Rebirth 13, starting from the big demolition treasure hunt

After the eighth day of the Lunar New Year, most of the people who should go to work have already gone to work. It will be a few days later at the construction site, but on the twelfth day of the first lunar month, Huimin Street has begun to transfer the dregs.

Along the riverside avenue in the old city, the shanty houses under the river embankment have also begun to be expropriated. The once prosperous "paradise" no longer has those women doing business.

It won't take long, probably in one or two years, this place will become a riverside green belt.

Wu Yun and Ding Changxi came here on the 10th day of the lunar month, along with their 8-year-old daughter Ding Cuiying, -year-old son Ding Aijun, and the child's grandmother Liu.

Bringing the children to school here was something that was discussed last year, and all the necessary transfer materials are ready.

During this year’s Lantern Festival, the developer also held an event on Pawnshop Street and Ermi Factory in the old city, including guessing lantern riddles to win prizes, singing and dancing performances, etc.

At the same time, they are also collecting valuable old photos and folk items from the Nine Streets and Eighteen Lanes area. They are also planning to build a special display area in the sales department for a long time.

Last year, the developers of Tanxi Road held an event to collect old photos. After returning, they took the time to sort out some photos of the city before the 1980s.

Because they were close and knew that the developer was organizing this event, they took out 5 more valuable photos, then found a nearby photo studio to develop the photos, developed several copies of each, and sent them to the event site.

(He currently doesn’t have any folk items here, he has disposed of them all in the past.

The photos sent over were all newly developed, but he still took back the original photos. )

The contents of these 5 photos are:

Photos of some people standing at the roadside "XX Oil Mill" waiting to press oil.

A photo of popcorn popping at the entrance of an alley in the 1980s.

In the late 1950s, the boat was completed and people pushed the boat into the water.

(Not far from here, there is a shipyard on the bank of the Han River. Although it was abandoned and rented to scrap collectors, it has never been demolished.

Surrounded by green belts along the river, the old shipyard is the only place that has not been demolished.

There is a caption on this photo that clearly states the year and related events. )

A photo of a person standing in front of the front of a Jiefang truck, with the entrance of Ermi Factory in the background.

Judging from the vehicles and the people's clothing styles, the photos are very old, probably from the late 1950s or early 1960s.

There is also a photo of a dozen people sitting under a big tree in front of a teahouse, drinking tea and chatting. This photo is also from the 1980s.

Wu Yuansheng is not a selfish person, nor is he a very educated person, but so many years of life and social experience have made him a person of a certain pattern.

Since there is this event, he took out the photos for everyone to appreciate, and it would be good to know what certain places looked like and the scenes here many years ago.

The developers collected photos and folk items, and they didn't give them away for free. They also gave gifts. Wu Yuansheng didn't ask for anything else. When they saw toys, they asked for a few toys.

When school started, he drove several trips to school to help Wu Yun and Ding Changxi, and settled the enrollment of his niece Ding Cuiying and his nephew Ding Aijun.

This year's Chuantian Festival was held at Yuliangzhou Pier.

Because he worked overtime at night, he did not go over to watch. He heard from Yi Xiaoyue and Song Yuping that it was very lively.

He saw the photos and videos they took. There were many people visiting in the past.

This theme event is also about traditional culture, and folk opera troupes from various towns and villages are invited to perform.

There are flower drum opera, land boat, waist drum, clam spirit, stilt walking, suona playing, lion dance and other related contents.

Looking at the dense crowd in the photo, he felt that it was indeed quite lively.

Chuantian Festival is also a "shopping festival". Many businesses sponsor this event to promote their houses or products.

In addition, there are also those selling souvenirs, small folk cultural items, and those selling sky stones or other strange stones...

In early March, it rained for two consecutive days. When the rain stopped on the 5th, Master Kong, who lived near the Tangcheng Scenic Area, called him.

He said that in the beginning of the year, a construction site near them was dumping dirt, and while he was picking up iron, he picked up something else and asked him to go over and take a look.

Over the past two or three years, Wu Yuan Sheng bought many items he picked up in the garbage dump, especially some bricks.

(Although the price of bricks later increased, the price did not increase at that time, and it was not considered a huge advantage for him.

After all, many people didn’t want bricks at that time. )

If he had something, he drove there.

After arriving, the two briefly greeted each other, and Master Kong took out all the things, including:

Five bronze mirrors, a soldering iron (torture tool), and a bronze weight.

A dove made of ceramics, two tea cups from Jizhou kiln, and a small celadon bowl from Longquan kiln.

There are also some porcelain pieces.

This time there are no bricks, tiles or the like.

There are five bronze mirrors, three of which are Huzhou mirrors from the Song Dynasty, and two, one is a wide-rim bronze plain mirror, and the other is a multi-treasure mirror.

Luo Tie looks very rusty, but because it is thick, it has not completely rotted away.

The copper weighing weight is from the Yuan Dynasty and is somewhat similar in shape to a kerosene lamp.

The pigeons made of ceramics are about the same size as real pigeons and are yellow and green in color. Depending on the year, it can be at least the Yuan Dynasty.

The tea cups from Jizhou kiln are dark brown and appear to be a pair. They are of very early vintage and should date back to the Song Dynasty.

What makes him feel most special is the small bowl made of Longquan kiln celadon.

After he looked at this carefully, Wu Yuansheng discovered that there was a "Pasiba script" text inside the bowl.

[Basibawen, also known as Mongolian characters, is Basiba (personal name, the fifth generation founder of the Sakya sect of Tibetan Buddhism. If you want to know more about it, you can search this online.) was formulated on the order of the ancestor of the Yuan Dynasty. alphabetic writing.

Phasiba script is a pinyin text, which only indicates the pronunciation and has no specific meaning. It has a total of 41 letters (derived from the ancient Tibetan alphabet).

They were mainly used as the text of the Yuan Dynasty's national documents. Many official documents and official seals of the Yuan Dynasty used this type of text. 】

This was the first time he found such a porcelain bowl.

But looking at the style of the small porcelain bowl, it is made from folk kiln porcelain.

There are not too many porcelain pieces, only about one hundred kilograms.

Seeing that he had finished reading the items on the table, Master Kong took out some coins from his wallet.

There are about forty or fifty pieces.

Among these coins, he saw two big coins at first glance, which were "Dayuan Tongbao" written in Pasiba script and divided into ten coins.

Seeing such copper coins, he felt that the small bowl from Longquan kiln should have been found in the same dregs heap as them.

There is also the copper scale weight that I saw before. They are all items from the Yuan Dynasty.

In addition to these two large coins, there are also coins from the Song Dynasty and the Ming and Qing Dynasties. These should have been found in other places before.