The group gods who retired to fish in Genshin Impact

"No matter where in the world, whenever you see this kind of traditional culture being ruined, not understood, or even facing the situation of being lost, an unknown fire will arise in your heart."

Jiang Corpse looked serious.

He was angry, but he also knew the most important reason for traditional culture.

Or because there is no way for people to survive in today's society, and learning it requires a lot of energy and talent.

It may even be possible to perform on stage only once after studying for more than ten or twenty years.

And after this time, I don’t know when the next performance will be.

Even if I have the opportunity to perform every day. There may not necessarily be any more viewers to watch it. The same show is novel once and enjoyable twice. Three times it was good, but after four times, no one liked it.

Even though there are many plays that have been handed down, they cannot stop you from performing them every day.

There are 365 days a year, one show every day. Are there so many plays that you can change and perform?

Can the creation of new plays conform to the current social system and preferences?

Drama is a true interpretation of what happened in the past.

Through the skills of dramatists and actors, events from the past can be recreated in the present, bringing superficial joy and deeper education to people.

Today's society does not need this kind of combination of happiness and education. Either educate them or educate them.

No matter what happens, it must be positive energy and something that can educate people. This is not in line with the meaning of drama.

The dramas of the past were joyful, funny, and thought-provoking.

The current one is superficial, boring, embarrassing, and makes people want to curse, what kind of bullshit are they acting.

In addition to not being in line with today's social system, what is more important is talent. Many people have lost that kind of talent for interpretation.

Impetuous society, impetuous living environment, and atmosphere full of hostility.

It makes it impossible to calm down and return to the previous state of mind.

Whether it’s Liyue or the real world.

Traditional culture pays attention to two things, one is talent and the other is fate.

As fate has it, if you don’t have enough talent, you can only play a small role in this industry.

If you don't have good luck, if you have enough talent, someone will ask you to do it. But it's impossible to become famous, but it's OK to be on the list.

With talent and fate, you deserve to become famous.

But now, not only is the talent insufficient, but also the fate is gone.

Impetuous people cannot accept boring training and painful torture.

At any time, learning any traditional culture requires perseverance, fate, talent and hard work.

It's not like learning other knowledge, working hard will always lead to results.

If you don’t have talent, you are bound to not be able to learn.

The so-called master leads the door, and cultivation depends on the individual. It not only refers to the individual's attitude towards learning, but also refers to whether the individual's talent can comprehend some meanings.

Some things are said well, but can only be understood but cannot be expressed in words, which refers to the study of various traditional cultures.

Many times, some good things may come to you at that moment.

Or maybe after decades of ignorance, suddenly one day, one’s spiritual consciousness opens up and one wakes up, and then one touches that point, and then it works.

This is all talent and opportunity.

People in the past may not be as knowledgeable as people today, but they are not fools, and they can distinguish between true and false things.

Worship God and Heaven only when it is useful.

There is no need to shout that the sky has eyes, but there is no need to shout that the sky has no eyes.

Just like the Dragon King who went into the water and it rained, you are the Dragon King. If it doesn't rain, you will be a broken sculpture in the wilderness. When will it be exposed to you and cracked? When it rains, when will you go back to the temple?

People in the past just believed in these things to seek spiritual comfort for themselves.

Real and fake people are not stupid either.

Only by experiencing the things passed down with your heart can you vaguely grasp some of the secrets.

But now, in order to maintain the inheritance of traditional culture, many people no longer care about whether people have talent or fate.

As long as you are willing to learn and follow along, they will teach you everything they have.

No reason, just so that even if you can't learn it, you can know what these things are like, and then pass them on to the next person.

What they are asking for now is not a master or a master among their successors.

Rather, they require themselves to have a successor, a successor who knows how to pass on these traditional cultures.

Just like when Yun Jin was performing on stage, she held a temporary event and invited the audience to come up and play with her.

Use this to experience the fun of opera and find a suitable heir or apprentice.

All these fully demonstrate that the ancestors of traditional culture have relaxed their standards for selecting successors to the point where it only suffices to be an individual.

If possible, they would also like to find a suitable successor who has talent, fate, and can work hard. And they can carry forward their lineage and become the successors of master-level figures.

But the fact is that it would be great if they could now find an heir willing to take up their mantle.

When you are studying, you don't have much money to earn, and you have to spend a lot of time every day, and even damage your body.

After practicing for more than ten years or more than twenty years, I finally have the skills to go on stage. After one performance, I don’t know when the next performance will be.

The money earned from one performance may not be enough to cover a month's expenses.

Or choose to become a national master with the above-mentioned subsidies, alongside those clowns in the palace.

Or choose to become an unknown little person who only works for his own traditional cultural career.

Perhaps becoming a national master is indeed a good choice, but that also means that words and deeds, including the selection of successors, must undergo strict review and approval, and may even be blocked by the association to which one belongs.

After all, instead of relying on oneself to become the strongest, it is better to kill everyone who may be stronger than oneself.

If you put everyone under you, then you will be capable even if you don't have the ability.

He doesn't need to reach the top level of his business, he just needs to make it impossible for others to develop in this business.

Tonight, Yun Jin will also perform on stage. She also took the same risk. While applying to the General Affairs Department for a performance, she also interacted with the audience in order to select a suitable inheritor of the opera.

This is a very dangerous move, because you can't guarantee that the audience will act honestly with you when they come up, or that nothing will happen.

Especially on important festivals such as the Hai Lantern Festival and the wedding day of the emperor, the requirements for program performance are even stricter.

Naturally, everyone knows the seriousness of Yun Jin's drama, but she still chose to make this request because Yun Han Club is also facing the situation of having no successor.

Yun Jin is indeed only a teenager, and she has indeed become a well-known opera master in Liyue Port.

On the surface, Yun Jin still has at least a few decades to perform in dramas, and there is no need to be so anxious to find a new opera apprentice or successor.

But the fact is that if she doesn't start searching now, it might be too late to wait until she is too old to perform.

Today's Yunhan Club ranges from the logistics to the front desk, to the various performances on stage, and even the soundtrack next to it.

They are all passed down from generation to generation in the family.

For example, Yun Jin's father is responsible for editing and creating dramas, while Yun Jin's mother is responsible for performing operas.

Yun Jin would be trained to inherit the position of one of her father or mother, but Yun Jin was very talented, so she not only learned all the operas in her teens, but even took over the creation of operas.

And became a well-known opera master.

The same is true for everyone else. It is passed down from generation to generation. Whatever their parents did, they will train their children to become what they are, and then pass on their careers and continue to perform.

But even so, there are many descendants who are tired of the opera industry and have joined other industries.

Today, Yunhan Society is faced with the situation of having only Yun Jin as its pillar. Once Yun Jin falls, Yunhan Society will basically be finished.

Yun Jin grew up in a theater troupe, and she also knows the situation that the theater troupe is facing today.

That's why she repeatedly invites the audience to interact during opera performances.

No matter men, women, old or young, as long as they are willing to come up and show interest in opera.

Yun Jin would invite the other party to join Yunhan Club to study.

But unfortunately, from the beginning to now, there are not thousands but hundreds of people on stage, but only two people are willing to join and learn.

And after studying for a period of time, they also admitted that it was difficult for them to persist.

Because the practice of opera is boring and requires a lot of perseverance.

Most people really can't hold on.

Even the elderly or veteran actors who have been acting for decades.

While persisting in training every day, I occasionally feel a sense of resentment.

It is a kind of numbness and anger that naturally occurs after people do something repeatedly.

It's just that the old actors are used to it and they know how to avoid it, but the newcomers can't face it calmly.

Impetuousness is the biggest taboo of all things.

Yun Jin has also gone through this stage.

Even though she loves opera so much, and someone who likes opera so much, she still feels boring when training occasionally.

But she understands that this is because these boring exercises can create perfect performances in the future.

A state of mind that is not disturbed by any external objects is the first step in acting.

Maintaining this state of mind and trying to enter the inner world of the character you are playing and becoming the character you want to play is the second step in acting.

Yun Jin is very good at this aspect, she can enter the scene anytime and anywhere.

Although there are occasional situations where she can't get into the role, as long as she makes more adjustments and gets to know more about the inner world of the characters, she can still get into the role as usual.

For example, Yun Jin chose to act in this scene today, which was a very important turning point in the history of Liyue.

It's called "The Meeting and Departure of Three Gods".

It tells the story of Jiang Shi arriving at Guiliji for the first time, meeting Morax and Guizhi, and establishing the situation of the Three Gods of Liyue.