My system is not decent

The factory buildings here are all electric kilns, large and small, and there is even an electric melting furnace, which is the equipment Chen Wenzhe plans to make Jingyun Bell.

It's just that this electric furnace seems to be moving away, because it's obviously not suitable to put it here.

The production task of the porcelain factory is getting heavier and heavier, and this electric melting furnace is already occupying no space.

Walking into the kiln factory, although I just went to work in the afternoon, some electric kilns are already in operation.

Some of the porcelain made in the morning has now entered the kiln.

Of course, yesterday afternoon's work has already been out of the kiln this morning.

It's just that these are commodities, and usually after leaving the kiln, they will be packaged and shipped away after drying for a while.

These works are all fourth-level commemorative models, and the ex-factory price is only 200 yuan, so Chen Wenzhe naturally doesn't care.

He came to the kiln factory mainly to see the layout of the exhibition hall.

Some of the porcelain he made will be exhibited here, mainly for the senior technicians in the factory, so that they can understand some of the craftsmanship inside.

Now there are only a batch of white porcelain and ink colors left in it.

After these works were fired, Chen Wenzhe didn't have the time to come and see the effect. He was naturally a little impatient when he was free today.

The exhibition halls are all glass partitions, and the inside can be seen from the outside.

With just one glance, Chen Wenzhe saw a standing statue of Guanyin facing the door.

This is the first Guanyin standing statue he made, using the most classic ivory white.

As he approached, Chen Wenzhe looked at it a little bit and felt very satisfied.

The exhibition hall is well done, these booths seem to be bought from Xue Jianming, they look too familiar.

For example, the small turntable where the works are placed, turns and turns, allowing people to see a work in all directions.

As a treasure of white porcelain, ivory white is tough and thick, delicate and moist, and the porcelain color is white with yellow in it, just like ivory. Chen Wenzhe's work is very qualified.

This is definitely a masterpiece among ivory works, after all, Chen Wenzhe's sculptors are displayed here!

In addition, the white glaze he prepared is also very classic, so the effect will naturally be very good after being fired.

I don't know what the boys who arranged the booth thought. Wouldn't they feel a little strange to put such a Guanyin statue at the door?

Using the finishing touch technique, this Avalokitesvara is always watching the door. No matter who comes in, they will see a smiling, kind and smiling Avalokitesvara Bodhisattva.

If there is something ghost in his heart, seeing her old man's smile, wouldn't he feel terrified?

Look at another standing statue on the lotus platform. This standing statue of a Bodhisattva is taller and more majestic.

However, this one uses the baby face technique, so the face of Guanyin Bodhisattva is slightly ruddy.

This made her look a lot more kind and a little more agile.

At this time, she didn't look like a god, but more like a kind elder.

"I didn't expect it to happen!"

Seeing that only the exposed parts of the face and hands showed a faint red, Chen Wenzhe was delighted.

You must know that even old craftsmen who make white porcelain may not be able to make Haierhong.

Because Dehua Haierhong was a kind of kiln-made porcelain in ancient times.

If it was in the Ming Dynasty at this time, whoever fired the Haier red and white porcelain would definitely be the best white porcelain in a kiln.

This is the limitation of ancient kiln workers. They generally don't have much knowledge, they only know about firing, and they don't know why kiln changes occur.

But now, there are reasons for many changes in porcelain, and the reasons have been found out.

This makes modern porcelain firing technology much more controllable, that is to say, porcelain of any color you want can be fired through means and experience, and you don't have to rely on illusory luck to hit the big luck!

In fact, Haier red porcelain is a kiln change produced under a special atmosphere created due to the different positions or temperatures in the kiln when the utensils are fired at high temperature.

In ancient times, there was no way to control the temperature of the kiln, and it was also impossible to detect the temperature changes of various parts in the kiln. Naturally, it was impossible to create conditions suitable for firing Haier red and white porcelain.

But it is different now, as long as you place it in the right place and control the temperature properly, it can be fired.

Needless to say, these white porcelains must have been fired by Chen Xingchen himself, that's why he was able to produce works that satisfied Chen Wenzhe.

Seeing Hai'erhong in front of him, Chen Wenzhe was satisfied no matter how he looked.

The baby's red glaze is shiny and shiny, and the utensils are white and red. Under the light, it looks as pink and red as the skin of a baby to the naked eye.

As long as it is successfully fired, it is definitely a top-level work, because Hai'erhong has been fired even now, and there are very few people who have fired it, and even fewer have been handed down from generation to generation.

This time, Chen Wenzhe was just a small test, he just tried a little on Guanyin's face and hands, and this control ability was even more terrifying.

Therefore, Chen Wenzhe's master kiln firing technique is really useful.

Just like this baby red, if you don't have the top kiln technology, you will never be able to fire it.

In fact, this is a matter of experience. With Chen Wenzhe's experience, as long as he points out a few key points, Chen Xingchen can perfectly cook Haierhong by controlling the temperature.

Of course, this does not mean that it is easy to make Haierhong.

Just say Chen Xingchen, this time the firing was successful, but next time, if he fires it again, it may not be successful.

Because of the different wares and different places, if you want to get Haierhong, you must adjust the temperature, or adjust the position of the porcelain in the kiln.

These, within a short period of time, Chen Xingchen must not be able to grasp the key points.

That is to say, Chen Wenzhe must give instructions every time you cook Haierhong.

After watching Haierhong, and then watching Lard White, I feel that something is missing.

It's not that lard white is not good enough, but it's not as good as Haierhong, which makes people feel more comfortable!

In fact, in ancient times, especially in the Ming Dynasty, even lard white was a treasure among white porcelains.

This grade of white porcelain has thick and fine enamel, shiny and bright, moist like oil, firm white body, white and moist like fat, and tightly combined with glaze.

It's just that this white is slightly yellowish, but lighter than ivory white, like solidified lard, hence the name.

The same is true for Scallion Root White. As long as it has a name and surname, it is not easy to be passed down to the present.

Therefore, onion root white is also a treasure of white porcelain. Its porcelain color is pure white and clean, just like onion roots, hence the name onion root white.

The colors are all positive, which shows that Chen Wenzhe has fully mastered the preparation of white glaze.

But in order to really launch this batch of works, it must have the characteristics of Dehua white porcelain.

In this way, others can know at a glance that these white porcelains are not ordinary goods, but treasures of Dehua white porcelains.

So what are the characteristics of Dehua white porcelain?In fact, the color is slightly different.

This point, Chen Wenzhe grasped it very accurately!