My system is not decent

Chapter 507 No Less Hitting the Wall (Seeking Subscription, Monthly Pass)

Xuande Doucai is also a relatively well-known porcelain in China, and now Xuande Doucai is very rare in the world. The reason why this kind of porcelain is famous all over the world is because of its special painting method, so every piece is a treasure. .

Now in front of Chen Wenzhe is a pair of small Xuande fighting color bowls, which is not easy.

This thing

The reason why it is called Xuande Doucai is that the emperor's year name at that time was Xuande, and the name came from this.

The special manufacturing process of Xuande Doucai has also created a new step for the development of porcelain, which is also a relatively good era for the development of porcelain.

At the beginning, Xuande porcelain was mainly blue and white, but after a long time, people don't want to have only these two colors, which is too monotonous.

Therefore, under the wisdom of people, Doucai porcelain was created.

They added some new ingredients to the glaze, so they produced more colors.

At the beginning, Doucai was just an experimental product, and it gradually matured later.

The production process of Xuande Doucai is very cumbersome, so there is a certain degree of difficulty in the production process, which is why its stock is relatively small.

Because it is too difficult, the output is not high.

Doucai is fired in official kilns, so every product must be qualified, and if it fails, it will be smashed and destroyed, so many unearthed pieces are fragments.

Compared with Xuande Doucai, there is Chenghua Doucai. However, in the Xuande period, Xuande Doucai was only a kind of experimental product, so Xuande Doucai was not mature at that time.

The technology has not reached a mature state, and the coloring is not very rich and relatively simple. It is precisely for this reason that Chenghua Doucai has a slight advantage.

Therefore, Xuande fighting colors are gradually being eliminated, so the current stock of Xuande fighting colors is very small.

These are important reasons that restrict the continued advancement, development and popularization of Xuande Doucai.

Now there are only a few pieces of Xuande fighting colors in the world, and they are collected in the snow area museum.

Carefully picked up a small bowl and felt the wall of the bowl, the wall thickness should be different.

After taking a closer look at the bottom of the small bowl, it should be a standard one. The bottom of this small Ming Xuande bowl is about [-]mm thick.

This is Chen Wenzhe's advantage. Other appraisers, when appraising a piece of porcelain, will not judge it from its production method.

But Chen Wenzhe is different. He can identify some porcelains by the thickness of the bottom of the bowl and the thickness of the wall.

For example, this small bowl has a wall thickness of about [-] millimeters, but not every part is so thick.

And if the wall thickness is the same, the shape of this small bowl is easily deformed when firing in a firewood kiln.

Chen Wenzhe felt relieved when he found that the walls of the bowl had different thicknesses.

Only at this time will he pass other characteristics and conduct another appraisal.

If the thickness of the bowl wall is the same and the firing is so good, then he will doubt something, and even don't need to appraise it.

Chen Wenzhe is very happy now that he can move on to the next step.

It is rare to come across Xuande's color bucket. If it is genuine, it will be of high value.

You must know that Doucai porcelain is another new type of ceramic created by the imperial kiln factory in the Xuande period of the Ming Dynasty.

It is based on the red, green and multicolored porcelains of the Yuan Dynasty, and has been successfully developed through repeated research and testing.

The successful firing of Xuande Doucai Porcelain laid a solid foundation for the development of Chenghua and other later dynasties, and also opened up a new way for the development of colored Porcelain.

If this pair of small bowls are authentic, they must have been produced by the Ming Xuande Imperial Kiln Factory.

This is a pair of doucai lotus pond bowls with mandarin duck patterns. The bowls are regular in shape, well-made, thin in body and thick in glaze.

In the double circle on the inner bottom of the bowl, the pattern of mandarin ducks in the lotus pond is painted in bucket color, and the auspicious words in Tibetan are written in blue and white on the edge of the inner wall.

In the single and double circles on the outer edge of the bowl, blue and white are used to depict four symmetrical cloud dragon patterns, and the belly is painted with a lotus pond pattern of mandarin ducks.

On the ring feet, blue and white sea water patterns are used as lining.

The firing of this kind of small bowl has a novel composition and conception, and the layout of the picture is rigorous and clear.

Especially in depicting the theme, the painters used the traditional boneless painting technique, and painted the scene of the mandarin ducks playing in the water with the brushstrokes of craftsmanship and handwriting.

The ingenious combination of blue and white cloud and dragon patterns shows the majesty of the royal family.

The only fly in the ointment of this kind of small bowl painting is that the color overflows beyond the blue and white hook line due to the flow during the high-temperature roasting process.

There is a clear gap between this and the fighting colors of the later Chenghua Dynasty, but it has also become a watershed to distinguish Xuande and Chenghua fighting colors.

This small Ming Xuande Doucai bowl is 7 cm high and 15 cm long.

The painting is fine and smooth, the glaze color is warm and pure, the tire glaze is well combined, and the patina is thick and natural.

The six-character "Made in Xuande Year of the Qing Dynasty" at the bottom is inscribed. These characteristics prove that this is a pair of small bowls with lotus pond and mandarin duck patterns made in the Xuande year of the Ming Dynasty.

And as long as this is proved, this pair of small bowls is a pair of national treasure-level fighting color porcelain.

You must know that Xuande Doucai Porcelain in the form of Tibetan has a lot of charm. This may be specially ordered to be fired out of the aesthetic needs of Tibetan nobles, or Emperor Xuande specially fired it to show his sincerity in order to win over the nobles in the snowy area. Awarded to Tibetan leaders.

At present, there is neither literature record nor other evidence to test why Xuande Doucai Porcelain is unique in the snow area.

Although Xuande Doucai is extremely rare in the world, its successful creation opened a new chapter in the history of colored porcelain in the Ming Dynasty. It is of great significance as an epoch-making milestone in the history of Chinese ceramic Doucai Porcelain.

So, the value of this stuff is high.

After reading the things, Chen Wenzhe put his hands on it and did not move away.

Looking back at the activation of the skill, Chen Wenzhe saw that it was indeed the firing scene of the Ming Dynasty, which was right.

Chen Wenzhe was very satisfied with getting two more achievement points.

Being able to see such a good thing is a great reward in itself.

Therefore, Chen Wenzhe didn't want to hide anything.

He raised his head and looked carefully at the person who could take out such a pair of small bowls.

Surprisingly, this man had a refined face, without the slick aura of a stall owner at all.

"This is a pair of small bowls I received by accident when I was teaching in Tibet. I have been hiding them for more than 20 years. Now that my family is in trouble, I want to sell them. Unexpectedly, I took them out and asked many people. Even if there are flaws, the firing is also very rough, so don’t want it at all.”

Before Chen Wenzhe could ask, the middle-aged uncle couldn't wait to speak.

From his tone and demeanor, Chen Wenzhe judged that this person has encountered many obstacles in the antique market.

"Flaw? Rough? Where is the flaw? Where is the rough?" Chen Wenzhe asked curiously.

"The painting style is rough and the glaze is flawed. Some experts simply said that even if it is an antique from the Ming Dynasty, it is also a flawed product and should be smashed. How can it be passed down to the present?"

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