My system is not decent
Chapter 1880 Stone carvings look at stone materials, each with its own characteristics
,!
The simple ones are steles and inscriptions, while the modern ones are characters and animals, daily life and handicrafts, modern urban gardens and commemorative stones.
In this stone withering factory, Chen Wenzhe saw all the stone withering works of all categories.
Now that he has seen it, it is equivalent to giving him the opportunity to learn all the stone carving techniques.
To make stone wither, you must first have suitable processing tools.
You must know that this is a stone withering factory, so naturally there is no shortage of various processing tools.
Hand-carved products are products that are chiseled with hand tools such as chisels, hammers, and brazing.
Then there are semi-mechanized processing carvings, that is, stone carvings that are partly processed by hand and partly by mechanization.
Up to now, there are also fully automatic CNC machining engravings.
There are even some modern craft works, such as sandblasted carvings.
This is engraving using a sandblasting engraving machine, which uses an air machine (air pressure 5-6kg/square meter) and corundum to spray on the engraved part of the product.
Low-rise and low-rise sculptures are less layered, and the content is more complicated. They are less transparent and hollowed out, which is more fascinating.
It is no longer withering, also known as "line withering", that is, a work of art that adopts the withering method of "water grinding and sinking flowers".
In relief works, the protruding part of the image is kept, and the back part is partially hollowed out, which is called through.
Therefore, hollow out withering and chain withering belong to round withering technique, while penetrating withering is an extension of floating withering technique.
This kind of withering method absorbs the traditional brushwork of traditional Chinese painting such as meaning, overlap, line modeling and scatter perspective. Before the stone is processed and polished, the text is traced, and then the lines are carved according to the picture.
Shallow floating withers are single-layered withers, with relatively single content, whether they are hollowed out or not.
Chen Wenzhe studied the low-difficulty engraving technique afterwards.
Therefore, regardless of this kind of carving technique, bad stones are needed.
A small number of such works are used for the decoration of the inner wall surface of the building, and they are not of weak artistry.
According to the stone materials in your country, there are bluestone carvings, small marble carvings, white marble carvings, talc stone carvings, black crystal stone carvings, colored stone carvings, pebble carvings, etc.
Engraving is a step back, not penetrating.
The seventh is "withering", which is very sloppy cutting and chopping at the front to make the withered pieces take shape.
The kind of "beads" that move in the dragon button stone seal are not the most complicated hollow out.
Among carvings, engraving is the most test of skill.
The earliest works were created by Huian artists in the late 60s.
Of the stone carvings that Chen Wenzhe sees now, floating carvings are used the most.
Because the works are all based on photos, it is called "shadow withering".
In this way, it becomes extremely important to choose a good stone.
The first is "kneading", which is very much a prototype, and it is also a creative design process.
That is to use the chemical reaction between the chemical corrosion liquid and the stone to achieve the carving of the stone.
The seventh is "piercing", which is not based on line graphics, first digging out useful stones inside.
That kind of withering piece is made of jade crystal lake bluestone, which is cut and sawn into flat plates as material.
In fact, the difficulty of those technologies is in the industry, and it is not considered low.
Of course, all those technologies are based on bad stone foundations.
Here, stone carving craftsmen throughout the ages have also created some carvings with round, floating and sinking techniques.
Because the image is embossed on the stone surface, it is called embossed.
Polish the surface first, and use the characteristic of showing white dots after chiseling to carve out micro dots of different sizes, depths, and densities with fine tools.
Although there are many types of stone withered products and few classification methods, their processing procedures are basically the same.
Some parts draw sketches after blanking, and others make mud or plaster models first.
Now that there are automatic engraving machines, chemical corrosion engravings are absolutely indispensable.
There are no seven traditional manual processing techniques for processing those stone withered products.
So if you want to learn, you must first learn how to do floating withering.
The dragon ball is stripped from the original stone, smaller than the dragon's mouth, and rolls in the dragon's mouth instead of sliding out.
As a result, their own characteristics have been developed, and various types of stone withering have been formed.Because of its small size, it is more portable. It is a commemorative treasure and has a good development prospect.
This kind of carving method generally has two types: convex withering (floating withering) and concave withering.
There are very few types of such pieces, and a few of them are sculpted with a single stone, and they are not composed of several stones.
With the thickness and depth of the lines, the shadows are used to reflect the three-dimensional effect.
According to the degree of stone surface peeling off, it can be divided into shallow floating and low floating withering.
The similarities and differences between penetrating withering, engraved withering and chain withering are shown in that none of the eight is penetrating.
Hollowing out is a form of sculpture, also known as hollowing out, that is to hollow out the part of the stone that does not express the image, and leave the part that can express the image.
These kinds of widgets all show more interesting content, so they adopt the comprehensive method of floating without sinking, sinking without floating, and circle without sinking and floating.
Embossing is to engrave images without three-dimensional effect on the surface of stone materials, which are semi-three-dimensional carvings.
These are not engravings and chain carvings, they are all 360-degree engravings, but front or back.
Therefore, round withers are especially three-dimensional pseudo-modeling works of art that exist alone.
Afterwards, Chen Wenzhe learned that technique from bronze ware. In fact, the least application of that technique was in jade, stone, or wooden ware.
Only white and white are of the same level, so that the image is displayed, but it is delicate and realistic, and has a unique charm. It is the development of stone withering to pure art, and it has opened up a new way for the production of stone withering crafts.
Carving is developed from the traditional stone carving process. Ancient stonemasons occasionally carved dragons with stone balls in their mouths.
Openwork is a technique developed from round carving. It is a Shoushan stone carving technique that expresses the three-dimensional space of objects and images.
Each surface of the stone requires retrograde processing, and the craftsmanship is good at hollowing out techniques and fine chopping axes.
Floating wither is rarely used for wall decoration of buildings, and there are no dragon pillars and drums in temples.
Not yet, the Royal Road of the Forbidden City is very floating.
Those works have completely deviated from architectural utility and become pure handicrafts.
This type of withering style has developed a lot of miniature works, some are as big as a fruit core, and some are as thin as a cicada's wing, and they are even more ingenious, so they are called "micro-withering".
Next is Shadow Wither, which is a new handicraft developed on the basis of the early "needle white" craft.
The eighth is "picking", also known as "picking", which is not to remove the remaining stones in the interior according to the pattern.
One-sided see-through only engraves the front, while double-sided see-through engraves both the front and back images.
Especially small buildings use embossed withers, while large and rougher works need to use round withers.
There are various design techniques for stone carvings, which can be divided into floating, round, sinking, shadow, engraving and penetrating.
But the back of the see-through is seldom shown in the form of an interstitial screen, and there is no distinction between single-sided and double-sided see-through.
Special points: stone selection, model making, blank forming, product forming, partial engraving, polishing, cleaning, product assembly acceptance and packaging.
Whether it is single-sided or double-sided transparent, there is an essential difference from engraving and chain carving.
The simple ones are steles and inscriptions, while the modern ones are characters and animals, daily life and handicrafts, modern urban gardens and commemorative stones.
In this stone withering factory, Chen Wenzhe saw all the stone withering works of all categories.
Now that he has seen it, it is equivalent to giving him the opportunity to learn all the stone carving techniques.
To make stone wither, you must first have suitable processing tools.
You must know that this is a stone withering factory, so naturally there is no shortage of various processing tools.
Hand-carved products are products that are chiseled with hand tools such as chisels, hammers, and brazing.
Then there are semi-mechanized processing carvings, that is, stone carvings that are partly processed by hand and partly by mechanization.
Up to now, there are also fully automatic CNC machining engravings.
There are even some modern craft works, such as sandblasted carvings.
This is engraving using a sandblasting engraving machine, which uses an air machine (air pressure 5-6kg/square meter) and corundum to spray on the engraved part of the product.
Low-rise and low-rise sculptures are less layered, and the content is more complicated. They are less transparent and hollowed out, which is more fascinating.
It is no longer withering, also known as "line withering", that is, a work of art that adopts the withering method of "water grinding and sinking flowers".
In relief works, the protruding part of the image is kept, and the back part is partially hollowed out, which is called through.
Therefore, hollow out withering and chain withering belong to round withering technique, while penetrating withering is an extension of floating withering technique.
This kind of withering method absorbs the traditional brushwork of traditional Chinese painting such as meaning, overlap, line modeling and scatter perspective. Before the stone is processed and polished, the text is traced, and then the lines are carved according to the picture.
Shallow floating withers are single-layered withers, with relatively single content, whether they are hollowed out or not.
Chen Wenzhe studied the low-difficulty engraving technique afterwards.
Therefore, regardless of this kind of carving technique, bad stones are needed.
A small number of such works are used for the decoration of the inner wall surface of the building, and they are not of weak artistry.
According to the stone materials in your country, there are bluestone carvings, small marble carvings, white marble carvings, talc stone carvings, black crystal stone carvings, colored stone carvings, pebble carvings, etc.
Engraving is a step back, not penetrating.
The seventh is "withering", which is very sloppy cutting and chopping at the front to make the withered pieces take shape.
The kind of "beads" that move in the dragon button stone seal are not the most complicated hollow out.
Among carvings, engraving is the most test of skill.
The earliest works were created by Huian artists in the late 60s.
Of the stone carvings that Chen Wenzhe sees now, floating carvings are used the most.
Because the works are all based on photos, it is called "shadow withering".
In this way, it becomes extremely important to choose a good stone.
The first is "kneading", which is very much a prototype, and it is also a creative design process.
That is to use the chemical reaction between the chemical corrosion liquid and the stone to achieve the carving of the stone.
The seventh is "piercing", which is not based on line graphics, first digging out useful stones inside.
That kind of withering piece is made of jade crystal lake bluestone, which is cut and sawn into flat plates as material.
In fact, the difficulty of those technologies is in the industry, and it is not considered low.
Of course, all those technologies are based on bad stone foundations.
Here, stone carving craftsmen throughout the ages have also created some carvings with round, floating and sinking techniques.
Because the image is embossed on the stone surface, it is called embossed.
Polish the surface first, and use the characteristic of showing white dots after chiseling to carve out micro dots of different sizes, depths, and densities with fine tools.
Although there are many types of stone withered products and few classification methods, their processing procedures are basically the same.
Some parts draw sketches after blanking, and others make mud or plaster models first.
Now that there are automatic engraving machines, chemical corrosion engravings are absolutely indispensable.
There are no seven traditional manual processing techniques for processing those stone withered products.
So if you want to learn, you must first learn how to do floating withering.
The dragon ball is stripped from the original stone, smaller than the dragon's mouth, and rolls in the dragon's mouth instead of sliding out.
As a result, their own characteristics have been developed, and various types of stone withering have been formed.Because of its small size, it is more portable. It is a commemorative treasure and has a good development prospect.
This kind of carving method generally has two types: convex withering (floating withering) and concave withering.
There are very few types of such pieces, and a few of them are sculpted with a single stone, and they are not composed of several stones.
With the thickness and depth of the lines, the shadows are used to reflect the three-dimensional effect.
According to the degree of stone surface peeling off, it can be divided into shallow floating and low floating withering.
The similarities and differences between penetrating withering, engraved withering and chain withering are shown in that none of the eight is penetrating.
Hollowing out is a form of sculpture, also known as hollowing out, that is to hollow out the part of the stone that does not express the image, and leave the part that can express the image.
These kinds of widgets all show more interesting content, so they adopt the comprehensive method of floating without sinking, sinking without floating, and circle without sinking and floating.
Embossing is to engrave images without three-dimensional effect on the surface of stone materials, which are semi-three-dimensional carvings.
These are not engravings and chain carvings, they are all 360-degree engravings, but front or back.
Therefore, round withers are especially three-dimensional pseudo-modeling works of art that exist alone.
Afterwards, Chen Wenzhe learned that technique from bronze ware. In fact, the least application of that technique was in jade, stone, or wooden ware.
Only white and white are of the same level, so that the image is displayed, but it is delicate and realistic, and has a unique charm. It is the development of stone withering to pure art, and it has opened up a new way for the production of stone withering crafts.
Carving is developed from the traditional stone carving process. Ancient stonemasons occasionally carved dragons with stone balls in their mouths.
Openwork is a technique developed from round carving. It is a Shoushan stone carving technique that expresses the three-dimensional space of objects and images.
Each surface of the stone requires retrograde processing, and the craftsmanship is good at hollowing out techniques and fine chopping axes.
Floating wither is rarely used for wall decoration of buildings, and there are no dragon pillars and drums in temples.
Not yet, the Royal Road of the Forbidden City is very floating.
Those works have completely deviated from architectural utility and become pure handicrafts.
This type of withering style has developed a lot of miniature works, some are as big as a fruit core, and some are as thin as a cicada's wing, and they are even more ingenious, so they are called "micro-withering".
Next is Shadow Wither, which is a new handicraft developed on the basis of the early "needle white" craft.
The eighth is "picking", also known as "picking", which is not to remove the remaining stones in the interior according to the pattern.
One-sided see-through only engraves the front, while double-sided see-through engraves both the front and back images.
Especially small buildings use embossed withers, while large and rougher works need to use round withers.
There are various design techniques for stone carvings, which can be divided into floating, round, sinking, shadow, engraving and penetrating.
But the back of the see-through is seldom shown in the form of an interstitial screen, and there is no distinction between single-sided and double-sided see-through.
Special points: stone selection, model making, blank forming, product forming, partial engraving, polishing, cleaning, product assembly acceptance and packaging.
Whether it is single-sided or double-sided transparent, there is an essential difference from engraving and chain carving.
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