Respawn Entertainment: Days of Glory

Anyone who can sing heavy metal has a good voice. Although Tang Dafeng is not as abnormal as Bian Lang, the four sets of high notes are still stable.

In addition, the articulation and breathing points are quite clear and not long, so the desolation of this voice gives the sad main melody in the lyrics a soul-stirring feeling.

Then he strummed the electric guitar in his hand, bringing out a strange distorted sound effect, and then continued to sing: "Luxury turns into spring dreams, leaving behind the sorrows of the past and present..."

The music fans at the scene are also very knowledgeable and talented people. When singing this artistic conception, some people recognized what they were singing!

"This is Kang Yu's "Revelation of Heartfelt Love: Nostalgia for Chang'an"... Bian Lang's head is really convincing!"

As for netizens on the Internet, even if they don’t have knowledge reserves, they can check it out.

You don't know if you don't check, and you still don't know if you check... He is also a relatively unpopular poet of the Song Dynasty. The only thing that can make everyone familiar with him is that he is Qin Hui's disciple. The key point is that this song "Revelation of Heartfelt Love·Changan Nostalgia" is not yet a masterpiece!

Therefore, many netizens are not aware of it:

"In order to write a song, Bian Lang probably tore through 300 Tang poems!"

"Fart, the author is from the Song Dynasty. How can this be included in 300 Tang poems!"

"Huh! Now it's true plagiarism! Why aren't you here to attack?"

"Well, there's nothing wrong with that, but if you don't have a PhD in history, you probably don't know where to get it!"

"A doctorate in history may not be enough. I think you should have a degree in Chinese language and literature!"

"Hahahaha, I'm laughing so hard. According to what you said, a doctorate in history and Chinese language and literature combined is not as good as an undergraduate student from the sculpture department who plays rock music? So the question is, who is better in rock music or the sculpture department? "

As soon as these words came out, netizens were slightly stunned, then smiled softly and continued to listen to the song.

When Bian Lang was studying this word, he was also surprised by Ding Wu's reserve of ancient poems.

"Don't come up to me. I can't hold back my tears at Guyuantou... The sun sets in the west, the wild geese fly south, and the Wei River flows eastward..."

At the end of the sentence "The Wei River flows eastward", Tang Dafeng's high note almost broke 5, but it was this feeling of being broken but not broken that made it feel fitting to the situation.

In order to practice this section, Tang Dafeng practiced hard for a whole month, and his ears got calluses after listening to the demos given by Bian Lang. Only then did he achieve his performance today!

Although it is only 44 words, the difficulty of this singing can be said to be hellish.

Because the singing style of this section is completely inconsistent with the beat of the instrumental accompaniment, it is quite uncomfortable for the lead singer of a heavy metal band who is accustomed to strong rhythms.

To put it simply, singing is composed of two elements. Only when the key and the beat are integrated can the baseline of singing be achieved. But in this section, the key itself is high, but the tempo is either fast or slow. There is little correlation between the melody and the tempo. It sounds like a bit of improvisation, but in fact it is the result of careful arrangement.

So Tang Dafeng was really tortured, but after the effect came out, Tang Dafeng really worshiped Bian Lang as a heavenly being!

They are all able to write their own songs, and they all know how difficult it is to write a song whose tempo does not follow the melody...

Pan Xiulong, who was at the scene, stared blankly at the stage. He wanted to hum along several times, but he couldn't find where the beat was.

It feels like this section is like an antelope hanging its horns, with no trace to be found!

Bai Dao, who was revising the manuscript, instinctively typed out a line on the document: "It's so difficult to sing! This is so damn difficult to sing! I really don't know how Bian Lang came up with this arrangement!"

After that, the folk instruments disappeared completely, and the lead guitar of the Gale Band started playing a highly distorted solo, and the iconic heavy metal sound wave came.

Pushing one section after another, everyone finally realized: "This is a heavy metal song!"

When the distortion reached a point where it felt like an arrow was on the string and had to be released, Tang Dafeng's singing came again: "Strengthening the mountains, overwhelming the world... Times are not good, and the glory will not fade away... The glory will never fade away, But there is nothing you can do... Yuxi, Yuxi, there is nothing you can do..."

In that high-distortion sound, Tang Dafeng's melody was also rising steadily, giving people the impression that it was Xiang Yu himself who was singing this Gaixia song.

It can be said that there are many songs in the palace, and the beauties are harmonious with them. King Xiang wept for several lines, everyone on the left and right wept, and no one could look up.

The reputation of "Gaixia Song" is more than a little greater than that of "Revelation of Heartfelt Lings·Changan Nostalgia", whether it is the author or the poem itself.

Immediately on the barrage in the live broadcast room, some netizens typed: "The Han soldiers have captured the territory, and there are songs of distress from all directions. The king is exhausted, how can I survive for this humble concubine?"

Then someone commented: "Yu Ji committed suicide!"

Immediately afterwards, there was the incarnation of Zhu Xi who said, "He is generous and fierce, and has the anger of thousands of years of injustice."

In the lingering lingering sound of the song, the accompaniment style changed again.

No one knows how to define the first section. The second section is undoubtedly heavy metal, but by the third section, it feels like it has become psychedelic metal!

During the interlude of the electronic keyboard and the main drum set, Pan Xiulong felt that Bian Lang was playing in a field that he could not understand at all.

The first two sections are indeed the same as "Dream Back to the Tang Dynasty", but the arrangement feels much better, but this section is obviously different. Although it is still within the system of Bian Lang's works, it is infinitely close to "Comfortably Numb" That style.

Pan Xiulong felt right, and Bian Lang felt the same way when he listened to it. This short interlude was basically the shadow of Pink.

Then Tang Dafeng's singing was like an accompaniment, saying "Ou...Ou...Ou..." one after another, making it difficult to tell which one is the protagonist, the human voice or the musical instrument.

When this section ended, the familiar heavy metal rhythm started again, and this section was even more incomprehensible!

At 3 minutes and 50 seconds, as the lead guitar climbs up, it feels like a sports car accelerating violently after adding oil to the floor.

In the listener's mind, there seems to be a racing car speeding by with no taillights visible. If you want to describe the speed of the car, it would probably be Z.

No, if you extend your hand out of the car at this time, it may break!

After that, it’s the lead guitar and drums dancing wildly. The drum set was okay. Dayong practiced it more than 10 times and was able to master the beat smoothly.

But for this lead guitar solo, I really had to practice it to the point of vomiting before I could record this demo with it.

Similarly, Bian Lang, who seems to be easy to pick up now, practiced until he vomited in his previous life.

Looking back at Bian Lang today, this song is definitely the most underestimated among all the songs by the Tang Dynasty band. Compared with Dou Xian of his generation, Ding Wu is also seriously underestimated by people. Dou Xian's music is crystal clear, Ding's music is vast and majestic, and Ding Wu's music has such grandeur that Dou Xian's music does not have.

Moreover, among the singer-songwriters in the Chinese music scene, there are not only 100 but also 80% who use ancient poems and lyrics to set music. But the only one who can really understand the four words of "generous and horizontal", besides Ding Laoguai, is Wu Lunsamsara.

As for Su Yang's later "Liangzhou Ci", it is still only grand, without vertical and horizontal!