My dads are villains

I'll make up for it tomorrow. Goodbye if I'm sleepy~~~

, spring night joyful rain

【Tang Dynasty】Du Fu

Good rain knows the season, when spring is here. Sneaked into the night wind, moisten things silently. The wild paths are all dark with clouds, but the river boats are only bright with fire. Look at the red and wet place at dawn, the flowers are heavy on the official city.

[Appreciation] When he wrote this poem, the poet Du Fu had already settled in thatched cottage in Chengdu for two years. He personally farmed, planted vegetables and flowers, and had a deep affection for the spring rain, so he wrote this poem to describe the beauty of the spring night rainfall, which moistens all things. Poetry.

2. Spring trip to Qiantang Lake

【Tang】Bai Juyi

To the north of Gushan Temple and to the west of Jia Pavilion, the water surface is initially flat and the clouds are low. In several places, early orioles compete for warmth in the trees, while new swallows peck at the spring mud. The random flowers are gradually charming the eyes, and only Asakusa has no horse hooves. My favorite part of the lake is the east side of the lake, where the green poplar trees shade the white sand embankment.

[Appreciation] The whole poem focuses on the word "spring", expressing feelings in the scenery. The poet's joyful and relaxed mood is revealed between the lines, as well as the delicate and fresh feeling of the spring scenery of the West Lake.

3. Spring

【Song】Zhu Xi

The beautiful scenery along the Surabaya River brings a new and boundless scenery. It is easy to recognize that the east wind is always spring and colorful.

[Appreciation] This is a philosophical poem. "Sishui" in the poem is a metaphor for Confucius, "Xunfang" is a metaphor for seeking saints, and "East Wind" is a metaphor for enlightenment, without any trace of reasoning.

4. Boat mooring in Guazhou

【Song Dynasty】Wang Anshi

Jingkou Guazhou is separated by water, and Zhongshan is only separated by several mountains. The spring breeze is green again on the south bank of the river. When will the bright moon shine on me again?

[Appreciation] This is a famous lyrical poem that expresses the poet's deep feelings of overlooking the south of the Yangtze River and missing his hometown. It also contains his strong desire to return to the political stage and implement the New Deal.

5. "Ode to the Willow"

【Tang Dynasty】He Zhizhang

The jasper is as high as a tree, and there are thousands of green silk ribbons hanging down. I don’t know who cuts out the thin leaves. The spring breeze in February is like scissors.

[Appreciation] This poem uses the willow tree to sing about the spring breeze, comparing the spring breeze to scissors, saying that she is the creator of beauty, and praising her for cutting out spring. The poem is filled with people's joy at early spring. "Ode to Willows" is a model work of poetry about things.

6. Tianjingsha·Spring

[Yuan] Bai Pu

The spring mountain is warm and sunny, the wind is gentle, the curtains of the pavilions are closed, and the poplar swings are in the courtyard. Orioles are singing and swallows are dancing, and the flowing water on the small bridge is red.

[Appreciation] Use painting techniques to describe the spring scenery from different spatial levels. The first sentence depicts the distant view, the second sentence is the close shot, and the third sentence is the middle shot. The spring full of vitality is vividly displayed on the paper.

7. Night Moon

【Tang Dynasty】Liu Fangping

The moonlight is deeper than half of the house, and the pole of the North Dipper is tilted to the south.

Today I know that the spring air is warm, and the sound of insects gradually penetrates the green screen window.

[Appreciation] On the quiet spring night, the life and changes of all things are sneaking. "Tonight I know that the spring air is warm, and the sound of insects is new through the green window screen." This is a beautiful sentence that the poet came up with as an opportunity to experience nature wholeheartedly.

Bamboo and Stone Dynasty: Qing Dynasty | Author: Zheng Banqiao I insist on not letting go of the green mountains, and my roots are still in the broken rocks. It has endured thousands of blows but is still strong, regardless of the winds from east to west, north and south. Appreciation/Appreciation This poem is a painting poem, inscribed on the author Zheng Banqiao's own "Bamboo and Stone Pictures". In praising the tenacity of rock bamboo, this poem implies the author's strong character of defying common opinion. The first sentence of the poem: "Stick to the green mountains and never relax", first shows the reader the image of a tall and straight bamboo, firmly grasping the cracks of the green mountains and rocks. The word "bite" personifies bamboo. "Bite" is an active action that requires effort. It not only describes the scene of green bamboo clinging to the green mountains, but also shows the bamboo's spirit of not being afraid of hardships, fighting against nature, and surviving tenaciously. Following the previous sentence, the second sentence "The roots are originally in the broken rock" shows that the reason why the green bamboo can stand proudly on the green mountain is that it is deeply rooted in the broken rock. In the author Zheng Banqiao's poems and paintings, bamboo is often inseparable from "stone". Sometimes, stone constitutes the opposite of bamboo, such as "Draw a bamboo branch and insert a stone. The stone is one foot higher than the bamboo branch. Although one foot makes it taller, I will lift the power of heaven every year." Sometimes the stone becomes the background of bamboo, such as " The autumn wind passed through Xiaoxiang last night and went crazy when it touched the rocks and penetrated the forest; only the bamboo branches were not afraid, and they fought with each other for a thousand times." In this poem, bamboo and stone form a seamless whole. Without dianthus, it would not be tall, and without bamboo, the mountain would not be green. These two poems also illustrate a simple and profound philosophy: only with a deep foundation can one be strong. With the foreshadowing of the first two sentences, the following two sentences are naturally led to: "Still strong despite repeated hardships, regardless of the winds from east to west, north and south." Bamboo in this poem has a characteristic. It is not an isolated bamboo, nor a static bamboo, but rock bamboo, a wind bamboo. In the poems and paintings of the author Zheng Banqiao, bamboo is often a symbol of noble conduct and strong will, while wind is often a representative of evil forces, such as the aforementioned sentences "The autumn wind crossed Xiaoxiang last night", and another example: "A strong wind Roll it back, and the bamboo branches turn back and open to the sky. Sweeping away the clouds and fog is really my job, not just sweeping the ground." In this poem, the bamboo also withstands the blows of the "east, west, north, and south winds" all year round. But because it is deeply rooted in the rock, it remains firm and strong. No matter what kind of wind it is, it has nothing to do with it. The poet uses the words "Qian" and "Wan" to describe the tenacity, fearlessness, calmness and confidence of bamboo. It can be said that the artistic conception of the whole poem emerges suddenly at this point. At this time, what stands in front of us is no longer a few ordinary bamboos. What we feel is a kind of tenacious vitality and an indomitable willpower, and all of this is contained in that slender Among the windy bamboos. The bamboo in the poem is actually the incarnation of the noble personality of the author Zheng Banqiao. In life, the poet is exactly such a rock bamboo that has a closer connection with the lower class people, hates evil as much as hatred, and is not afraid of the powerful. The author Zheng Banqiao's poems on paintings have a strong three-dimensional sense just like his paintings, and can be appreciated by painting. This poem is exactly like this. Both bamboo and stone are vivid in the poet's writing, as if they are in front of his eyes. The disembodied wind is also depicted as if it were blowing across the face. But what the poet pursues is not only the external appearance, but also infuses his own ideals into each thin and hard rock bamboo and integrates his own personality, so that the bamboo and stone reveal a deep meaning and inner charm. . This is a poem that uses objects to describe people and expresses aspirations. It is also a poem in praise of objects. This poem focuses on expressing the tenacious and persistent quality of bamboo. It supports the tenacity of rock bamboo and expresses its uprightness, unyielding and unyielding character.

, "Viewing the Sea"

Cao Cao (late Han Dynasty)

To the east is the Jieshi to view the sea.

Water and water, mountain island.

The trees are overgrown and the grass is lush.

The autumn wind is bleak and the waves are rising.

The journey of the sun and the moon, if out of it.

The stars are brilliant, if they are out of it.

Fortunately even!Sing to chant.

It depicts the majesty of the motherland's rivers and mountains, expresses the poet's heroic and optimistic enterprising spirit, and also expresses the poet's broad mind and ambition to unify China.

"The journey of the sun and the moon seems to be out of it. The stars are as brilliant as they are out of it." Using intertextual techniques and virtual scenery, the poet uses his rich imagination to depict the majestic spirit and broad mind of the sea swallowing up the sun and moon, and containing the stars. It best expresses the poet's broad mind and ambition to unify China.

2. "Under the Cibeigu Mountain"

Wangwan (Tang Dynasty)

Klook outside the green hills, in front of the green water.

The tide is flat, and both sides are broad, and the wind is hanging.

Hai Ri is born and the night is over, and Jiang Chun is entering the old year.

Where can I find the hometown book? It's near Yanluoyang.

1. "Where can I find my hometown letter? Return to Yanluoyang" best expresses the feeling of homesickness.

2. “The sun in the sea fades into the night, and the spring in the river enters the old year.

"Sheng" and "Enter" personify "Hai Ri" and "Jiang Spring". The night is almost not over, but the sun has risen; before the old year is over, the spring on the river has arrived. "Sun" and "spring" are new and beautiful things. It contains the philosophy of temporal changes and the alternation of old and new; it also expresses the homesickness of a wanderer who is in a foreign land as time flies.

3. "The tide is flat, the banks are wide, the wind is blowing and the sail is hanging."

Dual, when the tide is high, the river between the two banks is open; the wind is calm and the waves are calm, and a white sail is hung high. Small scenes are used to set off the broadness of the big scene.