Codex of the Old Gods: I Have a World

The camera at this time was angular, but its biggest feature and change was its ability to move and shoot, thanks to the Lumiere brothers.

It was they who changed the history of cameras.

Zhao Chuanxin looked at the camera and felt that it was not as big as the cameras of later generations.

He once went to the studio and visited the filming of the movie.

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Zhao Chuanxin shouted: "Turn around and sit down."

……

"..."

She glanced back at Zhao Chuanxin with resentment.

In Longjing Village, after being disgraced, Saito Kijiro and Shinoda Haruse even felt ashamed to meet each other.

Looking carefully, he found that this Korean woman was actually pretty good-looking.

Perhaps this is related to the fact that he has been playing photography before and is very familiar with film.

woman:"……"

Then, Zhao Chuanxin went to find Herbert Ponting to edit the film.

Of course, some images are expressed in unique ways.

As he spoke, he took out a photo.

He asked: "What's your name?"

I couldn't help but scratch my head. Could it be that all my photography over the years was in vain?

Why are amateur players so inferior?

He asked nonchalantly: "Then what do you think of the composition of our movie?"

He couldn't help but be surprised: "Zhao, you can actually draw?"

Cui Fenghua was the person sent by Liu Yonghe to run errands for Zhao Chuanxin.

Anyway, the Japanese have done some fucked up things in Korea. Korean people are actually very resistant to Japanese rule.

The first time I took the photo, I was very excited.

So Zhao Chuanxin was very considerate and wrote both kinds of words, just in case one person couldn't understand it.

If it were anyone else, Saito Kijiro wouldn't really be worried.

When Zhao Chuanxin saw Herbert Ponting playing with the machine, he said, "Take out the other one as well, and shoot the two cameras at the same time. There must be separate shots."

A group of actors took their seats, and Zhao Chuanxin began to direct.

Herbert Ponting is not so much a director as he is a cameraman.

Listening to his ramblings, Zhao Chuanxin moved farther away to avoid spitting on his face.

Xiaoshuai and Xiaomei both had the same idea: This thing can actually make money?

Zhao Chuanxin said speechlessly: "Tranquility and the others went to mate and lay eggs? Then why are you angry? Isn't this instinct? Spring is here, and it's mating season again."

After the woman came back from washing her hair, many of the bachelors present began to slobber.

When Zhao Chuanxin took a look, he felt like a bit of a coquettish bitch.

As Herbert Ponting said, she looked a bit slippery and a bit mean-spirited.

The woman looked at Zhao Chuanxin expectantly, waiting for him to make some excessive demands.

"I hope so." Saito Kijiro suddenly thought of something. "By the way, Your Majesty Rimoto, have you been invited to the banquet?"

Zhao Chuanxin picked up one and looked at it.

Not being stuck in the center is the best way to highlight the center of expression.

Speaking of Naoko Yuka, this may be the only person who can make Shinoda Haruse happy today, and she can't help but have a happy smile on her face.

As he spoke, he piled the newspapers on the maza.

Shooting a movie is not that simple after all.

"Stop talking nonsense. Everyone knows that I am a genius. No need to say anything. Hurry up and get to work."

Saito Kijiro nodded: "Those remarks about jealousy and allergies are completely slander. Like Zhao Chuanxin, they are despicable villains. However, I heard that the United States has prepared 16 battleships and even formulated a plan plan to fight our empire."

"Yes, I received the invitation. I will take Yuka with me."

The woman on the ground is in the center of the frame, and the Japanese is further to the right.

Zhao Chuanxin pointed to the stool next to him in an exaggerated manner: "Go over and sit down."

Zhao Chuanxin's short film production is in full swing.

But Zhao Chuanxin was different, this man was too reckless.

The Eiffel Tower was completed in 1889 and was the tallest building in the world at the time.

The kind of flirting and affection that Zhang Chaoyue imagined did not exist.

Movies are more like a realistic note-taking tool.

But things will happen, and you have the foresight to see them.

The woman's face was dirty, her clothes were in tatters, and her hair was messy.

So Zhao Chuanxin is a big figure, so he can lean on him.

Hey, it is true that with great ability comes greater responsibility, and it is not a good thing for a person to be too talented.

"Everything is difficult at the beginning." Zhao Chuanxin consoled him. "Then it's hard in the middle, and then it's hard at the end."

"Look at what you said. Astronomy, geography, and humanities. You should ask me what I don't know. Do you understand Xue Fu Wu Che?"

So, she quickly got up and ran to wash up.

But after all, he has no experience, and the concept of "crew" has not yet been formed in his mind.

I thought Zhao Chuanxin was a stick, but when he saw him talking about the Eiffel Tower, Herbert Ponting stopped pretending.

Saito Kijiro thought about that scene. It was another day when he could perform in front of his superiors. This made him look forward to it: "Shinoda-kun, you are right."

This is common sense that everyone in the future can understand. After all, you haven’t made a movie and haven’t seen it yet? There are very few long shots in film shooting.

Moreover, he moved east and west, often acting alone in private, and even spies could not find him.

The lady he was talking about was a woman from a Korean farmer's family who had crossed the border.

But there are always people who only recognize proverbs but not Chinese characters.

Regarding the matter of Zhao Chuanxin, the two of them had a brief taste of it. Saito Kijiro changed the subject and said: "Shinoda-kun, the American Ronaldinho talked to reporters about our Tsushima Naval War. Have you read it in the newspaper?"

Saito Kijiro frowned slightly and reminded him harshly: "Shinoda-kun, have you sent a letter home recently?"

That's it?

Zhao Chuanxin said, "I haven't taught you what montage is yet."

In the short film, a Japanese man did something worse than a beast to a Korean woman.

"The United States just wants to put pressure on us and does not really want to go to war."

With the help of Zhao Chuanxin, Herbert Ponting restarted.

He went to Zhao Chuanxin dissatisfied and said: "Zhao, you are using this lens wrong. When you look at this picture, you cannot highlight the key points. The Japanese must be in the center of the picture. Let me put it this way, let me show you some of the photos I took. , you will understand the picture.”

Today's movie shooting only has one shot, which is similar to the long shots of later generations, shot to the end.

Shinoda Haruse used seriousness to cover up his embarrassment after being humiliated. He said seriously: "Saito-kun, there is no need to worry about this matter. First of all, it is impossible for Zhao Chuanxin to publish any news that is not beneficial to us in Korean newspapers. Secondly, we do We should be ready to clarify at any time and not be afraid of slander. For us, South Korea has local advantages."

She couldn't help but wonder, if she shoots ten movies a month, wouldn't it be easy to earn ten yuan a month? This is much better than farming.