My system is not decent

Now in the studio, there are a total of six groups, each of which has its own works. For example, Wang Jing made a green-glazed cong bottle.

Bai Jingjing repaired a lotus-shaped jar, while Zhang Cheng repaired a crabapple cup.

Some of these things are in the shape of a small bowl, such as a cong-shaped bottle, and the rim on it is only a small part.

This is based on the broken porcelain pieces of the small bowl, but Wang Jing was definitely unwilling to make a small bowl with a simple shape, so he simply used the rim to restore a classic Longquan kiln cong-shaped bottle.

Bai Jingjing's lotus-shaped tureen also has the same thinking.

And she was even more straightforward, and found two pieces of porcelain, one was a part of the lotus-shaped lid, and the other was a small piece of broken porcelain from a large jar.

Of course, this is what she said, but Chen Wenzhe thinks that she is farfetched.

It was obvious that Bai Jingjing felt that the shape of the utensils she had restored was too simple, so she felt uncomfortable looking for them. It was equivalent to repairing two Longquan kilns in one go.

Among them, Zhang Cheng's is the simplest, Haitang Zhan.

The crabapple bowl looks like a small bowl, but the shape of the bowl is like a crabapple, which requires the skill of carving.

Also, in principle, this should also be two pieces, because there should be a support under the begonia cup, but Zhang Cheng directly fired a new support without using splicing technology or heat welding .

As for the last Wang Wei group, what their group made was one jar with a lotus petal pattern, and also two.

However, what they repair is the lid, a kind of jar lid similar to a small dish, and it is not difficult to repair.

Even if you fire it yourself, at most you have to fire it a few more times to be successful. After all, there are as many pieces of porcelain as small dishes that need to be slightly trimmed.

Therefore, Wang Wei's team did not ask Chen Wenzhe for help.

Senior brother Wang Wei has already studied for three years, and it seems that he is very confident in his own strength.

Chen Wenzhe didn't care about it either. If someone asked, he would just guide it. As for firing the whole process himself, forget it.

Anyway, there are quite a few small CNC gas kilns that can be used in the studio now, and they can enter the kiln one by one. This process can only be done with a little guidance from Chen Wenzhe.

Therefore, Chen Wenzhe readily agreed.

But after that, he was not happy. After dealing with the graduate students leading the group, and then the freshman and sophomores, their problems would be much more troublesome.

It turned out that he was just checking homework, but now he needs to be taught by hand.

"Senior Brother Chen, I'm still not sure about the ratio of the purple gold soil."

Finally dealt with a group of rookies, this time a young eagle came to make trouble.

Looking at the pretty Zhang Youlan, Chen Wenzhe felt a little helpless.

The use of purple gold soil has been studied by countless people from ancient times to the present, but who announced the research results to the public?

Chen Wenzhe didn't say anything, but personally used purple gold soil to make a body mud that imitated the official kiln of the Southern Song Dynasty.

The peak of Longquan kiln was in the Southern Song Dynasty, not the Northern Song Dynasty.

Seriously speaking, the celadon produced in the Northern Song Dynasty is relatively rough, whether it is the body or the glaze, compared with the Southern Song Dynasty, it is far worse.

And Chen Wenzhe has master-level kiln technology, and there is no problem at all in making green glazed porcelain and Meiziqing.

For Zhang Youlan's question, Chen Wenzhe just did it, but didn't say it.

It is already the limit for her to see the production steps clearly.

After the tire mud was reconciled, Chen Wenzhe thought for a while, and then began to press out the mud.

He intends to make a blue-glazed holding pot, which is the kind of slender, even slender holding pot.

The handle and neck are very slender, the beauty holding pot does not leave shoulders, but uses a streamlined shoulder and neck. The beauty holding pot made in this way is very beautiful.

Such a holding pot has a high height and a slender handle, so the requirements for the tire mud are very high, at least it must have a certain hardness.

Before the Yuan Dynasty, porcelain kilns fired porcelain, but they were all low-temperature porcelain, because Macang soil and kaolin were not found.

Only by mixing these two kinds of soil into the porcelain stone will the tire become hard.

This is also the reason why all kinds of large and exquisite porcelains could be fired in the Yuan Dynasty.

In the Song Dynasty, the addition of purple gold soil also had this effect, but the purple gold soil had a great influence on the external performance of porcelain.

With the increase in the amount of purple gold soil mixed in, the iron element contained in the body of the vessel increases, and various changes appear, and the same is true for the purple mouth and iron feet.

Chen Wenzhe has very mature experience in making teapots, but this is not a teapot, but a flagon.

However, by analogy, it is no different from making teapots.

It's just that, compared to the master craftsmanship of horizontal teapots, his craftsmanship in making holding teapots can reach the expert (specialized) level at best.

This is determined by the type of pot. He has never made pots before, so it is naturally impossible to reach the master level in one go.

However, Chen Wenzhe guessed that if he had to practice a few more times, he might be able to advance to the master level in all kinds of teapot making techniques.

After all, he now has a master-level craft of making horizontal teapots, as well as various other teapot-specialized crafts.

Therefore, it is not difficult to make a holding pot now.

And when making the body of the pot holder, especially the shoulder and neck, his embryo-drawing technique can also be used.

With the integration of various skills, it is not difficult for Chen Wenzhe to make a beauty holding pot.

In fact, the biggest difficulty for this beauty to hold the pot is the clay.

Because not only the shoulder and neck of the pot need strength, but the handle and spout also need extremely high strength, otherwise the slender spout and handle will not be able to support it at all, and it will break when you hold it.

Chen Wenzhe is very fast at making pots.

Moreover, when making pots, you don’t need to hang them in the air.

Therefore, Chen Wenzhe made this beautiful woman's pot directly in one go.

The next step is to dry, and then to be glazed and put into the kiln.

As for the glaze, Chen Wenzhe didn't intend to make too much trouble, so he just made moon white glaze.

This is the simplest kind of glaze, and the moon white glaze can be prepared by using purple gold soil to adjust slightly to keep the iron contained in the fetus at about [-]%.

The iron contained in purple gold soil can change the glaze color.

When the iron content of the carcass is constant, the glaze color will deepen with the increase of the iron content.

So there are different glaze colors such as moon white, pink green, and plum green.

In addition, the alkaline components in purple gold soil can also reduce the fluidity of glaze, making it possible to fire thick glazed celadon.

In this way, thin tire and thick glaze can be done.

During the whole process, Chen Wenzhe did not avoid people, so anyone who wanted to see could see it.

This time is no exception, someone recorded it.

As for whether it is possible to find out the formula ratio of the moon white glaze through the video, only God knows.

This thing is a thousand miles away, otherwise it would not be called a secret recipe.

"Senior brother Chen is really amazing!" If you don't understand this, you know it is amazing.

"Senior brother Chen is really awesome!" This is not enough for the level of education, so there is only one sentence that can go all over the world!