The interior decoration of the dormitory is mainly composed of carved wooden components, presenting a simple and elegant style.

The exquisitely crafted canopy bed is surrounded by layers of embroidered gauze curtains, and the bed is covered with fine silk bedding embroidered with auspicious patterns.

A breeze blew, gently lifting it up.

Echoing this is the incense burner emitting a faint fragrance on the Arhat bed by the window, creating a quiet and peaceful atmosphere.

"Wow~" Lin Wanwan sighed softly, afraid of disturbing the silence in the room.

He murmured in disbelief, "Can I live here?"

"Of course." Tongzi transformed and jumped onto the window. "The flying boat is rising. I can't imagine how beautiful the scenery is!"

Lin Wanwan, who wanted to express her feelings, was amused by its words. She looked at Fu Yinchen and wanted to fly up and take a look.

After taking a look at the deck and making sure that no one was coming up, Lin Wanwan clicked on the flying boat control panel in the air.

"Take off~"

The flying boat gradually rose higher and farther away from the ground, and the view became wider.

Lin Wanwan and Tongzi looked out the window happily like curious babies, and greeted the people on the deck from time to time, looking very happy.

"Let's go look for a museum today."

Lin Wanwan is very much looking forward to driving the flying boat to do justice and save all living beings.

"Then I'll go and communicate with the passengers on the first floor." Fu Yinchen said and went downstairs.

All the passengers on the deck experienced the feeling of "the boat flying into the sky", which was truly unique and rare.

Physics and mechanics experts were discussing heatedly: Where does the power of this ship come from, and how does it overcome the earth's gravity and take off?

Archaeologists have no time to pay attention to this. They are only interested in the carving and painting techniques. However, no matter how hard they try, they cannot touch it, as if there is an invisible isolation zone preventing them.

Fu Yinchen interrupted them and said, "Everyone, we are going to look for scattered cultural relics now. Is there anyone who is unwilling to come with us?"

Not surprisingly, all the responses agreed.

Ten minutes later, the flying boat arrived above the city museum. The whole block was very messy and dilapidated. Occasionally, a few zombies wrapped in garbage bags passed by. The scene was terrifying but also a bit funny.

Fortunately, the square in front of the venue was relatively empty. After the flying boat landed, Lin Wanwan opened the escalator and everyone walked down.

From the outside, the entire building looks intact, but I don’t know what it’s like inside.

After the end of the world, someone must have sought refuge here. The further you go in, the more severely damaged the buildings are, and there are traces of blackening.

Not only experts sighed and lamented, but others were also very sad.

"These things are not suitable for eating or drinking, why destroy them?!"

The first venue was the Porcelain Museum. All the plastic or wooden decorations had been removed, the display cabinets had been smashed, and there were small pieces of ceramic fragments everywhere.

It didn't look like it was smashed intentionally, but more like it was discarded because it was too small and broken in the chaos.

The two experts in cultural relics were heartbroken.

"Who broke it? Who on earth did it?"

Yuan blue and white porcelain is a national treasure. If it is damaged, we will never see it again.

The old expert picked up the fragments with trembling hands, but had to put them down when he saw more precious fragments.

Then they walked further in and found that the footprints basically led to the old underground burial site, so they followed them to the basement level.

Finally, the mystery was solved.

It turns out that all the missing things are here.

When extreme cold comes, some survivors hide here. In the absence of air conditioning, the best way to keep warm is to burn flammable materials.

So there are piles of black ash on the ground, which also explains why the walls are black.

Porcelain and bronze wares that can be used as containers are also here. They all show signs of use and are no longer exquisite works of art placed in display cabinets.

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