The World of Evil God game.
Chapter 290 Children’s Chapter Movies and a Better Tomorrow (Page 13)
"Have you ever heard of fairy tales? They are all living things with a certain degree of self-awareness, or they may be non-living things. In short, they are the most beautiful stories they can know in their childhood."
"Rich imagination, fantasy and exaggeration and then, writing them."
Mr. Big Bad Wolf arranged the guests of the Fourth Age into corresponding seats. At this time, the people of the Fourth Age discovered that when they entered the door, although they felt that there were many people in this hall, the sense of space was really limited. , but when they came to their seats and looked around, they were surprised to find that they were filled with people watching movies in all directions, and these people could hardly be seen.
“The space here is foldable!”
No one can perceive space more clearly than the saints from the Fourth Age. After all, these people are constantly tinkering in the abyss of time. In order to allow civilization to continue to exist, they do not know how to compress the city. How many times!
"What, you mean there's someone else on me and I'm sitting on someone else's body?"
"Probably that's what it means."
The Red Spirit Warrior was surprised, and the Mist Saint explained to him that space folding is simply to fold a piece of paper into three layers, so that the three layers of paper will be in the same position without interfering with each other. The interaction is because everyone is in a flat state on the paper, rather than penetrating the paper.
Of course, you can also overlap more. After all, space itself is not the same as paper. Space is inherently overlapping.
"No, no, your seat is your seat. Even if it is at the same coordinates, you do not exist in the same space, so you are not sitting on someone else's body, and others are not sitting on your head. "
Mr. Big Bad Wolf spoke: "Please feel free to watch the movie. This cinema was funded by several churches. You should believe in the strength of each church in this era."
Shia, who was sitting next to the Red Spirit Warrior, asked curiously: "You said we provided you with value. What do you mean?"
"I am the god of stories. Everything in the Fourth Age is like a story to me. This is because your era is connected with ours. I like everything you have experienced. Oh, that's not quite right. Accurate, in short, you got a good ending in the end, I am happy for you.”
After Mr. Big Bad Wolf finished speaking, the movie began to play on the screen in the movie theater.
For the Saints of the Fourth Age, they possess a lot of knowledge. After all, they come from the fantasies of the same thing from different lives in various timelines. They have a lot of technology, and they can be said to be on par with gods in their own fields, but for art, the view of the abyss of time is that this is useless information.
Indeed, these things cannot allow civilization to continue in the abyss of time. Naturally, they are also the first junk information to be discarded. In the long past, various civilizations that reached the abyss of time may have had a variety of art forms. and rich and moving emotions, but after a long period of wear and tear, not to mention these arts and emotions, even their modeling has been almost lost.
At this point, there is no need for artistic emotions or anything like that.
Therefore, when they once again saw the power of art leaping before their eyes, the saints and some of the resurrected people who followed them here felt a sense of nostalgia in their hearts.
Strange, where does the emotion come from?
Is it the distant past, the echo of some residue left before the decline of civilization?
The light and shadow change before our eyes. What this movie tells is not an incomprehensible story. It is just a memory of childhood innocence and ideals, and a journey of pursuit of spiritual freedom.
The perspective is widened, and there is a restricted world of tall buildings. But although those buildings are tall, they have no characteristics at all. They are lined up in rows. Although the height is different, from a distance, they look like They are rectangular building blocks one after another, stacked quietly in this world.
Then, the people living in this world looked somewhat similar to stick figures, but more muscular, as if they were some kind of "rough embryo" that had lost its appearance and only had its basic skeleton left. But even so, they They still have simple facial features and different costumes that represent their identities.
Their actions were a little stiff, and their speech was too rigid, like machine translation that was full of mistakes when translating languages. At first, the audience thought it was a broadcast accident, but of course when another voice-over appeared, they understood that the people in this world are Talk like this.
Stiff, dull, and lifeless, it would be fine if it could express the meaning of certain things efficiently, but in fact, those words are often nonsense and extremely empty. Fortunately, these nonsense only exist in the background, and finally become unable to Unidentified whispers.
The main voice at this time is replaced by a voice-over.
Then, the audience saw that the perspective gradually widened, and the voice-over was not a narration, but a child. This child was also a rough model of light black. He was wearing gray-red coarse fiber clothes with large trousers. He looked like a smelting worker.
There is no ideal person, a child who is unwilling to leave the border.
The voice-over is his inner monologue. He seems to think more than ordinary children, just a little at first, then gradually more and more.
The child is called "Titanium", which is the name of a metal in this world.
His father is a smelter in the smelting area, his mother is a smelter, and his grandfather is also a smelter. This seems to be some kind of forced setting. They don't know why the world is like this, they only know that the world has been like this before. What was done was what people had done repeatedly since ancient times, and they would continue to do so from this time on.
There is no need to change, because this is fine. Everyone has his or her own "position", which cannot be exceeded or surpassed by one's own settings.
The beginning of the movie is dull and depressing, but the "border wall" that appears on the horizon at that moment makes people watching the movie feel a little depressed.
But when the lens changes and reaches a higher place, you will find that even the sky has boundaries and limited heights.
People who live in the boundless world will naturally think of the word prison when they see the high gray walls that exist in all directions. However, people who live in a prison-like worldview, in their perception, the world Having boundaries is normal.
For the saints, they had strange emotions.
As the imaginary protectors of various civilizations, from the endless future to the end of all time, they clearly know that the world is infinite. However, they, who were born in the infinite world, must let the descendants of all civilizations live in a small room. Survive in a small shelter.
Outside is an endless sea of ashes and sand. The ashes of time are piled up in the boundless world of darkness. Once you get lost in it without the protection of fire, you will immediately be assimilated by the darkness and sea of sand.
Isn't the boundless darkness the boundary? The vast ashes and sands of time are nothing but high walls.
"This is like a social experiment box." Someone whispered, staring intently.
The movie is still going on. The children shown in the early stage have no interaction in their lives. They are more like machines than iron men. Their movement trajectories are accurately demarcated. It seems that even their lives and action routes have "invisible differences". boundaries".
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