My system is not decent

With a long history, there is such an advantage that there are many good things left by the ancestors.

Not to mention other dynasties, just the late Qing Dynasty and the Republic of China, there are also many porcelains worth seeing.

For example, some famous porcelain pieces in new pastel porcelain and light crimson porcelain also have considerable appreciation potential.

It's just that if you want to buy porcelain pieces and wait for the appreciation, you can't be limited to the Qing Dynasty and the Republic of China, and there is a lot of knowledge in it.

From the perspective of vessel type, under normal circumstances, the value of ornamental porcelain pieces is higher than that of living vessels.

Those porcelain pieces that are relatively small in number, relatively well-made, and relatively exotic in shape are more popular in the collection market.

At the same time, it is necessary to try to collect porcelain pieces that can reflect the characteristics of the whole vessel. The so-called "sky" and "ground" (with mouth and bottom feet) have a large amount of information and relatively high research value.

Now that there are speculations, as long as you don’t become a catcher, if you let the speculators become a catcher, it’s not impossible to consider medium and long-term investment.

If you can grasp the market, you can also get a higher market value by moderately "raising and raising" and "covering and covering".

In addition, playing "regional differences" is also an effective means of purchasing and collecting.

Due to differences in aesthetic concepts, purchasing power and consumption levels, the market price of the same ancient porcelain piece is different in different regions.

Zhang Yijie and Cao Qingchun are clear about these things, but as soon as they encounter something that may be good, they will be enthusiastic and think that they can buy it. What if it is true?

What they saw this time was a piece of high value.

Among them was a hand-sized piece of Ru kiln broken porcelain, but could it be real?

Even if Chen Wenzhe didn't use cheating methods to appraise Ru kiln porcelain, he still has a certain degree of confidence, because Ru kiln is a kind of celadon in principle.

In addition, Ru kiln porcelain has a delicate body color, and the soil contains a small amount of copper element. When viewed in the sun, you will see signs of slight redness, and at the same time it is slightly light yellow.

The glaze color of Ru kiln is generally glazed with agate, and the surface is mostly sky blue and light blue, and there are also glaze colors such as green, dark green, and moon white.

Comparing these characteristics one by one, it is still very easy to identify the porcelain that has entered the kiln.

Now Chen Wenzhe has a deep research on copper hair color and treasure burning.

So when he saw this piece of porcelain, he knew that this so-called Ru kiln piece of porcelain was a modern imitation.

Not to mention anything else, this piece of celadon is too big, no matter how you look at it, it looks like a large incense burner, or a piece of a large pot.

Ru kiln has no large vessels, is it just a joke?

One of the five famous kilns in the Song Dynasty, located in Ru, Nanhe Prefecture.

In the late Northern Song Dynasty, Ru Kiln became a special kiln for firing imperial porcelain for the court, and the products were celadon.

Artifacts handed down from generation to generation include plates, saucers, washware, bottles, bottles, bowls, lamp holders, narcissus basins, etc.

It is not for nothing that these are all small devices, and there is not a single large device.

We all know that the beauty of Ru kiln lies in its azure color, and its precious agate glaze.

However, the Ru kiln porcelain that we can find and understand and have been handed down is very small.

It’s just that there are no such big ones. The existing utensils that can be certified as Ru kilns are relatively small, and most of them are practical utensils.

Of course, many people will say that using this to deny a possible Ru kiln vessel or a Ru kiln fragment is a bit one-sided and a bit arbitrary.

Indeed, there have been many dynasties in history about Wudaqi. For example, during the Chenghua period of the Ming Dynasty, it was also said that Chenghua had no Daqi.

So where is the line between size and size?No one can draw this line.

In terms of Ru kiln, we now think that the largest volume of Ru kiln should be a three-legged dowry.

The three-legged lian is also called the three-legged statue. Both the "candy" and the "zun" are small containers for putting things, but there is a little difference.

Liao is generally used to place small items such as mirrors and jewelry.

The Zun is actually a kind of wine vessel, which is used to hold wine. "

The handed down Ru kiln tripod dome is only 12.9 centimeters high, 18 centimeters in diameter, and 17.8 centimeters in bottom diameter.

Taking Chenghua Porcelain as an example, Chenghua Porcelain later found that there were large jars, so it was very difficult to define the size.

When we say no large utensils, we generally mean that there are no such large utensils, but in many other dynasties of ours, there were such large utensils.

Without large equipment, it can only be based on a simple reason, that is, it cannot produce large equipment.

At that time, Ru kiln was used as porcelain for the court, especially for the emperor, and it was actually a vessel used in daily life.

At that time, it had not yet reached the level of display porcelain, and due to the firing conditions at that time, no large vessels were fired.

Judging from the unearthed kiln site, a large number of remnants and no large ones were unearthed.

Therefore, at a glance, Chen Wenzhe knew that the things the stall owner brought out should be modern fabrications.

Coupled with the old traces on it, Chen Wenzhe didn't even have the desire to get started.

"Is there anything else? If it's this kind, there's no need to read it!"

"Ah? Why?" Before the stall owner said anything, Cao Qingchun became anxious. Of course, he was anxious because he wanted to know the reason.

"There is no large vessel in the Ru kiln. This piece of broken porcelain is too big, and it is obviously a fragment of a large pot. The Ru kiln in the Northern Song Dynasty was fired for daily use by the royal family. I have never heard of firing a large pot. , and has never been unearthed, even if the kiln site of the Northern Song Dynasty was excavated, there has never been a fragment of a large jar."

Chen Wenzhe spoke so clearly that the stall owner simply stopped talking.

"Do you know how to do this, young man? We have a lot of porcelain business in Huangjia Village, and almost every family has a few pieces in the bottom of the box. Come, come and take a look at this piece of mine."

As he said that, the stall owner next to him also took out a piece of porcelain from the back of his stall.

Chen Wenzhe saw that it was still a piece of Ru kiln, and it was a piece of porcelain bottom.

It looked like the bottom of a plate, and the pieces were not small, but they were much smaller than the piece on the big jar.

If it is the bottom of a Ru kiln plate, even if it is damaged, it is still very valuable.

It's a pity that this broken bottom is not complete, only a small piece.

This one is obviously not fake at first glance, anyway, Chen Wenzhe didn't see any flaws at all.

This is more powerful. Although he didn't believe that it was really a piece of broken porcelain from Ru Kiln, Chen Wenzhe walked over without hesitation. What if it was real?

"Can I have a look at it?"

Seeing that Chen Wenzhe was interested, the old man who looked five or sixty years old got up and opened the box he was sitting on.

Seeing his actions, Chen Wenzhe almost frowned.

The stall owners here seem to be sitting in a wooden box, and the things inside are all rubbish.

"Don't frown. I'm different from them. My collection here is at least old."

Chen Wenzhe was a little helpless. The one that the stall owner took out was probably for fishing.