My system is not decent

If you don't come to Chang'an Forest of Steles, you really don't know that any stone tablet here is a national treasure if you take it out!

The seal script of Li Si in the Qin Dynasty can be seen in "Yishan Stele";

Official script of the Han Dynasty, found in "Cao Quan Bei";

The handwriting of Wang Xizhi in the Eastern Jin Dynasty can be found in the "Sacred Religion Stele of the Tripitaka of the Tang Dynasty".

The inscription on this stele was assembled from his left ink by later generations, and it is known as the "Thousand Gold Stele".

"Tang Duo Pagoda Induction Monument" left the regular script of Yan Zhenqing in the Tang Dynasty;

"Tang Xuanzong's Secret Pagoda Stele" left Liu Gongquan's regular script;

"San Qian Jia Zi Wen" left the cursive script of Zhang Xu in the Tang Dynasty.

In addition, there are calligraphy handwritings of Zhao Ji and Huang Tingjian in the Song Dynasty, Zhao Mengfu in the Yuan Dynasty, Dong Qichang in the Ming Dynasty, and emperors in the Qing Dynasty.

From here we can see the trajectory of the development of Chinese characters and calligraphy.

It can also be said that if Chen Wenzhe wants to learn better calligraphy from past dynasties in the future, then this time he will have all the pieces together.

After turning around and carefully recording all the contents, Chen Wenzhe discovered that there are still souvenirs here.

People who love calligraphy can buy photocopied stele stickers in the museum.

Chen Wenzhe definitely couldn't let go of such a good thing, so he decisively bought a set.

Although there are records in the Pearl of Suihou, if he uses it to pass on some knowledge, why not write it down by himself?

Since there are ready-made ones, he doesn't have to bother.

Looking at the inscription in his hand, if he can digest all the harvest this time, then he will get more calligraphy skills.

The earliest seal script of Li Si, followed by official script, regular script and cursive script.

And there must be a lot of celebrity calligraphy, such as Song Huizong Zhao Ji's thin gold style, which is too famous.

It's just that, this time, Suihou's Pearl has recorded too many things through backtracking, and he doesn't dare to look at it now.

Now it's just a casual browsing, to see some of his interests, or some historical anecdotes, just to satisfy my curiosity.

If he wanted to start studying now, he should have been dizzy and passed out by now.

Relax, he is here for tourism this time, just to see the beautiful scenery.

When you meet someone you are interested in, just get to know it a little bit. Anyway, he has been here, seen it, and recorded all the knowledge he can get.

These knowledge reserves, as long as he is given some time, he can quickly digest them.

At that time, his knowledge system will be much fuller.

Not to mention other things, it is just a porcelain making, so there shouldn't be any shortcomings, right?

Looking at the exquisite patterns in front of you, carvings and sculptures can be seen everywhere here.

Walking in the forest of steles, you can not only appreciate the beautiful calligraphy art, but also see the exquisite patterns and patterns on the steles.

Such as the "Guandi Poetry Bamboo Picture Stele" in the Qing Dynasty, the "Kuixing Fudou Picture Stele" in the Ming Dynasty, and the "Tang Xingqing Palace Picture" in the Song Dynasty.

This time was really an eye-opener for Chen Wenzhe, he really didn't expect that just to visit Jing Yunzhong, there would be such a big receipt.

Although it is impossible to touch it, the Pearl of the Marquis of Sui can record all the authentic works of these famous people in the past through backtracking.

If Chen Wenzhe wants to learn, he can learn the calligraphy of all famous calligraphers in the past without inheriting it independently, just by consuming achievement points.

For example, Li Si, such as Wang Xizhi, even if he imitated a set of "The Great Tang Sanzang Sacred Religious Tablet", I am afraid that he can sell for a lot of money.

Chen Wenzhe is not trying to deceive people, he is just selling high imitations, or selling his own works.

As long as the imitation is good, Wang Xizhi's imitation "The Monument of the Great Tang Tripitaka" can also sell for sky-high prices.

Of course, if he is very confident, it is also possible to imitate a Lanting Preface. After all, there are not many people who have seen Wang Xizhi's authentic works, and even fewer people can see Wang Xizhi's Lanting Preface.

Of course, Chen Wenzhe could not see the process of Wang Xizhi writing the Lanting Preface through a stone tablet.

But he can learn Wang Xizhi's calligraphy through the assembled Qianjin stele.

He can even spend some achievement points to directly promote Wang Xizhi's calligraphy to the master level, or above the master level.

It's just more than 100 achievement points, and it must be enough for him to save for a while.

At that time, if you compare the prefaces of the Lanting Pavilion in the Tang Dynasty and copy one more copy, it will still not reach the level of authenticity?

At the very least, it won't be worse than the three copies of the Tang Dynasty, right?

You know, there is no such thing as a pirated copy of the Lanting Preface.

The controversy over the forgery of "Lanting Preface" is not only a topic of debate in the academic circles, but also a topic of discussion among the people.

Currently, there are six major versions of the imitation "Lanting Preface".

According to current standards, these versions are all pirated goods without exception.

In fact, seeing these pirated goods still makes people ecstatic.

Leaving aside the finding of the genuine "Preface to the Lanting Pavilion", just getting the imitation "Preface to the Lanting Pavilion" will definitely allow the family to eat and drink for several lifetimes.

Then, the six major editions of "Lanting Preface" are all imitations, which are now called pirated editions. Why is it still enduring?

First of all, you need to understand the concepts of imitation and piracy.

The main purpose of piracy is to make huge profits, and there is no talk of benevolence, justice and morality at all.

The imitation is different, it is to reflect the highest level of my time, and it is officially licensed.

At present, many versions of "Lanting Preface" are basically copied under the official permission at that time.

Therefore, there is no such thing as piracy at all.

In addition, there are many versions of the preface to Lanting. There are more than 100 editions in the past dynasties. There is really no such thing as "six kinds of Lanting".

On the contrary, there are widespread sayings such as "eight pillars of Lanting", "five kinds of Lanting" and "three kinds of Lanting". These are quite credible.

The well-documented large-scale copying of "Lanting Preface" was still in the period of Tang Taizong Li Shimin.

During Li Shimin's period, there was still a chance to see the authentic "Lanting Preface", so the copy of that period is relatively more credible.

Among the many versions, Feng Chengsu's copy, Yu Shinan's copy and Chu Suiliang's copy are relatively close to the original appearance of Wang Xizhi's "Lanting Preface".

The authors of the three major versions of the copies have a common feature, they are all masters of calligraphy in the period of Emperor Taizong of Tang Dynasty.

The most important thing is that Yu Shinan has a relationship with calligrapher Zhiyong, and Zhiyong is the inheritor of Wang Xizhi's calligraphy.

So after all, Yu Shinan still got the true biography of Wang Xizhi's calligraphy.

Chu Suiliang was lucky, he was also Yu Shinan's favorite student, and he was also regarded as the heir of Wang Xizhi's calligraphy.

As for Feng Chengsu, although he is not a descendant of Wang Xizhi, he can have the opportunity to see the authentic work of Wang Xizhi's "Lanting Preface".

Otherwise, he couldn't have copied "Lanting Preface" with his eyes closed, right?

Therefore, even if you have learned Wang Xizhi's calligraphy, if you want to copy the Lanting Preface, you still need to refer to the three major editions of the Tang Dynasty.

Because the copies of "Lanting Preface" after Emperor Taizong of Tang Dynasty were basically based on Feng Chengsu's copy, Yu Shinan's copy and Chu Suiliang's copy, basically the same.