Respawn Entertainment: Days of Glory

At the end of the song, Bian Lang took a microphone and introduced two old Russian artists to the fans.

When they heard that the two were members of the national team, the fans in the audience were shocked and responded with warm applause.

The existence of the national team is the same no matter which country it is in. They usually have little reputation, but when they jump to the public circle and start to cross borders, they can always surprise everyone at the first shot.

Isinbayeva, who followed the applause, said to Ambassador Qin with a smile on her face: "Thank you!"

Ambassador Qin also responded with a smile: "This is all the credit of Bian Lang."

As for the live broadcast room of Xiaopo Station at this moment, the barrage was all about the relationship between rock and roll and revolution.

When Bianlang released "Rock and Roll on the New Long March", someone said: "Revolution itself is a very rock and roll thing!" This kind of statement. Now that "The Internationale" and Katyusha's "Rock Version" have come out, similar words have begun to appear in the comment area again:

"Rock and roll and revolution really go together. Listening to this song, drinking vodka and fighting on the front lines, it's so fun to fight the Japanese!"

"Bian Lang understands revolution. This red rock performance is so awesome that no one before or after him can match it!"

"This is the real socialist rock!"

"Hahahaha! Society is shaken!"

"That's good, but this "Katyusha" has a foreign theme after all. It would be better if there was a domestic theme!"

If Bian Lang sees this, Gao De will arrange a song for him called "White Birch Forest"... It's a little sad, but it's really poignant.

And I don’t know when, some strange language has been mixed into the barrage:

Russian: "Дa3дpaвctвyetkpachыnpok!"

English: "Long live red rock!"

They all mean the same thing: "Long live red rock!"

The one in Russian was brought in by a Chinese student who was not present at the scene after climbing over the wall to watch it, and then being pulled in by Su Guo, who was also not present at the scene.

As for the English version, it is thanks to the live broadcast in Amiri stores. They not only broadcast live, but also shared the link to the live broadcast with customers and passers-by who stopped to watch. Those who are capable will naturally follow the network cable to find them.

As the two launch vehicles slowly returned to the tent, Bianlang and Lili also returned to the stage.

As soon as these two songs related to the Soviet Union were released, music fans began to look forward to whether the next song would continue to be related to the Soviet Union.

Of course, Rolling Stone did not disappoint. Bian Lang took out a pair of toad glasses and put them on, then snapped his fingers at Hua Yan who was sitting at the keyboard.

Then, all the moving head lights on the stage started to work, and the colorful lights, under the rhythm of Hua Yan's electronic keyboard, suddenly brought everyone back to that crazy era of surging thoughts. As soon as the retro disco music came out, the fans in the audience began to twist their waists in this gorgeous scene.

Different from the high-burning songs of the previous two songs, as soon as the intro of "Walking Tractor" comes out, it gives people the feeling of relaxation.

"BJ's express train to Moscow crossed the Volga River in Siberia, passed through the Swarovski forest, and came to the psychedelic Kremlin..."

As soon as Bian Lang opened his mouth, facing the red wall of the Kremlin behind the stage, his eyes widened at Isinbayeva who was reading the subtitles, and he asked Ambassador Qin: "Mr. Qin, how much does Bian Lang want to give to us Moscow people?" A musical gift?" Ambassador Qin approached her just to help find an accordion player for the Rolling Stones, so the lyrics of this song were not given to Isinbayeva.

That's why Isinbayeva is so surprised now.

Ambassador Qin had done some homework before coming here today. He knew that this song was written by Bian Lang a long time ago. He immediately said: "This is a song that Bian Lang composed a few months ago. I think Bian Lang has used music to build a corridor for cultural exchanges between our two countries, and I hope we can see more artists from both countries on this corridor in the future."

Faced with this elevation of Bianlang's status, Isinbayeva nodded noncommittally and said: "Yes, in the past, the music exchanges between our two countries were mostly at the official level. We really need more folk artists like Bianlang to come. Enrich the music exchange between our two countries. When this is over, I would like to formally invite Bian Lang to visit and exchange with our group."

Ambassador Qin naturally had no objection to this, and immediately agreed for Bian Lang.

While the two were chatting, Bian Lang's singing continued:

"A cowboy from Leningrad, I have a Tonica guitar, Gagarin's rocket is still in space, Tolstoy's Anna Katrina...Kapinsky, Tchaikovsky card, Taxi Driver , tractor driver... Ivanov... RUSSIA DISCO DANCE..."

As soon as a series of various names of the Soviet Union came out, the tens of thousands of Moscow music fans in the audience were so happy that they couldn't open their mouths from ear to ear:

"The Rolling Stones! They are our eternal friends in Moscow!"

"What's going on with this band from China? How do they write these songs that our own bands can't write?"

"I am more fascinated by the Rolling Stones than Hatter tonight! I really look forward to them holding a special concert in Moscow!"

However, before their discussion was over, they heard Bian Lang singing the second verse of the main song: "On this night outside Moscow, if you can't hear that lofty oath, who will still fight for your ideals, and who will sacrifice for love?" …”

Tragedy is the background of a fighting nation. No matter it is past or present, war or peace, they have never had a good life for a few days as they occupy the largest area in the world spanning both ends of the Eurasian continent. Either in the fight or on the way to fight.

Therefore, when these heart-wrenching lyrics came out, they not only did not offend them, but actually made them feel more involved.

The audience here had no words to express, but the Chinese music fans in the live broadcast room expressed their feelings for the hell: "Bian Lang understands fighting nations."

After singing the same chorus again, all the instrumental accompaniments except the guitar had stopped. Accompanied by the clean and clear strumming sound, Bian Lang sang in unison with several choruses: "Moscow no longer trusts anyone. Tears, she will never trust anyone again, the once handsome young man is no longer in his prime..."

In Red Square, the ancient granite floor, the red wall and the Kremlin behind it, as well as the surrounding buildings that have witnessed the rise and fall, all tell the story of Moscow's aging years.

As for the tears in Moscow, this is probably the origin of the tragic undertone of the fighting nation.

In Moscow in the early 19th century, a war and a fire destroyed the homes of the fighting people. Faced with a difficult life, the fighting people would always shed tears. And these tears eventually gathered together to form Moscow’s underground river, the Moskva River.

This is the legendary "Tears of Moscow!"

"Moscow no longer believes in anyone's tears, and she will no longer believe in anyone. The once passionate melody is like RUSSIA DISCO GO..."

All the fighting nations at the scene knew this legend. The legend was not believable, but their tears at this moment were real. The lyrics are still a bit heart-wrenching, but they encourage the fighting nation to believe in themselves!

Bian Lang knew this legend because after Peng Lei wrote these lyrics in his previous life, he looked at them and became curious: "Your lyrics are a bit similar to the Twins song. What are these Moscow tears? Why can't you write this?" I believe, did Xu Changde write it directly?"