My system is not decent

Among the donors, the only one recorded in historical records is

"Don't drive Zheng Guogong Wei Ying when you are a doctor of Chinese medicine." "Old Book of Tang·Wei Zheng Chuan" says:

"At the beginning of Shenlong, his uncle Yuzi was named Zheng Guogong." Wei Zheng was named Zheng Guogong during Taizong's time.His son Wei Shuyu and his grandson Wei Ying were named Zheng Guogong.

It can be inferred that this building was built during the Shenlong period or later.Or think that the emperor and empress in the picture are Tang Zhongzong Li Xian and Empress Wei.

The seat of this building is relatively large, and its body should also be tall and majestic. The engraved scriptures should be "Buddha Supreme Victory Dharani Sutra".

According to the usual practice, in addition to engraving scriptures on the body of the building, there should be detailed inscriptions.Record the reason, name, year, month, etc. of the building.

It is a pity that it is missing, leaving an unsolved mystery, waiting for the discovery of new materials and in-depth research.The original name was "Nanyang Taishou Zheng Liang's Epitaph", also known as "Zhang Xuan's Epitaph".

He Zizhen, a calligrapher of the Qing Dynasty, commented: "The seal script is divided into regular scripts, so there is a kind of it, and it is perfect, but it is thick and refined, and there is no one who can match it."

It not only inherits the charm of the Northern Wei Dynasty, but also develops the rules of Tang Kai; looking at other stone carvings around, there are many types, such as the stone town of Han Dynasty, the stone incense of Tang Dynasty, the stone tortoise inkstone of Yuan Dynasty, and the stone drum of Qing Dynasty, etc., are also exquisitely carved , full of interest and high ornamental value.

There are seventy lines of regular script, each with seven characters, totaling 880 characters.It must be said that this one is the worst. Among the other epitaphs, "Tang Yaoyan's Epitaph" should be the least valuable.

Not only does it lack the handsomeness of the northern stele, but also contains the gentleness and elegance of the southern calligraphy. It can be called the best calligraphy of the Northern Wei Dynasty.Liu Zhirou, the author of the epitaph, was the brother of Liu Zhiji, a famous historian in the Tang Dynasty, and also a low-ranking celebrity.

In the Tang Dynasty, the son of the emperor was called the princess, the son of the prince was named the princess, and the son of the prince was named the county master.

"Shi Shi Feng" is its source of income.There were not many epitaphs in the Tang Dynasty, such as the epitaph of Yao Teng, which was dated to the seventh year of Kaiyuan in Tang Dynasty.

Its strange structure, weak momentum, and small changes are incomparable to other calligraphy styles.I have never thought that there are not so few ancient stone carvings and carvings in China.

Looking at the slightly deserted factory, Chen Wenzhe looked thoughtless.The imperial edicts of the Tang Dynasty were specially written on hemp paper, proclaimed and archived, and most of them were preserved.

The Wei stele, inherited from the Han and Jin Dynasties, and inspired the Tang and Song Dynasties, has a special status in the history of calligraphy in your country.Looking at these exquisite moments, Chen Wenzhe feels that as long as he buys them back, he can immediately form an exhibition hall of exquisite moments.

I also know that there are not many inscriptions outside the Pei family's ancestral tomb in Xishan, and there are not many stone inscriptions and inscriptions under Mount Tai, where the seven mountains are the only ones.

Zhiwen's calligraphy is exquisite and ancient, majestic and simple, with a flat, square and sparse structure, with little reference to official meaning, which is quite clumsy.

Appreciating pieces of carved artworks, it seems that time freezes, taking you back to this era.It looks like a factory outside, but it doesn't look like an open-air museum.

"Huh? Then even the epitaph is imitated?" The calligraphy layout of this inscription is rigorous, the font is beautiful, close to big script, and still retains the style of regular script in the early Tang Dynasty.

The most important thing is, with so few inscriptions, you must have seen the real thing, so how did the boss outside copy it?

Chen Wenzhe dislikes inscriptions and stone inscriptions, and has no natural reverence and intimacy for stone inscriptions.In the Tang Dynasty, the system of eight provinces was implemented, and the edict system was drafted by the Zhongshu Province, reviewed by the Menshang Province, and implemented by the Shangshu Province.

And behind the scenes?So few inscriptions and inscriptions from so few dynasties gathered together, it is really spectacular.

Yao Teng studied hard since he was a child, and he cited Ming Jing. In Wu Zhou, he was the governor of Dingzhou and other seven states, and he was famous for his good governance.Although this epitaph belongs to the official script, the style of writing is rigid, the style of the calligraphy is vigorous and sparse, the style is restrained, natural and elegant.

However, Chen Wenzhe didn't care about this, because such a complicated stone carving had already been copied and placed in front of his eyes.

Zhang Xuan's character is Bainan, because he avoided the name taboo of Emperor Kangxi of the Qing Dynasty Aixinjueluo Xuanye, so the Qing people commonly called it "Zhang Bainan's Epitaph".

In recent years, few people have paid much attention to the collection of inscriptions, and it is obvious that many epitaphs have been imitated there.

During Zhongzong's time, he was granted the title of Duke of Xuancheng County, Zhan Shi, Prince of the former Palace Li, Secretary Supervisor, and Minister of the Household Department.These are absolutely impossible to be mass-produced products. Could it be that the price is too expensive?

Such as "Northern Zhou Yuwenxian Epitaph", "Sui Du Can Epitaph", "Tang Luochong Epitaph" and so on. "Zhang Bainan Epitaph",

"白男" is pronounced hè\/ru.Both the center and the side are used in the brushwork, and both the square and the circle are used to achieve a vivid and elegant style with the combination of rigidity and softness.

The seventh set of RMB that you are familiar with now

"People's Bank of China" belongs to

"Zhang Bai male body".Yao Teng, a native of Jingzhao Wannian, whose ancestor Yao Silian was a famous historian in the early Tang Dynasty, once co-authored "Book of Liang" with Wei Zheng.

The epitaph has no historical document value, and at the same time has no calligraphy art value, so it is increasingly valued by people.

However, there are not many inscriptions in those places, and they are all very miserable, whether they are gathered together.The seven sides of the Zhishi and the Zhi cover are engraved with various patterns. Between the continuous vine patterns, there are various winged animals and birds.

There are no seventy volumes of "Han Shu Shao Xun", seventy volumes of anthology, and no new and old "Tang Shu".This stone engraved imperial edict is a fragmentary representation of the official document format of the imperial edict of the Tang Dynasty, without the official titles and names of the officials in charge of the eight provinces.

Its brushwork is vigorous, the stippling is thick, the mood is strange, and the bones are profound.No, some of those watches are antiques!

For example, the number of epitaphs, statues, steles, tower inscriptions, carved scriptures, etc. is small or tens of millions.It records Yao Ting's family, hereditary lineage, calendar officials, and life stories in detail.

It turns out that I have visited Chang'an Forest of Steles, and there are so many steles here.That one is very old, usually Zhang Bainan's epitaph, and the text below it is known as the best Wei stele, exquisite and ancient, majestic and simple.

So many exquisite stone carvings, why haven't they been sold?Chen Wenzhe saw a piece of Luo Chong's epitaph, which was from the eighth year of Tang Xianqing.

Another thing worth cherishing is "Tang Fengji Wang Shen Eighth Male Guishun County Lord System", the content is to make Tang Taizong Li Shimin's tenth son Ji Wang Li Shen the eighth male as Guishun County Lord.

Mainly square brushes, but also with round turns, horizontal strokes, or circles and squares, or squares, rounds, long strokes with twists and turns, and corners with the meaning of division and official, which is a multi-purpose brush without the meaning of running calligraphy.

In order to commemorate and show his identity, the Lord of Guishun copied the engraved stone and buried it in the tomb. It is a precious material for studying the Tang Dynasty imperial system.

This inscription was inscribed in the first year of Putai in the Northern Wei Dynasty. The original stone of this inscription has been lost, and now there is only an isolated copy of the clipped watch in the collection of He Shaoji in the Qing Dynasty.

He died in the seventh year of Kaiyuan at the age of 17.Or are these not for sale because they are the work of the boss?

The knot is slightly flat, and the body contains momentum.The shape of this annals is small, with a height of 0.9 meters and a width of 2000 meters, with a total of more than [-] characters.

Qingkang Weiwei once praised the stele of Wei: the flesh and blood are plump and the structure is natural.In addition, some of my relatively unknown monuments don’t have a statue of Bainan. That monument seems to be something from the Sui Dynasty.

And when you walk among the countless inscriptions, you often feel the vicissitudes of history and the richness of culture.