All Heavens: Transfer Students at Hogwarts

Chapter 50 The Mystery of Silent Casting and Wandless Casting

Linde did not ask the little wizard to personally explain his intention of painting. Appreciating literary and artistic works, even if it is a child's graffiti, is not a simple decryption process.Just like asking a writer to read and comprehend his own work, his answer may be quite different from the standard answer in the textbook.While appreciating, the audience is also re-creating the work. What they think about is definitely different from the author.

Another reason is that teenagers don’t have much logical thinking when speaking, so it is time-consuming and unpleasant for them to stumble and explain.

So at times like this, Linde must play the spirit of "I don't want you to think, I want me to think".He wants to use these four paintings to explain his theories, and his theories should be regarded as the truth for the current European magic circle.

He pointed to Hannah's blue painting, "Learning magic is like using color. At the beginning, you don't know anything about painting. You can only fill every space on the drawing paper with one color. The strokes of color are chaotic. It is abundant, it is unfettered, it is not defined by anyone, and it refuses to be defined.

"This is the state of primitive magic. The little wizard must remain ignorant of the magic itself in order for the magic to be exerted, to fill the drawing paper, and then break through the constraints and burst out. This is why most of the little wizards' magic bursts out now. Between the ages of six and eight, the reason for premature onset of magic rampage is because the talent is too strong, and the longer it is delayed, the less likely it is for rampage to occur. Once you realize in advance that there is magic in your body, even if it is just out of jealousy of the people around you, you will unconsciously Searching for magic power in the body will pollute its original state. This situation can easily give birth to squibs, that is, people with wizard blood but no ability to cast spells."

Some of the children understood, others didn't, and Lynd looked around and saw Harry's eyes sparkling and Ron's expression looking confused. Linder did not stop to wait for them, but continued to point to the next painting, which was painted by Justin Finch-Fletchley. He is a smart boy. When he saw that his painting was ranked second, there was an indescribable sad look on his face.

"Once the magic is rampant, it is time to enter the next stage. When the pure colors are filled, we will realize that a color is too monotonous, it expresses nothing, it just exists alone, too ordinary, too It’s monotonous, and people will forget it after seeing it, and it’s not a big deal to create it, just rub the same crayon on the paper again and again. At this time, most people’s first reaction is to introduce more colors, just like Justin It makes the colors distinguish and contrast with each other, making the picture more inclusive. Just like we consciously control the magic, more colors pollute the original blue, but it provides the possibility for the next creation .

"Here, I also need to mention a special existence, the Obscurus. This is a dangerous creature born in the body of the little wizard. The reason why it appeared is that the little wizard did not learn to control magic in time, and because he was afraid of the magic, he went berserk. Hurt others and begin to consciously suppress oneself. In the emotions of pain, despair, and sadness, Obscurus is born. It is like a monster, which will continue to devour the original color until the original magic power is completely contaminated, and the little wizard will So die. Every appearance of an Obscurus means a tragedy."

Sadness and panic enveloped the classroom, and the children didn't say a word.

But when Linde walked to the bottom of the third painting, everyone laughed at the same time, because Seamus's painting was so powerful and shockingly ugly.Seamus puffed out his chest and acted proudly. It seemed that he didn't mind making a fool of himself to make his classmates laugh.

"As colors emerge one after another, each color begins to choose its own place. Painting is nothing more than applying the right color to the right place. The cavemen of Altamira recorded portraits and prey with simple brushstrokes. Simo In the painting, you can see some simple structures, such as the pile of yellow with a lot of hair in the middle, maybe it is the sun, maybe it is a yarn ball, and then a lot of red spurts out from it, the inspiration may be the juice of watermelon.”

Seamus shrugged, he didn't think much of it.

"The learning of most spells only requires the application of imagination to this step. Most adult wizards only achieve this step in their lives. They can discover some patterns and fantasies from nature, and then apply these ideas to On the spell. Until this time, although your magic power has been under control, it still has its wild, disorderly, and abnormal side. At this stage, your imagination is wild and the magic you use seems unreasonable."

Linde took out a round fruit candy from his pocket, enlarged it, and then cast a "Long Hands Curse" on it. The fruit candy sprouted a pair of hands, and Linde cast another "Dancing Curse" , Fruit Candy performed a cool hip-hop dance on the spot.

This scene is a little weird, but also a little humorous.

Just like Alice in Wonderland, the characters and scenes in it can be based on real life. It may seem abnormal, but it is not divorced from human reason.

Linde smiled, "We have come around in a big circle and finally returned to the original purpose. If you want to master silent spellcasting, you must go one step further. The understanding of magic cannot just stop at knowing how to cast it. You must know , what is the function of this spell, and when you use the same spell on the same target over and over again, what kind of reaction do you want it to have?"

He walked to Hermione's drawing and said, "Look. I asked you to fill the drawing paper with colors. I didn't ask you to draw any specific shapes or things. But Hermione Granger still chose to draw a picture. Landscape. She knew what she wanted, and she knew how to use color to describe the story in her mind. That’s the secret of silent spellcasting. You don’t have to say the spell, it’s already echoing in your mind.”

The more wizards influenced by Muggle education, the better they can understand what Linde said. Natural science education cultivates logical thinking, and logical thinking helps wizards understand magic.Although magic does not follow natural philosophy, the user of magic needs to understand the objective reality of nature.

After all, since magical phenomena are allowed by this universe, it means that they are a part of nature.

Linde believes that Hogwarts actually needs to offer a natural science course, and it does not require a high level. As long as the scientific literacy of observing and analyzing the objective world can be cultivated, knowledge seekers will not abandon the truth, even if it is So-called Muggle lore.

Halfway through the course time, Linde was going to move on to the next topic, and asked the little wizards to practice silent spellcasting by themselves after returning.

At this moment, someone raised his hand and asked about the secret of casting spells without a staff.

It was obvious that everyone was curious.

Lind didn't refuse. He waved his hand and reversed the order of the four paintings. Hermione's came first and Hannah Abbott's came last.

"Casting spells without a wand is very simple, but it is also very difficult. It requires not only faith, but also your resonance with your own magic power. In fact, the wand has never been a necessary medium for casting spells. The ancient druids harnessed the power of nature , can freely transform into beasts, they have never used this kind of small wooden stick. The magic power is there, and it will not disappear because there is no wand, and learning to cast spells without a wand is to return to the heart step by step. When can you return to the original Pure color, forget all the rules and constraints, when will you master cast spells without a stick."

When Linde said this, he was actually thinking about the famous scene of Zhang Wuji learning Tai Chi.

Zhang Sanfeng: Wuji kid, how much do you remember?

Zhang Wuji: All Forgot.jpg

Casting magic without a wand is indeed a state of triumph and forgetfulness. All wizards have experienced magic riots. At that time, they communicated with the magic in their bodies unconsciously. If the magic can be brought under the control of subjective consciousness, there will be no need for a magic wand as a medium to guide the magic.

In the final analysis, the wand is equivalent to a drainage device. The core material of the wand is the body tissue of a powerful magical creature. Its function is to build a communication bridge between magic power and reality. And as long as it has the function of guiding magic, even an instant noodle fork can be used as a magic wand.

This group of children were completely unprepared to accept the theory of wandless spellcasting, and all of them had innocent and stupid smiles on their faces.

Linde blinked, "Okay, let's put aside all the red tape of wizard duels, it's time to let you know the most real and cruel side of wizard battles. I need a volunteer, who is willing to come up and help me? "