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Time passed quickly, and it was late September.

During this period of time, Ye Zhiqiu was almost immersed in the crew of "Shooting the Condors", and he became more and more familiar with the role of "Assistant Director".

For the actors of the crew, the word "Ye Dao" is also very easy to pronounce.

In fact, before, all the actors had doubts about Ye Zhiqiu's ability as an assistant director. In fact, this is normal, after all, his age and experience are here.

Although they thought so in their hearts, everyone would not show it on the surface.

No one in this circle is a fool. Everyone knows that although Ye Zhiqiu is an assistant director, in terms of status in this crew, he might be even higher than the director.

It can be seen from the role audition that Ye Zhiqiu is the one who is really in charge of the "power of life and death".

As for the director, Zhang Kaicheng, he meant to assist Ye Zhiqiu.

For this role, Zhang Kaicheng has no objection. At the beginning, he made several works, and he was almost reduced to a director specializing in commercials. If he hadn't directed Ye Zhiqiu's "Legend of Sword and Fairy", he might not be able to turn himself around.

Up to now, he has shot two hit "Sword" series in a row, and he is considered a well-known director of costume dramas in the industry. It can be said that he was trained by Huahai Entertainment.

If everyone called "Ye Dao" in the past out of respect for their status, as time went by, Ye Zhiqiu's ability and progress were seen in the eyes, and the actors gradually became convinced.

At the beginning of filming, Ye Zhiqiu mostly observed and studied from the sidelines, and seldom got started.

After all, filming is not a child's play, and the crew has strict requirements on the progress of filming. A day's delay is not a small cost, so you can't mess around.

After getting acquainted with it, Ye Zhiqiu started shooting occasionally, starting with some relatively simple scenes, and then gradually increasing the difficulty.

Anyway, with the experienced Zhang Kaicheng on the sidelines "covering the bottom line", there will be no problem.

When Ye Zhiqiu got started, Zhang Kaicheng on the side kept observing, feeling more and more surprised.

—He adapted too quickly.

In fact, the style of a play is greatly influenced by the director. The same script, the same group of actors, directed by different directors, may have a very different style in the final film.

And directors have different shooting habits. Some directors know exactly what effect they want to achieve before shooting, while some directors prefer to "grind", or think while shooting.

Sometimes when I get inspired while filming, I change the script and lines on the spot and do it all over again.

When meeting the latter type of director, the actor will suffer a bit. After all, the same scene is especially difficult, and it is quite tortured to shoot so many times.

Zhang Kaicheng looked at Ye Zhiqiu's shooting method, not like a rookie director.

There were quite a few scenes that Zhang Kaicheng felt he wasn't sure about, but Ye Zhiqiu went through them after a few glances, as if he had a plan in mind.

After several times, Zhang Kaicheng couldn't help reminding that some scenes can be taken several times and kept as a backup.

After carefully watching the replay, Ye Zhiqiu's reply was "The desired effect has been achieved, there is no need".

To be on the safe side, Zhang Kaicheng also went up to watch the replay several times, and then he had to believe it if he didn't believe it, but he fell into even greater confusion.

He feels that Ye Zhiqiu has an almost scalpel-like intuition for the language of the camera, which is not innate, but can only be formed after a lot of practice.

But Ye Zhiqiu is just getting started, so he doesn't have a lot of practical experience, which can be seen from his slightly unfamiliar techniques.

Forget about music, but directors are also talented in a theoretical and empirical discipline?

All of a sudden, Zhang Kaicheng was also a little confused.

Ye Zhiqiu didn't know what Zhang Kaicheng was thinking. In fact, for him, how to shoot the drama "Shooting the Condors" was something he had in mind.

In the previous life, the classic "Shooting the Condors" was remade repeatedly, and a total of 7 versions were born, among which the widely acclaimed versions were 83, 94, and 03.

The 83 version is the most classic and has been popular for nearly 40 years. Guo Jing, played by the actor Huang Rihua, is simple and honest, and is loved by many audiences.

Most post-94s watch the [-] version, starring Julian Cheung and Athena Chu, it is the most handsome and smartest version. Although it is controversial, it is still a rare classic.

As for the 03 version, many viewers actually said they didn't like it, and Ye Zhiqiu personally felt that it was slightly inferior to the 94 version, but it didn't prevent this drama from being a hit at the time, and it still had a lot of advantages in shaping the supporting roles.

Especially Mei Chaofeng in the film, the actor combined the Nine Yin White Bone Claws with dance, which can be said to amaze many people.

In fact, each version has its own advantages and disadvantages. It happened that Ye Zhiqiu had read them all, and the next thing was much easier. This also saved the crew a lot of detours and entanglements, and the shooting efficiency was naturally not slow.

For Tang Meiyu, who played "Huang Rong", she felt that the crew of "Shooting the Condors" was a little different from what she imagined.

She felt that she had encountered the most stressful crew since her debut.

After all, she is known as one of the "Four Little Flowers", and she is also considered a leader among the new generation of actors. Tang Meiyu is quite confident in her acting skills, and feels that acting in a costume drama should not be a problem.

As a result, after joining the crew of "Shooting the Condors", she doubted her acting skills more than once.

There are quite a few actors from the National Theater of China in the crew, and this group of old drama talents played so well, it was a wonderful show, and many actors on the scene applauded after watching it.

Some script characters are very empty, and can be summed up in one or two sentences, but "The Legend of the Condor Heroes" is obviously not included.

Every character here has flesh and blood, and even the characters of every supporting role are extremely plump, and there are too many things worth talking about.

In order to delve into the characters, this group of old actors has a copy of "The Legend of the Condor Heroes" in their hands. At night, they always pull Ye Zhiqiu, the original author, and chat all night long, almost fascinated.

This put tremendous pressure on Tang Meiyu.

Ye Zhiqiu is not the kind of director who has a hot temper and curses at every turn. When encountering unsatisfactory scenes, he will only say "do it again" in a calm tone.

If you are still dissatisfied several times, he will tell you about the character's background, personality, and why this character behaves like this, breaking it apart and breaking it into pieces.

The more this happened, the more pressure Tang Meiyu was under. For several nights, she went back to the hotel where she was resting, crying secretly by herself.

Not to blame Ye Zhiqiu, but to blame himself.

It used to be smooth sailing all the way, but this time for the first time she felt that she couldn't keep up with the rhythm of the crew, and she was a bit behind.

I used to make period dramas, or idol dramas dressed in period costumes. There were directors with high requirements, but it was almost over. After the broadcast, the audience praised her for her good acting skills.

But filming "Shooting the Condors" is like a student with top grades in a college who suddenly mixed into the doctoral group. Tang Meiyu was a little at a loss for what to do.

Perhaps because of seeing Tang Meiyu's state, Ye Zhiqiu took the initiative to set the evening discussion with all the old actors as a reading session and let her participate in it.

The work "Shooting the Condors" is worth watching repeatedly. With the deepening understanding of the characters in the play, Tang Meiyu has become more and more adaptable.

What Tang Meiyu didn't realize was that this was also a process of gradual transformation of her acting skills.