Card: If you have the right technology, you can do everything

I am very happy that this book has reached 10 words and has many readers. There are some things the author wants to say.

First of all, there are some plot errors, which are unavoidable. After all, this book is the author’s amateur work. No one wants to make money by writing Yu-Gi-Oh! Sometimes it is inevitable that some details of the cartoon will be wrong. If you find it, you can tell the author and I will try my best. It will all be changed, and it may take time because the duel process needs to be redesigned. I have already modified the part about the three phantom gods.

Also, sometimes the effect of the card is wrong. This is also possible. The author usually writes the book on the left and puts the effect of the card on the right. He reads while writing. Sometimes he makes a mistake just by looking at it. Sometimes he cannot find it even when he checks. (Crying), again, if you find out, tell me and I will try to change it.

As for the storyline, I don’t intend to make the protagonist too strong. It’s not that the author deliberately suppresses the protagonist. In fact, it’s more difficult to write like this. You have to design the duel process, the fight has back and forth, and you have to make improvements on the original plot without being too strong. To deviate from the original plot, I have to weigh the relationship between the protagonist and the original game protagonist. I also hope that each of them can express their respective characteristics.

Just like in the rooftop duel, I still gave the key to victory to the Titan Soldier. The protagonist just gave the resurrection of the dead to Kaiba, so that there would be an interaction between the two.

This is also the reason why duel restrictions appear, otherwise cards like [Ouija Board] would not be on the table at all, and most adversity in anime can be solved with just one move.

Crush is easier to write. Once the El Dorado sticker is opened, the level can be cleared directly, but it is boring and no one will watch it. MD has been tortured by stickers for almost all time, and DL may be a little less. No one wants to be tortured again (I think).

Some people may think that adding restrictions is not good. Believe me, I don’t have any reason to do this. But I can’t write about it without designing a lot of interesting but weak decks. The author’s original intention is to write more decks that I don’t usually have time for. Playing games is for intensity, reading books is for the soul.

I try my best to use real cards to change the effects of cards, because many descriptions of cards in anime are really unclear, and the settlement of real cards is clearer (although sometimes it is still unclear, especially some old cards whose descriptions are not standardized, I hate k Language), except for a few I still use animation, such as [Heavenly Treasure Card], which is actually more troublesome, because many cards cannot produce animation effects after being turned into real cards, so I have to add some other cards.

However, I still occasionally let some "interesting" cards come out for a breather. I'm talking about you, Hong Daddy. It's time to look out, go back to the prison.

Finally, let me talk about the follow-up content of this book. It is currently the Noah chapter, and then the city duel final ends. I don’t plan to write about the Pyramid of Light theatrical version because I feel there is no room for development. The Super Fusion Theatrical Version and the Dark Side Theatrical Version are my Consider writing it, but may make some changes.

In fact, I plan to continue writing what happened after the Dark Side theatrical version. After all, there is no more content after Kaiba chased him to the underworld. I want to continue writing. This story should be between the time period between gx and 5ds, and then it will be 5ds and zexal, as for ARC-V and VRAINS, it depends on the situation, maybe, but even if I write it, I will definitely delete the action card setting during SB, it is too outrageous.

In short, this is how the author tries to write as many card groups as possible to enrich the content. In general, if you have any questions, tell me, thank you all for reading this, thank you.