My system is not decent

Looking at the copybook in front of them, everyone fell silent.

This picture is not the one with neon characters, right?If so, is this one more problematic?

Compared to the post on the balcony and the neon post "Mocking Wang Liyang for Refusing to Drink", this one seems to be more problematic, right?

"This one, isn't it the neon one?" Li Mingsheng swallowed, and finally asked.

"This one isn't the 'Poster Mocking Wang Liyang for Refusing to Drink' that was discovered in Neon." Mu Kairong said affirmatively.

Everyone fell silent again, and this time there was something else in everyone's eyes.

At this time, Professor Mu Kairong said again: "There are some doubts about the neon one, but mine is completely fine."

"Is there any problem? Let's see it!" Xiao Xiangqi said suddenly.

Everyone nodded, let's see what it looks like first.

Mu Kairong completely opened up the calligraphy and pressed it with a square wooden paperweight.

He backed away a few steps, and let several professors around him step forward to check.

Chen Wenzhe also leaned over and took a closer look, feeling that it was a little bit behind the post on the balcony.

Of course, the main reason was that he hadn't read the "Poster Laughing at Wang Liyang for Refusing to Drink" by Neon.

The original text of "Mocking Wang Liyang for Refusing to Drink" is very interesting.

The beginning is: mocking Wang Liyang for refusing to drink.

The ground is white, the wind is cold, and the snowflakes are as big as hands.

Kill Tao Quanming with a smile, and don't drink the wine in the glass.

Waves caress a piano and planted five willows.

I don’t have anything to do with an empty headband.

Too white!

This is a five-character ancient style poem. Judging from the content, the time is the freezing winter.

In order to persuade Li Bai to drink, he compared Wang Liyang, who refused to drink, to Tao Yuanming, saying that he was sorry for Tao Yuanming's iconic "five willows", "Suqin", "Gejin" and other things.

In this poem, Wang Liji is full of jokes and ridicules.

Finally, the inscription is impressively the word "Taibai".

This piece of calligraphy is 27 centimeters long and 67 centimeters wide, with a total of 50 characters. There are several differences in it from Neon's "Mocking Wang Liyang for Refusing to Drink".

First, Tao Yuanming in the five-character poem is written here by Tao Quanming.

Second, the final payment is Taibai, not Li Bai. The word left on the neon side is the word Li Bai.

Thirdly, this character is vertical, that is, the height reaches 27 centimeters, which cannot be reached by the neon one.

As for the others, there is no need for them to prove the falsification, because this one is exactly the same as the neon one except for the three points just now.

And the neon one has been approved by various domestic experts.

Even stricter experts say that it is the work of famous Tang Dynasty masters, not sure that it is the work of Li Bai.

In order to identify that work, in 1987, Asuka Ningfan came to China to visit several experts. According to the paper texture, brushwork, calligraphy and ink marks, they unanimously identified it as a calligraphy work of the Tang Dynasty.

He believes that "it is undoubtedly a relic of the Tang Dynasty, and it is truly a rare treasure".

However, since Li Bai's surviving calligraphy is only "Shangyang Tie", but the styles of the two books are different, it is impossible to compare and verify whether it is an authentic work of Li Bai.

More than a year later, Mr. Qi Gong, a famous calligrapher, went to Japan to participate in a calligraphy exhibition. Tomorrow Xiang Ningfan took the opportunity to ask Mr. Qi Gong to distinguish the authenticity again. After careful study, Mr. Qi Gong made the following comments:

"This work has a unique calligraphy style, both form and spirit. It embodies the characteristics of the Tang Dynasty in all aspects. The characteristics of the era are obvious. It must be the wonderful ink of the Tang Dynasty. Whether it is written by Li Bai himself cannot be denied. Further research and research is needed. From the perspective of calligraphy art, it can be regarded as a very wonderful Tang Dynasty ink."

Although Mr. Qigong also believed that the calligraphy work belonged to "Tang people's ink marks", he did not easily identify it as Li Bai's authentic work.

While domestic scholars were trying to go further and study whether this work was an authentic work by Li Bai, the 90s neon had a serious economic crisis, and neon collectors sold their collections one after another.

The research work was delayed when there was no breakthrough.

This delay is 30 years.

It was not until 2017 that this piece of calligraphy entered the field of vision of domestic scholars again.

Two scholars have carefully researched the calligraphy.

One of the experts confirmed that the calligraphy was undoubtedly the authentic work of Li Bai, and he wrote "Li Bai's "Mocking Wang Liyang's Refusal to Drink Stickers"" for textual research.

He pointed out that the work should have been created in the winter of the twelfth year of Tianbao (753), when Li Bai traveled from Youzhou to Liyang, and Wang Xiancheng (ie Wang Liyang) of Liyang County hosted a banquet in honor of Li Bai.

Li Bai was a drinker, but Wang Xiancheng was too strong to drink. Li Bai wrote poems to persuade Wang Liyang to drink and teased Wang Liyang.

Although Wang Liyang was unknown in history, it has been passed down through the ages because of this calligraphy.

However, the previous scholars only believed that the work was a masterpiece of calligraphy in the Tang Dynasty, and did not conclude that it was an authentic work by Li Bai, but this expert concluded that it was an authentic work by Li Bai. Why?

It is mainly based on the following points to be verified.

First, use a pen.

The brush used by Li Bai is a chicken-spacing brush. The biggest difference between this kind of brush and the brushes we use today is that there is a hard core in the brush.

The characters "ken" and "drink" in this book have obvious scratches on the hard core of the pen, which cannot be written with the Sanzhuo pen (the brush used today).

This kind of pen was gradually replaced by Sanzhuo pen at the end of Tang Dynasty, and it was rarely used by Song Dynasty. It can also be said that the production technology was lost later.

Second, paper.

The famous expert also observed with a microscope and found that the texture of the book was very similar to that of the cultural relic "Shuo Wugou Conferring the Scriptures" around 700 AD.

In addition, Neon used carbon-14 to detect the paper used in this post. It is believed that the production time of the paper used in this post is about 700 AD (±30 years), which is the same as the year when Li Bai was active, and this post was introduced into Neon basically coincides with the era.

Since Li Bai was in the heyday of the Tang Dynasty, he was inevitably influenced by the calligraphy style of the previous era.

The expert believes that the style of Li Bai's book is exactly the same as Tang Taizong Li Shimin's "Jin Ci Ming", which was influenced by the style of calligraphy in the early Tang Dynasty.

In addition, the people of the Tang Dynasty once commented on Li Bai's calligraphy style as "the handwriting is strong and sharp, and the phoenix stands up to the dragon", which is in line with the style of this book.

In addition, Collection Ma Dudu talked about this post in the program, saying that there were not many fake cultural relics before the Tang Dynasty. Referring to the research of previous scholars, he also believes that this work is an authentic work by Li Bai.

These characteristics can be proved to be genuine, and no one can deny these characteristics.

"The ink on this post is deep, old and natural, with strong, free and easy brushwork. It can be determined from the ink strokes that it is undoubtedly the handwriting of the Tang Dynasty. It has the characteristics of the free style of the literati at that time." Xiao Xiangqi first expressed his opinion.

Li Mingsheng thought for a while, and said: "The paper of this roll is yellow, with thin fibers, but it feels hard to the touch. It is similar to the scriptures written in Dunhuang in many ways. It can be proved that it is written on Tang paper by the Tang Dynasty. It is together with Li Bai's ink in the Palace Museum. , as an important material in the study of Li Bai, its important literature value can be confirmed.”