My system is not decent

The money dragon on the beam of Yangxing Hall is made of copper coins strung into the shape of a dragon.

Moreover, the homonym of Qianlong and Qianlong implies the supreme ruling status of Emperor Qianlong, thus embodying a strong imperial culture.

It can be seen from the above that the Qianlong on the beam of the Yangxing Palace is a reflection of the good wishes of the ancient emperors.

It also embodies various cultures such as my country's ancient victory-weariness culture, folk culture, and imperial power culture, so it has important protection significance.

Starting from the dragon, although not every animal can find a place in the Forbidden City.

But as a royal palace, there must be a kind of "divine beast", which is a symbol of the emperor's status and has the magical power of communicating with heaven and earth-"dragon".

The Forbidden City can be said to be the time and space of the dragon. Palaces, walls, thrones, Danbi stones, caissons, and tiles are everywhere and in different shapes.

Dragon patterns that often appear in these ancient buildings include Yunlong, Xizhulong, Seawater Dragon, Chilong, Walking Dragon, Standing Dragon, Frontal Dragon, Sidelong Dragon, Kuilong and so on.

Originally, Chen Wenzhe thought that these dragon patterns, stone carvings, and stone carvings could only be seen in the Forbidden City.

But he didn't expect to see all of them in such a deserted stone carving factory today.

Is this stone carving factory planning to reproduce a Forbidden City?

Because all the dragons in the Forbidden City can be copied, it is equivalent to copying most of the buildings in the Forbidden City.

"This is the Nine Dragon Wall? It's a shadow wall, and it can leave so many legends behind."

Caressing this handed down screen wall, Chen Wenzhe was still very emotional, but he didn't know if the copied Nine Dragon Wall had the magic of the Forbidden City.

There are too many magical rumors in the BJ Forbidden City, but the strange shadow on the Nine Dragon Wall is still a legend among the magic.

The Nine-Dragon Wall of the Forbidden City that was reproduced in front of me at this time is a single-sided glazed screen wall built from south to north against the palace wall.

There are also nine relief dragons carved on it, and this is nothing, because the whole building has been copied by others.

That's right, masons generally know how to build houses. Since they can make exquisite stone carvings, carpentry should be no problem.

Just like this Nine-Dragon Wall, the top of the wall is a verandah-style yellow glazed tile, and the eaves are wood-like purlins, rafters, and bucket arches.

The wall is decorated with clouds and water as background patterns, decorated with blue and green colors, and the sky and water are connected, which is magnificent.

The base is composed of glazed bricks and white marble carvings, majestic and dignified.

Especially the colors of the nine dragons on the wall are yellow, blue, white and purple.

The yellow Zhenglong is in the center, with a curved body, holding the flaming orb under its head, majestic and majestic.

There are four blue, white, purple, yellow ascending dragons or descending dragons on the left and right sides respectively.

They are chasing towards the flame orbs respectively, moving in spirit and shape, trying to break out of the wall, full of movement and vividness.

Looking at the time and the sun, Chen Wenzhe thought of the legend about the Nine Dragon Wall.

Therefore, he also took out his mobile phone and prepared to take a photo to see if anything strange happened.

I looked at the phone and made sure there were any foreign objects on the camera screen when selecting a scene.

But when Chen Wenzhe clicked the shutter to take a picture, he suddenly felt a flash of lightning, as if a foreign object flew into the frame.

Immediately call up the photo and examine it carefully, only to see a round thick red curly object appearing in the picture.

At this time, the displayed time is 9:45.

The stout thing is on the left above the yellow dragon's head, and its body resembles the "dragon body" of a giant dragon.

The "dragon body" reflects the image of the head of the rafters on the Nine Dragon Wall, which also resembles the "dragon scales" on the dragon body.

The "dragon body" is full of rays of light on the left and right, and it resembles a "giant dragon" descending from the sky from the southeast, just hovering over the dragon's head.

Chen Wenzhe knew at a glance that this was the legendary real dragon appearing! .

After that, it was retaken many times, but no similar picture appeared again.

This is the legend of the hidden dragon on the Nine Dragon Wall, and at the right time and angle, it can really show up.

It can be seen from this that the craftsman who copied the Nine Dragon Wall is really a master.

For such a miraculous scene to occur, that expert must know Nine Dragon Wall very well.

Because Chen Wenzhe is also very clear that if he wants to take pictures of Yinlong, he must use the same mobile phone to take pictures of the Nine Dragon Wall at the same time and place under good weather.

That is to say, it is possible to take the same image only at the same time and place, the same weather conditions, and the same shooting distance and angle.

Not to mention anything else, just carving the Nine Dragon Wall is enough to show that the author must be a first-class master of carving.

Why is it said to be a great master, not a master or a master? It is because of the understanding of dragons and the interpretation of dragons, this one has reached the pinnacle level.

For example, here are some strange dragon-shaped stone carvings. Chen Wenzhe knew at a glance that these were not stone carvings.

Because he knows very well that these "dragons" are the most distinctive, and they are all made of porcelain and jade, not stone carvings.

For example, a chilong garlic vase stone carving, its prototype must have been a porcelain vase.

This cultural relic is called a white-glazed plastic paste red pan chi pattern garlic bottle, which was made in the Jiajing period.

The body of the garlic bottle and the chilong are formed separately, and then the raw body of the chilong is attached to the body of the bottle.

The color of the dragon is different from that of the bottle body. Its exterior is covered with copper red glaze, its curved body is upward, it holds fairy grass in its mouth, and its dragon head is high.

Coiled from the shoulder to the neck, the curly tail is connected to the prime minister, and the limbs are flat on the shoulder of the bottle.

Sticking some "magical creatures" (such as chi, lion, unicorn, etc.) on bottles or jars was a major feature of the Jiajing period.

There is also a beaulieu, which is from a gold and bronze vessel.

This cultural relic is called Cuojin Bronze Panlong. The panlong is extremely ferocious, with its teeth and claws, which seems to contain the mysterious power from the East.

Beaulieu has a regular and high head, an undulating torso, and solid and powerful legs, as if it is about to leap into the clouds.

The whole utensil has sharp edges and corners, vivid and vivid.

This object is the culmination of Wei and Jin decorative arts in the Forbidden City.

The whole body of the dragon is decorated with exquisite inlaid patterns, and the copper body and gold decorations reflect each other, making the utensils more brilliant and noble.

There is also a dragon, which should be from an ivory carving work, that is, Chen Wenzhe has an extraordinary memory, otherwise he would not be able to see it.

After all, these dragons are very strange, and Chen Wenzhe used to have the dragon pattern master level skill, and now he is not a great master, but his understanding of the dragon pattern has reached the level of a master.

So he is very clear that this dragon pattern comes from the ivory dragon pattern Wufeng pen holder.

The pen stand is carved in the form of five peaks, with deep water ripples on the bottom of the stand. In the waves, the two dragons hold their heads high and mighty, coiling between the five peaks, and the dragons are soaring and furious.

Our common pen holders are mostly pine, bamboo and plum in shape and decoration.

Such a dragon pattern pen stand should belong to the royal family.

The dragon pattern on the pen stand is carved solemnly and vigorously, which shows the skill of the sculptor.