Zerg in the crystal wall world

The world in the painting does not have only one style.

It’s just that the place where Motta entered happened to be in an area with a more abstract style.

As the two-dimensional fungal blanket expands.

Motta also saw more "style"

For example, the rather hazy and freehand ink-splashed landscape; the strange but impressive morning glow; the fields composed of countless color dots; the island in the middle of the lake that is almost indistinguishable from the photo...

The scope of the fungal blanket erosion is getting wider and wider, and finally it comes into contact with types other than landscape paintings.

For example: portraiture.

Just as the fungal blanket was expanding faster and faster.

Some animals or animated plants suddenly intruded into the scenery.

Different from the animals and plants used as embellishments in landscape paintings, these individually and carefully carved characters not only have extremely large sizes, but also have agile athletic abilities.

They pounced on it, tearing and biting the two-dimensional fungal blanket.

The two-dimensional fungal blanket is a unit specially selected for rapid proliferation on static paintings. At most, it is used to deal with the dimensional collapse caused by "brush painting" and enhance the reproduction speed.

However, it does not have the abilities of adhesion, digestion, infection, and erosion like normal fungal blankets, and it has no resistance to impact.

In places where the units in the painting appear, the expansion of the fungal blanket actually stops.

Just as Motta was marveling at the thought.

A black panther in the painting seemed to have suddenly sensed something. It suddenly turned its head to look in the direction of the "window", then leaped out of the world in the painting and pounced on Motta who was in a phase state.

The black panther should have been painted using the mural technique of gods. Not only was it huge in size, its fur was shiny and oily, and there was divine light behind its head. It was filled with distorted power and opened its bloody mouth towards Mota.

then.

The unicorn turned around, raised its hind legs, and kicked out.

Snapped.

The black panther turned into a pool of paint and quickly disappeared in the distortion of space.

After all, it is a twelfth-level unit, so killing this kind of character is really easy.

At this time, the wizard finally took action.

Motta saw many flames appear out of thin air on the scroll.

It is clearly a fire in a painting, but it has real high temperature and spreading characteristics, spreading rapidly on the two-dimensional fungal carpet.

At the same time, the characters in the painting who were fighting against the fungal blanket also began to change.

With just a few strokes, their "temperament" has changed completely, becoming less lazy and more capable.

A character was transformed from being calm and comfortable to being fierce and aggressive simply by modifying his muscle lines.

Their strength has actually improved a lot with the change in their temperament.

Not only did it block the expansion of the fungal blanket, but there were also signs of reverse expansion.

Motta also became interested.

She picked up the two-dimensional fungal blanket, reconnected with it through her tentacles, and began to temporarily mutate it.

Then place it on the green "mycelium" in the world in the painting.

For example, in the rear area, you can place fungal nodules that can produce nutrients.

Place several rows of Spore Shooters right next to the creep nodules.

Place an acid pool near the front line to attach strong acid to the spores.

Then, at the very front, place a hard tree knot...

Motta's play is on the rise.

"咴儿." The unicorn was extremely bored.

Relying on the contract connection with Mota, he cast a natural spell to make leaves grow from the tentacles on Mota's shoulders, and then chew them.

The two were not worried about the target escaping.

Since the other party has been sitting in this world in the painting for tens of thousands of years, it means that this place is his obsession and he cannot leave.

And it is in the deep dimension.

Inside a gallery filled with paintings and paints.

A paintbrush with paint is continuously dotting the paper.

I saw an image of a half-insect, half-tree, half-elf gradually taking shape, with eyes and tentacles all over its body and half of its body made of wood.

With the last stroke of the pen.

Motta and the unicorn only felt that the surroundings were blurry for a moment.

It turned out to be in a jungle.

Looking into the distance, an endless green tide is surging, as if to fill the entire world. Some giant beasts as big as mountains are tearing the green tide apart.

They entered the world of the painting.

It's no longer two-dimensional, it seems like a real world

And those characters who can be killed by Motta after leaving the painting

In the painting, the minimum strength is as strong as level twelve, and there are a lot of them.

If they rush forward in unison, it will definitely be enough to kill Motta.

but……

The warp cavity in Motta's body trembled twice, and there were obvious signs of the space being blocked, or in other words, there was no such thing as the "Shadow Realm" and the "Elemental Realm" in the world in the painting, and traditional teleportation methods were ineffective.

But the wizard who locked himself in had obviously never come into contact with the thing called "psionics".

It was not difficult for Motta to escape from the world in the painting, but he didn't know if he would be sent back inexplicably after running away.

Just as Mota raised the corner of his mouth, he planned to escape quickly before the creature in the painting could react.

The unicorn suddenly spoke: "Bai'er."

"Ironhead is looking for me?"

"Well done." Erin's message came later, "I detected the information bridge and basically locked his location."

Motta acted as a probe.

The moment the wizard cast a spell on her, she was locked and traced by the truth machine.

"So you asked me to come here just to be a target?" Motta curled his lips, "Forget it, it's quite convenient."

During the conversation, Erin had already shared the coordinates.

Motta and the Unicorn tore open space.

Immediately fell into a spacious gallery.

Motta's eyes immediately locked onto all the portraits within his field of vision.

Many of the paintings have turned green, and Mota can still vaguely feel the psychic connection of his "subordinates" from them.

There is a direct connection between these paintings and the world within them.

And in the center of the gallery, Motta actually saw... Motta and Melita Berni?

In the wide gallery, a pair of Mota and Unicorn, with a significantly higher contrast and color temperature, were standing in front of a portrait.

Motta was holding a painting palette and the unicorn was holding a paintbrush, looking like they were painting.

The content of the painting was a collapsed corpse, the corpse of a white elf.

"This is the core of the world's distortion."

"I can see it." Mota could sense that there was a strange soul in the body of the Mota opposite him.

To be precise, every painting in the gallery has a distorting force.

The portrait of Mota flicked the brush. His mouth opened and closed, but no sound came out. The life force in his body surged, and a vine burst out and rolled towards Mota.

Motta attacked almost at the same time.

A vine also shot out.

The two vines intertwined and formed a knot almost instantly.

The two vines tightened at the same time, and the two Motas rushed to the opposite side.

brush--

The claws of the two Motas grew dagger-like thorns and stabbed towards the opposite side.

The moment the two men fought, Motta felt as if the surroundings were frozen.

His senses did not detect anything, but Apocalypse Vision clearly saw that Motta was pulled into the painting again, a painting with the theme of "Mirror Image".

The brush smeared over the painting, trying to cover Motta with paint.

But a rainbow light flashed by, and the unicorn pushed Motta up and pushed her out of the "dimensional collapse", then turned into rainbow light, rushed out of the painting, and returned to the gallery.

Motta was very sharp-eyed and saw the far end of the gallery.

A dark shadow began to gently fall on the painting, and the dimensional collapse began again.

The content of the painting is “Gallery”

Apocalypse horizon, reality dimension?

But dimensionality squeezing is already here.

Motta slapped the horse's neck, and the unicorn immediately dodged sideways.

The apocalyptic vision flashed again, and Motta entered a painting with the theme of "Galloping Horses on a Bend".

When Motta tears apart the space and returns to the "real world".

After she stood still, she found that the portrait of Mota was already waiting for her...

After several rotations, even Motta couldn't tell whether this was a world in a painting or the real world?

Or in other words, here the image and reality are nested in each other.

But fortunately, no matter how complex the nesting is, at least it can't trap the unicorn who is having fun at full speed and jumping back and forth between dimensional oppression and various portraits.

"His soul has been completely twisted. There is no valuable information." Erin sent a message again and had completed the analysis of the twisted soul in the gallery.

"What about the dead body?"

"I didn't find it." Erin said bluntly.

The world is within the portrait, and the portrait is within the world. The distorted forces and sub-dimensions are layered on top of each other. It's not that the truth machine cannot search by force, but it takes up too much computing power.

"Then just take your time looking for it!" Motta replied.

With telepathic communication, the unicorn suddenly retracted its legs.

Motta didn't know which portrait he was in, but the "painting" of the brush immediately enveloped the man and the horse.

The dimension squeezed and crushed Mota's body, instantly crushing the man and the horse into meat paste...

But the next moment, a huge vine suddenly burst out from the ugly smear.

At the top of the vine, fruit grew, and after it fell, a new pair of Mota and Unicorn broke out of their shells.

As the leader of a Zerg faction, Mota's most powerful ability has never been his life spell, but his ability to shake people.

Although it looks unremarkable, this vine is actually the limb of an infected tree shepherd, a super-large tier 12 unit! Its health is much greater than that of Mota and Unicorn.

The dimensional collapse that could bring fatal danger to Mota was barely enough to suppress its growth.

In particular, soul uploading made up for the biggest flaw of the life swarm - unfamiliarity with the folding field.

Unlike psionic energy's strong connection with time and space, life force is more of a rapid catalytic effect on growth and development.

As long as it is connected to the "insect nest ecology", the tremendous life force can quickly give birth to a bunch of miscellaneous soldiers, but it is difficult for the units to move quickly.

Now there is no need to worry. All you need to do is spend some life force to create a few qualified temporary bodies. Then the high-level units that were originally in the rear can just download themselves over.

Countless fruits fell, and twelve-level nests appeared one after another.

At the same time, nest towers, plants, and petrified nests grew out of the vines. In an instant, a top-level insect nest was located here...

…………