express and portray the various characters in the play.

Peking opera has singing, dancing, dialogue, martial arts, and various symbolic movements. It is a highly comprehensive art form.”

"It's a very mature opera system, but there are more and more mysteries about you."

“Hahahaha, don’t think about those things, just keep a normal mind.

Let’s listen to some more rock music, these are some great tracks.”

Su Qian signaled Yun Jin to continue playing the next song.

"By the way, remember to turn down the volume. The rock music is still too loud."

Yun Jin followed Su Qian's advice and turned down the volume at Su Qian's suggestion.

The rhythm of each beat of this kind of music is very strong, and the lyrics are also very fresh.

Rock music is loved by most people for its flexible and bold expression and passionate musical rhythm to express emotions.

Su Qian was not too interested in rock music and only saved a few songs by the Beyond band.

When talking about this band, many people may not know them, but if we talk about the band's home venue, more people will know them.

The lead singer of this band is none other than Wong Ka Kui.

“I believe Xin Yan will definitely like these songs.

It’s just that the pronunciation of these songs sounds more like the accent of Qiaoying Village.”

Listening to the cheerful music, Yun Jin couldn't help but comment out loud.

Upon hearing this, Su Qian just nodded silently and listened to the music quietly.

Shen He and Xiang Ling sipped their tea and pastries, listening to the music in silence.

As the lead singer of the Beyond band, Wong Ka Kui played a pivotal role in the band and unified the music of the four members.

Whether in terms of creative talent or grasping the direction of the band's development, Wong Ka Kui is the soul of Beyond.

He is known for his clear and high-pitched voice, unique hoarse voice and clever tail sound processing.

His voice not only gives people a warm feeling, but also has the freedom of a blues singer singing calmly.

Although he has passed away for many years, the songs he created, such as "Boundless Oceans, Vast Skies" and "I Really Love You", are still widely sung.

In addition to being the lead singer, Wong Ka Kui also played the role of leader in Beyond, balancing and neutralizing the relationship between the inside and the outside:

In singing, Wong Ka Kui often assigned other band members to share the lead vocal role with him;

During his lifetime, he always chose a model of co-development.

He is not like the lead singers of many internationally renowned bands who go solo when the band reaches a certain level of development.

Even when they had already achieved success, they still chose to lead the band to Japan and start over.

Wong Ka Kui was a talented songwriter who created more than a hundred works in his lifetime.

His works cover a wide range of topics. In addition to a dozen love songs, they can be roughly divided into four categories: inspirational, Beyond-style sad songs, peace and love, and family and country feelings.

His creations have never been limited to love songs. Many of his songs call for peace, care about the fate of the country, and condemn war and an unfair world.

For example, "Glorious Years" was a song written by Huang Jiaju for Nelson Mandela, the leader of the black South Africans. This song reflects Huang Jiaju's broad vision in creation.

(My favorite one.)

"AMANI" introduced African tribal language to express the theme of anti-war and peace, which was undoubtedly a very imaginative innovation in the Hong Kong music scene at the same time;

"The Face-Giving Party", which was created out of boredom of social engagements, has the courage to criticize current social ills and dare to be the first to create.

Even though Beyond has achieved repeated commercial success, it has always maintained the humanistic spirit that a rock band should have.

Looking at Wong Ka Kui's musical works and life, listeners will find that there is a powerful and passionate force running through it all.

He interprets the various meanings of life through his true and sincere expression and the passion of youth.

Wong Ka Kui's advantage lies in his musical talent and leadership.

He is one of the few singer-songwriters in Hong Kong who is proficient in composing, writing lyrics, playing the instrument and singing.

His works have a world view, without any pretense or academic magnificence, and are therefore loved by the audience.

The works he created have simple melodies, passionate lyrics and rich artistic conception.

The perfect combination of alternative themes and pleasant melodies can awaken the potential in people's hearts and inspire high morale.

Wong Ka Kui's songs transcend time, break through age boundaries, and touch people of different backgrounds and origins.

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