The world of Chinese style creates a prosperous era for girl groups

The four-member Tara girl group passed the first program review of the Spring Festival Gala very smoothly. Not to mention there were no flaws. Their performance of "Because I'm a Woman" also impressed the judges and onlookers at the scene. It is said that many people at the performance were watching the program backstage. The other performers were moved to tears.

And afterwards, it also triggered a wave of praise and signatures from other performers in the Spring Festival Gala program.

This is what the manager Xiao Liu told everyone when he returned to the company the next day.

Under normal circumstances, whether Tara is performing in Yancheng or out of town, unless she really doesn't have time, Lao Xie or Zhao Yishen will usually lead the team. However, this time there was no one to lead the team for the Spring Festival Gala, so her manager Xiao Liu accompanied the four of them. go.

In the following activities, whether it is variety shows, interviews, or business appearances, it will be basically four people.

When reporters asked about the situation of the other two people, the four would excuse themselves by citing other tasks or taking leave.

When this phenomenon occurred again and again, fans and the media also understood that if their contracts were not renewed, the lead singer Zhu Suya and the oldest Quan Wenxin might go solo.

Now that netizens and the media had guessed it, Xia Haoyang stopped hiding it and planned to make it public on the official website. However, Xia Haoyang did not make any public statement and just reposted a poem and @ Zhu Suya and Quan Wenxin's personal Weibo.

The full poem is as follows:

From then on, the sound and dust were silent, and the spring mountains were like black grass and smoke.

Tears fill the Wu Garden at midnight, and I hate to disturb the post office all night long.

There are bluebirds saying farewell, and we are talking about the passing of time.

He only made a minor mistake when he took off his clothes, and he only felt sorry for himself a thousand times.

—— Huang Jingren, Qing Dynasty, "Four Poems on the Past·Part 4"

The general meaning of this poem is that after the author breaks up with his beloved, there is no news from each other, just like the spring mountains and the color of grass. Although they are in front of you, they are no longer yesterday. This is an irreparable regret and is deeply regrettable. An unforgettable regret that always makes people feel inexplicably distressed.

Anyone with a little knowledge of literature can understand the regret in the whole poem, and Zhu Suya and Quan Wenxin each reposted a poem on their personal Weibo in response.

Zhu Suya’s personal Weibo responded:

If you know your concubine has a husband, you will give your concubine double pearls.

The sorrowful sensation is tied to Hongluo.

From the concubine's high-rise building to the court, the beloved is in the bright light.

Zhijun's intentions are like the sun and the moon.

Huanjun Mingzhu tears down and hates not meeting when she is not married.

——Zhang Ji of the Tang Dynasty, "The Song of the Chaste Woman: A Letter to Master Li Sikong in Dongping"

The meaning is easier to understand: you know that I have a husband, but you still give me tokens to express your love. I can feel your infatuation. Although I also think you are my beloved, I have been married to you in this life. I can only return the token to the gentleman. I only regret that we did not meet each other when I was still married.

Zhu Suya showed that she also wanted to stay in the company and continue to cooperate, but she had difficulties.

The poems used throughout the text are:

Sitting idle and grieving for the king is also grieving for oneself. How many hundred years are there?

Deng You had no children and found out about his fate, but Pan Yue wasted no time in mourning his death.

No matter where you look at the same acupuncture point, it will be more difficult to predict his destiny.

But he will keep his eyes open all night, repaying his lifeless eyebrows.

——Yuan Zhen of the Tang Dynasty, "Relieving Sorrow Part Three"

This poem is a little difficult to understand. Even if we can be buried together in this life, we still cannot express our true feelings. Looking forward to reconnecting in the next life is probably an illusory fantasy.

The author has deep thoughts and endless sorrow for his deceased wife, but he cannot realize his wish to live in the same acupoint. He can only express his guilt and gratitude to his deceased wife through sleepless nights and longing for her all day long.

The reason why Quan Wenxin used this poem was to express his guilt and gratitude.

The appearance of these three poems in a row has blinded the entire fan circle and netizens. Doesn't it mean that many people in the entertainment industry are uneducated? Damn it, you actually acted so artistically? Can you still play like this if the members quit?

And the matter is not over yet, Qin Jiali, Zeng Jingyi, Shao Minzhi, and Xiao Mengyan also uploaded a poem on their personal Weibo.

Qin Jiali uploaded:

At Yuan Ye last year, the flower market lights up like the day.

Willow head on the moon, after dusk.

On New Year's Eve this year, the moon and the lights are still there.

No one from last year, tears wet the sleeves of the spring shirt.

——Ouyang Xiu, Song Dynasty, "Birth of Cha Zi, Yuan Xi"

On Lantern Festival last year, the flower market was brightly lit, reflecting the moonlight, and people met under the willow trees after dusk. However, on Yuan Ye this year, the moonlight and lights are still there, but the beauty from last year is gone, making people wet their sleeves with tears.

The promise made on Yuan Ye last year has become empty, and the beauty is no longer there. Only the loneliness of the moonlight and lights is left, which makes people lament the perishability of love and the impermanence of life. The beautiful and moving sentences reveal deep sorrow and touching regret.

What Jiali wanted to express was her regret for leaving her little sister.

Zeng Jingyi quoted:

When I want to enter the middle gate, I burst into tears, and the flowers in the garden rejuvenate without their owner.

The curtains and curtains of the pavilion are still the same, but there are two people missing in front of the hall.

——Bai Juyi of the Tang Dynasty, "Reflections on Returning to Yucun House"

Once upon a time, Bai Juyi and his first love Xiang Ling spent a lot of good time here. Now when they visit their old place again, although the scenery remains the same, the person who used to be is no longer around. Many times, I lament the impermanence of worldly affairs and the helplessness of life.

In this poem, Zeng Jingyi changed the last sentence: "I just owe one person in front of the hall" to "two people". It expresses her sadness because her two little sisters were forced to leave, and she lamented that life was helpless and she couldn't help herself.

Shao Minzhi quoted:

The sons and grandsons are following the same steps, the green beads are weeping and the towel is dripping.

As soon as Hou Men entered as deep as the sea, Xiao Lang was a passerby ever since.

——Cui Jiao of the Tang Dynasty "Gift to the Maid"

Once you enter the Hou Men, which is as deep as the sea, the person you love in your heart becomes a stranger. Love that cannot be realized due to differences in social class is often the most regrettable. This poem expresses the endless sorrow of love being bound by ruthless reality and the person you love deeply becoming a stranger.

Shao Minzhi quoted here to express her sadness and regret at the departure of the little sisters who were as close as lovers.

Xiao Mengyan quoted something special:

There is a girl riding in the same car, her face is like Shunhua.

The general will soar, the jade will fly.

He is beautiful, Meng Jiang, both beautiful and beautiful.

There is a female companion, who looks like Shunying.

The generals will soar and fly, and the generals will wear jade.

Meng Jiang is beautiful and his virtues are unforgettable.

——"The Book of Songs, Zheng Feng, There's a Girl in the Car"

The whole poem praises this beauty in a man's tone: The woman riding in the car with me has a face like a hibiscus flower in full bloom. It moves as light and flexible as a flying bird, and is adorned with exquisite gems. This aristocratic beauty is truly beautiful and dignified.

So what does Xiao Mengyan mean by quoting this ancient poem here? The two sisters who are about to be separated are beautiful and charming, which I admire very much and will never forget.

As soon as these seven poems came out, the Internet exploded. It is true that China likes ancient styles and classic poems, but when did it become so elegant and learn to use poems to express its feelings and meanings? Is the entertainment industry so complicated now?

Same as Jiuyi, He Ruxiu?