The White Lord Professor at Hogwarts

"It is generally believed that blood contains magic power, and this magic power gives them corresponding abilities. We call this ability talent magic."

Cassandra's voice sounded in Ricardo's office, with a slight echo.

They sat opposite each other, with the trembling Norbert in the middle - Hagrid's little dragon, surrounded by various magical materials.

Yes, under his persuasion, Hagrid finally decided this afternoon to hand over Norbert to Ricardo.

"Each magical animal has a different talent for magic. The fire dragon's talent is Flame Breath, the Veela's talent is charm, and the unicorn's talent is blessing or curse. The Woley family uses the talents of various magical animals Magic, research to a higher level of enchantment.”

"Our magic pattern theory may be different from all schools of thought in the world that study magic patterns. It is based on the characteristics of the blood of magical animals, combined with a little bit of experience, and finally outlines a suitable magic pattern."

Ricardo nodded thoughtfully.In other words, the Woley family's blood drawing method relies more on blood characteristics and self-guidance, plus a little bit of previous experience.

This is a bit divorced from the meaning of bearing materials.Because from beginning to end, magic is carried by blood, and paper is just a carrier. Does a goldfish care whether it lives in a glass tank or a plastic tank, or even just a plastic bag?

Moreover, this is also a good way to save mana on the battlefield.The reason why Ricardo wanted to make card magic available anytime and anywhere was that he was optimistic about its delayed triggering ability, which could have unexpected effects in laying mines at any time. However, the cards needed to be outlined with magic lines, which was not as good as magic spells. It is more troublesome to speak and speak, and the mana consumption will naturally be greater.

But this blood... are you afraid of bleeding when you fight?As long as a little bit of blood flows out when his finger is cut, he can create at least three cards, each of which is a magic spell that he can cast at his peak.

only……

"Then why do you study the blood of so many magical animals?" Ricardo wondered, "Can't human blood be enough to handle it?"

"We have many research directions, not just yours." Kassandra's eyes did not hide the contempt at all. "The birds in the sky and the beasts on the ground, each existence has its own practical direction. And the blood of the fire dragon is... What the Woley family needs to make space-type alchemy tools."

Ricardo was speechless for a moment.He seems to have become stupid lately, asking such weird questions.

He is not a person who specializes in combat power. This kind of pushing oneself to others is really embarrassing.

"Ah...ha," he laughed, "I...have been having some brain problems lately."

Cassandra watched him carefully for a long time before turning her gaze to the table.

"Just take care of yourself." She only said one sentence.

She picked up a card with its own characteristics and ticked it with her left little finger. Ricardo understood and cut a part of Norbert's skin, letting the magma-like dragon's blood flow out.

She waved her wand, and dragon's blood immediately flowed out and gathered in the sky above the card.

She then clicked on the bowl of Acromantula venom, and it floated like dragon's blood, but it was underneath the card.

"Do you need me to avoid it?" Ricardo asked. After all, this is the other party's family secret.

Cassandra looked at him with caring eyes, as if to say, memorize this technique all at once?Are you worthy?

Ricardo stopped talking.

Cassandra looked at the cards in front of her attentively, breathing slowly and with a solemn face.Immediately afterwards, a low voice sounded in the area, pious and clear, as if it was chanting to the gods.

The echoes of words with mysterious meanings are intertwined and contain powerful magic.

Gradually, the voice began to become softer. When the last word fell, the dragon's blood and venom began to move. They were originally a complete ball. At this time, a small protrusion poked out from the liquid ball, like the last part of a ball of wool. A thin thread.Soon the thread lengthens and forms a thin filament.The filaments gradually become longer and the liquid mass gradually becomes smaller.

Finally, the liquid mass disappeared, leaving only two filaments.At this moment, Cassandra picked up the wand. As the wand was waved, the filaments moved, dancing with the tip of his wand.

Eventually, the filaments formed a strange pattern and became stationary in the air.Cassandra used a levitating spell to direct the card to stick upward, allowing the pattern to adhere to the card.

The moment it was attached, the card emitted a dazzling light. When Ricardo's eyes could see again, the pattern had already been printed on the card.Blood red and darkness are intertwined on the card. When you look carefully, you can see a green snake looming in the pattern.

"This is the summoning card," Cassandra took a few deep breaths, her breath unsteady but her tone calm, "You write the name of the fire dragon on the card, and then use your mind to command the fire dragon to enter, you can summon it at any time. It's gone."

"You will know its size and magic power. When you release it, its size will be determined by you. Of course, this will take time to adjust."

"It looks like a Muggle equivalent of a summoner," Ricardo joked, "summoning magical animals to help fight."

Kassandra didn't seem to want to laugh with him - she looked exhausted: "By the way, it is necessary for you to give Norbert a false name to prevent your opponent from using your recording to summon Norbert after getting the card. Because it will indeed sense whether the commander is you, but if the name you call is the same as the name in your mind, after a while, the magical animal will be too lazy to sense the name in your mind."

"Then I don't need to call it?"

"You'd better call it, otherwise, when you release the magical animal, its condition will easily go wrong, such as its size. The most important thing for this kind of summoning is the caster's voice and thoughts, the magical animal, and the card medium, so you'd better call its name. , but the sound name and the thought name should not be the same."

"Like this……"

This made Ricardo couldn't help but think of the "Tattoos, Wands and Spirits" that the Dean took out during the conversation with Flitwick that day. He also went to read it later.

Among them, the description of "Yan Ling" is as follows:

"Since ancient times, the Japanese have believed in the power of language. They believe that in ancient times, almost everyone could use language as a 'spell' to control creatures other than themselves. It is said that people who can call out the true name of a monster can have The ability to control and use it as a servant is the so-called 'word spirit'."

"Therefore, most conservative or older Japanese people have two names, one is the real name hidden by their parents, and the other is the 'kana' used daily, out of reverence for the spirit of words. For fear of being After others know the true name, they lose their freedom or have their fate changed. When using the art of speaking and spirit, the necessary requirements are [the voice of the spell caster]. There is also the [object], and [the medium that transmits the voice of the spell caster to the object] ]."

This... looks very similar! ! !

One of them is from America and the other is from Asia. Why are they similar?

Is it simply a matter of different paths leading to the same destination?