My system is not decent

If you meet one, try your own skills, Chen Wenzhe is still a little confident.

Everything is sold in the market, as long as you have money, you can easily buy anything.

Li Jinli is also considered a professional, so he naturally knows what to buy.

So, soon he returned to the store with a large number of carving knives and power tools.

"Brother, do you dare to do it? Help me smooth out all the internal and external decorations."

No matter how confident Chen Wenzhe was, he didn't want to destroy the beauty of this jade tripod.

Therefore, he still planned to use some wooden blocks to practice his hands first.

In this way, Yuding can be handed over to Li Jinli.

"Worn off?" Li Jinli asked in surprise.

Such an exquisite jade, even if it's a fake, it's good to keep it for a look, isn't it a pity to ruin it like this?

He knew very well that Chen Wenzhe had never done jade carving.

Sculpture in porcelain production is different from jade carving. Is he so confident?

"Anyway, it's not worth much, you can grind it as you like." Chen Wenzhe said with a smile.

The two of them casually decided the fate of a Jade Ding that had been placed in high hopes and traded as a treasure.

Chen Wenzhe disassembled a set of electric tools, and there were some fillers inside. This kind of stuff was too coarse and not suitable for carving, but it was soft enough.

Chen Wenzhe then cut a few times, and cut out a character form.

However, that's it, this kind of thing cannot be carved in detail.

I removed the wooden board from an electric tool and scratched it lightly with a carving knife a few times.

A plump carved figure appeared in front of his eyes, and after adding a few strokes, a picture of a Tang Dynasty lady in a wide robe and sleeves appeared.

The next step is to show your face, which is not difficult at all, but if you want to really do it well, not everyone can do it.

Although he used to have master-level carving skills, it was for mud tires, but this time it is relatively hard wood.

However, he has received too many inheritances, and after mastering them well, he can do all kinds of sculptures.

For example, he also knows bronze carving techniques, and at least they are expert-level techniques.

Otherwise, even if he had seen the craftsmanship of many jade carving masters in the Qing Palace Building Office, he would not dare to casually start with a jade tripod.

At least they are all professional skills, and the carving knife in hand is quite powerful. He just carved out the outline of the lady's face with just a few strokes.

Although he can't say that practice makes perfect for this kind of technology, there are still some people who are familiar with it.

Just a few clicks, a lady's face with soft lines appeared, and the next thing is the key point, the finishing touch.

Without the finishing touch technique, Chen Wenzhe really wouldn't dare to sculpt a figure for the first time.

After a few more strokes, the eyes of the characters appeared, and the next step was to modify the eyeballs.

At this time, the power of the unique skill is fully reflected.

Just a few strokes, the lady's eyes became bright.

In just a few clicks, a picture of a Tang Dynasty lady with flowers and a smile leaps onto the wooden board.

"Amazing!" Although Li Jinli was grinding the jade cauldron, his eyes would still glance at Chen Wenzhe from time to time.

Looking at it this way, he was shocked. He didn't expect Chen Wenzhe's carving skills to be really powerful.

"Plane sculpture is different from three-dimensional sculpture."

With just a little experimentation, Chen Wenzhe knew where his shortcomings were.

However, the carving of the jade tripod does not need three-dimensional carving, because the shape of the jade tripod has already been carved.

Besides, his carvings of clay bodies were all three-dimensional carvings, so it would not be difficult for him to carve a jade tripod from scratch.

Trying it twice is just to find out the feeling and try the sharpness of the carving knife in your hand.

Feeling that there was no difficulty, Chen Wenzhe came to Li Jinli's side, and he had already made a mess on the tea table.

There is no way, to polish the jade, you can only spray water with a small water pipe while polishing, otherwise it will make the room full of dust.

Finding a small mold again, Chen Wenzhe helped Li Jinli, and the two of them processed the decorations on the jade tripod together.

This jade tripod may be to keep the jade material as much as possible and not cause waste, so the original jade tripod is still relatively thick, and now even if one layer is removed by polishing, it will not have much impact on this jade tripod.

Two people work, and the jade tripod itself is not too hard, so the speed is still very fast.

After it was polished, Chen Wenzhe didn't draw any designs. He just kept engraving Kuilong patterns on this jade tripod.

In fact, when he saw this jade tripod, he thought of which work this jade tripod was imitating.

It was a suet white jade tripod with dragon patterns carved in the Qianlong period, but now this treasure is collected in the Asian Art Museum of San Francisco, a beautiful country.

It was a jade tripod made of mutton fat jade. This level of jade was rare even in the Qianlong period, so it was very precious.

The mutton fat jade tripod did not have too complicated carvings, mainly because Emperor Qianlong cherished that piece of mutton fat jade and was unwilling to make it into an exquisite tripod, that is, he did not use any complicated hollow carving techniques to highlight the sheep fat jade. The transparency of fat jade.

Instead, they chose the simple, heavy, and majestic appearance of Western Zhou bronzes, and produced a top-level work with only complicated patterns, which also highlights the unique production level of the Royal Manufacturing Office.

One afternoon, Chen Wenzhe didn't do anything, just stayed in the shop, sculpting non-stop.

After finishing the work, it was polished and polished, and this jade tripod has become a very beautiful white jade tripod with dragon pattern and three legs.

It looks like it is carved from a whole piece of white jade, and the quality of the jade is delicate, which is why Ah Liao imitates Hetian jade.

The shape and decoration of the vessel imitate Shang and Zhou bronzes, with double cupped ears, square lip and folded edge, straight wall and deep belly, round bottom and three legs, domineering and stretching, simple and gorgeous.

The upper part of the tripod body is in the shape of a dragon, with the dragon's head raised slightly, the mouth open and teeth bared, the dragon's beard spread sideways, flying gracefully, the dragon's body stretched out, and the scales and claws are distinct.

Surrounded by embossed dragon patterns, big eyes and wide mouth, the momentum is mighty.

Under the body of the tripod, there are three legs in the form of bearing the beast's head and swallowing the column, with string patterns on the feet, highlighting its calmness and elegance.

The whole device looks luxurious in materials and meticulously carved, using a variety of techniques such as ground-reduction relief, high relief, and Yinxian engraving.

The ancient Yi ware is made of jade, which is bright and clean, with bright colors and unique characteristics. Compared with bronze ware, it looks more luxurious and rich.

It's a pity that this piece of material is not real Hetian white jade, but Afghan jade with ostentation.

But so what if it's Afghani jade?It looks very beautiful now!

Especially with the addition of Chen Wenzhe's carving, this jade tripod has a unique charm, and it looks very grand.

You know, it's not easy to be able to carve into what it is now.

When using white jade to imitate antique bronzes, the requirements for carving techniques and structural design are quite high. Otherwise, not only will it not be possible to replicate the grandeur and rigor of bronzes, but the jade itself will appear thick and dull.