Non-mainstream Conan viewing style

"Well, can you now tell us what you were just halfway through talking about? The story of this man named Izuri who came up with these three codes." Ayanokouji Fumimaro asked.

Everyone nodded, their eyes focused on Keiko Kurachi, who seemed to be the first person willing to speak.

"Izumio Deguri, he was also our classmate at Gion University of Art." Keiko Kurachi's voice trembled slightly, as if she was recalling the past.

Agata took over the conversation and added: "He majored in fine arts, and I majored in music. Although we have different majors, we came together because of our common love for art."

Ma Shanfeng was not to be outdone. He shrugged and smiled, "I'm a film and television major. Every year at the school festival, we show off our skills and play the movies we carefully produced. Special effects are my forte."

Keiko Ara spoke again, her eyes gleaming with memories: "I and Hayabusa both majored in drama performance, but we are not limited to stage performances, special effects makeup is also our strength."

Masumi Sera was listening with great interest. She interrupted curiously, "But you are both in different majors. How did you meet?"

Agata Riki smiled and explained, "Because everyone has joined the special effects research club! Izukuri also joined the comic research club. He is a versatile guy."

Ma Shanfeng nodded and added, "Yes, our Special Effects Research Association is a big family. Students from different majors come together to explore the infinite possibilities of art."

Agata Riki spoke first, with a hint of pride in his voice: "I will match the scary music to the finished images. Nishiki will be in charge of the script, and Izuri will be in charge of the costumes and monster designs. That's about it."

Ma Shanfeng took over the conversation and added, "When Izuki is very busy with his comics, we will help him with his comics together. Although our majors are different, we have a lot of fun working together because we have the same hobbies."

Keiko Kurachi nodded slightly, her eyes gleaming with memories: "But the only one who can really help is Agada. He is really talented in music and special effects."

At this moment, a sudden question broke the harmonious atmosphere in the room. Kudo Shinichi, a sharp-eyed young detective, asked a puzzling question: "But there is no one named 'Izuri' in the production staff of your graduation work, which is the original work of 'Red Shura Tengu'. Why is that?"

Hattori Heiji looked at everyone curiously, as if he was also waiting for an answer. The room suddenly fell into silence, and everyone was thinking about this question.

Agata Riki took a deep breath and seemed to muster up his courage: "In fact, Nishiki was worried about the script of his graduation work at that time. He tried many directions, but was not satisfied with any of them."

Ma Shanfeng took over the conversation and continued to explain: "It just so happened that at this time, we saw the comics drawn by Izuri for the doujin magazine. It was a great fantasy comic, full of creativity and imagination."

Keiko Kurachi added: "Yes, that manga is the prototype of 'Red Shura Tengu'. We were attracted by its storyline and unique world view, so we decided to adapt it into our graduation work."

Masumi Sera was listening with great interest. She asked curiously, "Why isn't Li's name listed among the production staff?"

Agata Riki smiled helplessly, "Because Izuri was not directly involved in our production team at the time. He only provided the comics as a source of inspiration, so we did not include his name in the production credits."