The years I worked as a Feng Shui consultant in the entertainment industry

"Hurry up, those oily guys won't be able to hold you back for long!"

Sister Cha glanced at her and quickened her pace.

The three of us quickened our pace, and when we turned the corner, I took another look and saw that the baby separated from the actress was devouring those greasy ghosts.

After turning the corner, we walked around to the side of the villa, and Sister Cha led us to climb in through the window on the first floor.

After entering the villa, Sister Cha observed it for a while, then led us out of the room and to the entrance hall.

Looking out through the window in the hall, the actress was still dealing with the oil ghost at the door and the ghost in the amulet.

After Sister Cha entered the hall, she remained frozen in place as she had been in the room before, her eyes froze for about five seconds before she came to her senses.

After coming back to her senses, she walked straight to a shrine in front of the hall, grabbed the incense burner in front of the shrine, and twisted it. The whole shrine made a creaking sound and moved, revealing a diagonally downward passage.

The moment the passage appeared, a mouse rushed up from below, stood upright, and squeaked at Sister Cha.

"I see!"

Looking at the mouse, Sister Cha nodded, pointed outward, and said, "Go!"

Following her words, the mouse nudged past Sister Cha and rushed outside.

As the mouse rushed outside, the rats that had previously rushed into the villa rushed out from all corners and followed the mouse outside.

After rushing out of the villa, these mice gathered together like a stack of Arhats, forming a human figure, standing in front of the villa, waiting for the actress.

Seeing this scene, Sister Cha nodded slightly, turned around and walked into the passage under the shrine first.

The three of us looked at each other and followed Sister Cha into the passage one by one.

The passage was diagonally downward in the shape of a staircase. After walking about nine steps, the space suddenly opened up, and a space of about seventy square meters appeared in front of us.

There is light in this underground space, and small electric lamps emitting red light are hung on the surrounding walls.

In the middle of this underground space is a five-meter-square five-level stone platform. In the middle of the stone platform, there is a sarcophagus.

The sarcophagus was not covered, and from our position we could not clearly see the condition of the sarcophagus.

Sister Cha just glanced at the surrounding situation and then walked towards the stone platform.

As before, the three of us followed her and walked with her to the stone platform.

After boarding the stone platform, the situation inside the coffin appeared before our eyes.

Inside the coffin was the body of an old man.

I frowned when I saw the man's face. This was none other than the big man from Wandao.

What is different from the photo is that this boss's face is blue and purple, and he is as thin as a skin and bones. Except for his face, there is no change, and his body is severely atrophied.

What surprised me the most was that this big guy was only wearing a red bellyband, and the red bellyband was filled with spells and talismans that I couldn't understand.

Judging from the fonts, these spells and talismans look a bit like Siamese characters.

In addition to the spell, there is also a line of words.

Different from those spells and talismans, this line of characters is in Chinese characters.

There are not many words, it is written crookedly, and the meaning is very simple. I am willing to exchange my life for being together in the next life.

"Are you sacrificing yourself?"

When I saw this line of writing, I murmured to myself.

"It's not a sacrifice, she just loves too deeply. Since there is no fate in this life, she wants to use her life in exchange for getting together in the next life. But she made the wrong wish. The zombie boy doesn't understand these things. He just knows that his The master, his mother, sacrificed her life to get together with another man!"

"Since his mother is dead, the way to get together is very simple. Kill the person that the mother made a wish to get together with, so that the two of them can get together without having to rebirth!"

Sister Cha said with a snort.

"What about this piece of cloth?" I asked again.

"During the refining of the zombie, the head-lowering master first removes the fetus and placenta from the pregnant woman's body, then roasts the removed fetus with fire, uses fire to extract oil, and after extracting the oil, grinds the baby's bones into ashes, and then The method is to put the baby's soul into the doll that has been made a long time ago."

Sister Cha glanced at me and said, while moving forward to study the sarcophagus carefully, "After that, some of the baby oil and baby ash will be made into ink, and at the same time, the placenta will be dried and ground into powder! "

Having said this, Sister Cha paused, knelt down and took a look at the bottom of the sarcophagus, then stood up and continued: "Use ink and placenta powder to write talismans and spells on a piece of red cloth to control the ghost!"

After saying that, Sister Cha looked at me again, her meaning was very simple, do you understand this?

I do understand that this piece of cloth is used to control the ghouls.

The actress wrote her last wish on this piece of cloth that could control the ghoul boy. To a certain extent, she was sacrificing herself, using her own life in exchange for the ghoul boy to help her realize her dream.

"What to do next? Also, where is the fox corpse?"

After understanding this, I understood my confusion, but why didn't I see the fox corpse?

"The fox corpse is down there!"

Sister Cha pointed to the stone platform at her feet and said, "It's up to you to help me stop that woman and that corpse!"

"understood!"

The second uncle nodded and turned his gaze to the entrance of the passage.

Sister Cha let out a breath, grabbed the body, and pulled the body out of the coffin, but did not touch the red bellyband.

I can understand this approach.

Some ghosts, especially those with strong grievances, will be left behind by the mage during the refining process to control the ghosts. Some are just a spell, and some, like this one, use the corpse of the ghost to control them. Oil and ashes plus the mother's placenta were used to write the spell.

Although the ghost can be controlled in this way, it is not completely controllable.

When the ghost's resentment becomes more and more serious and his skills become higher and higher, it will become more and more difficult for the mage to control him. When one day, the mage cannot satisfy the ghost's appetite, there will be backlash.

And because the talisman on the red bellyband is written with the ghost's baby oil and ashes, once an outsider touches the red bellyband, the corpse will sense it and we will be exposed in advance.

After pulling up the body, Sister Cha got half of her body into the coffin and groped around the bottom of the coffin.

After groping for a few seconds, she felt happy, and when she pressed a certain part, the sarcophagus made a muffled creaking sound and slowly moved upward.

Half of this sarcophagus is exposed to the outside and half is sunk into the stone platform.

With this movement, the sarcophagus slowly rose. If you want to describe it, this stone platform is like a bottle, and the sarcophagus is the cork.

After the sarcophagus is raised, it is equivalent to the cork being pulled out, and the situation inside is exposed.

As the sarcophagus rose, a smell of blood came up from inside.