My system is not decent

It is often easy to identify the authenticity of a kind of porcelain by carefully observing the characteristics of the fetal glaze.

Due to the different times and regions, there are more or less obvious differences in the glaze composition and firing methods.

Therefore, when identifying a piece of ceramics, we must not leave this aspect of careful observation.

To observe the enamel of ancient porcelain, we should generally pay attention to the thickness of the enamel, the newness of the luster, the size and density of the bubbles, and other characteristics.

It can be said that the ears, eyes, and hands are used together so that they are not limited to the surface or stick to one style.

As for all kinds of imitations such as old blanks with new colors, reglazed and improved colors, old colors lost and repainted, and old white glaze wares with new dark flowers and inscriptions, etc., we should especially study carefully.

For these identification methods, Chen Wenzhe is already at the level of a master. Now he can't tell the authenticity at a glance, but he can easily tell whether a work is good or not after a little careful inspection.

After all, his craftsmanship is displayed there. A piece of work is easy to make but not easy to make. He knows exactly what technique was used and how much it cost to burn it out.

If he still can't identify an antique in this way, then his identification all these years can be said to be in vain.

Therefore, he easily recognized that such a piece of onion root white porcelain should be the very rare Ru kiln white glazed porcelain.

This is a Ru kiln white glaze cup, which can even be called the only white Ru kiln with onion root in the world.

It is a rare and important evidence to expose celadon as Ru kiln, and it is also a rare and important evidence to expose the fraud case of more than 2 million yuan of celadon auctioned.

Its existence is an important evidence for eradicating Pan Heng's huge celadon fake Ru kiln lie system in China!

Well, there are too many interest groups involved, needless to say.

Because of its understanding, it can also deepen people's understanding of the Ru Kiln's worm-shaped crab claw pattern and the color of the azure glaze, and the understanding of the gold thread around the Ru Kiln.

I have some understanding of the Ru kiln's crab claw pattern on the shape of the vessel and the position that is easy to show. It makes people not forget the existence of this precious egg white Ru kiln.

Of course, a cup is definitely not as important as a teapot.

Looking at the true characteristics of the Ru Kiln Pulu Hu, a high-quality ancient porcelain handed down from generation to generation, the Northern Song Dynasty foreign trade porcelain, you will know that this is definitely a boutique among the Ru Kiln.

Its color is sky blue, quite white and tender.

This is a high-end Ru kiln in the Northern Song Dynasty, which is also known as the white snow with green features in the spring white snow.

Porcelain is made of sweet white material, so it can be called Ru kiln sweet white scorpion.

It is mysterious, but it looks azure under natural light.

This is the earliest and most fashionable azure uranium standard azure color created and fired in the Northern Song Dynasty, and it is a high-end blue and white porcelain in the Northern Song Dynasty.

It is suspected that the porcelain body has been mixed with Sumali green material, and the Yuan blue and white porcelain is only similar to the porcelain body of azure glaze.

Therefore, it can be called a celadon-glazed gold silk-wrapped Ru kiln pulu pot of Yingqing.

The glaze color and exquisite decoration of Ru kiln glaze color and exquisite decoration of Tianqing glaze pulu pot in the Northern Song Dynasty have also become the main porcelain-making culture with blue color in the white body inherited from Yuan blue and white.

But this color has clearly appeared on this porcelain.

I saw that this teapot is a body with a cover, high

The waist of the utensil is curved and warped, and the body of the utensil is exposed downwards, showing the shape of a pot and a reed, and also showing the shape of a Shang bronze ware.

From the waist up to the mouth of the pot, draw a double line.

Purple and scarlet are used between the traced lines, and white is used as decals to fill in plain tricolor.

This color is higher than colorful in form.

The inner wall of the pot has the characteristic of small [rice bran head] defects, which can only be found in the high-end fine onion root white and azure glaze Ru kilns in the early and mid-Northern Song Dynasty.

Features of early worm books, and features of worm books and crab claws;

There are watery eyes, brown eyes like saliva stars, and there are hundreds of tiny sesame nails.

This characteristic is very consistent with the characteristics of Ru kiln in ancient legends and historical records.

Obviously there are metal wires to reinforce the porcelain body. If you have never seen this kind of porcelain, it is too difficult to imitate it.

Then there is Baoguang with very obvious patina, showing the characteristics of silk-like patina.

At the bottom, Chinese pinyin and English, artistic commercial logo.

This bottom line will be used as the basis for foreign trade porcelain in the Northern Song Dynasty, which stunned modern collectors.

On the cover of the calabash pot, there is the earliest air hole in history.

Only those who have this eye for making tea can have authentic tea-tasting theory, which is called the luxurious tea set among ancient porcelains.

Facing the light, the surface has obvious glass-steel texture.

This is obviously inherited from the Tang Xing kiln's white pottery injection, and the bearing of the glass texture has not declined in the slightest. It should be a high-end fine porcelain Ru kiln in the Northern Song Dynasty.

From its bottom, it shows that the fine porcelain making in the Northern Song Dynasty has completely abandoned the nail firing process of Tang Xing Kiln, Eastern Jin, Sui and Tang Celadon!

Ru kiln pulu pots that have been in existence for thousands of years do not have a trace of awn-shaped openings on the surface.

As the old saying goes, porcelain has long hair, but it is not worth a dime!

It is much more delicate than the porcelain of the Qing Dynasty, which was prone to hair growth and ice cracks!

Only when you see this kind of porcelain treasures, you will know what high-end and fine porcelain is, and you will know what is the sky blue glaze of Ru Kiln in the Northern Song Dynasty.

It is no wonder that this kind of azure-glazed porcelain can arouse the poet's true color of comfort.

Its appliqué craft decoration is also a must.

It is the best of typical high ancient porcelain, and it is a fine product handed down from generation to generation among the people.

The pulu pot should also be the first Ru kiln prototype recorded in historical materials, and the first porcelain that can be identified for daily use.

The high-end Ru kiln porcelain is the first among all porcelains.

Because of egg white, worm book features, crab claw features, spittle stars, small nails with gold wires, thin, brown eyes, Ru kiln's Ru juice, a total of eight ancient porcelain features are consistent with the most confirmed features in historical records.

When this matching can no longer rule out that it is a Ru kiln, the original decals, glazed decorations, and characters on the Ru kiln utensils should be recognized as the historical and precious culture of the Northern Song Dynasty.

Undoubtedly, Ru kiln pulu pots let us know that the technique of dipping grass and flower decorations with appliqués was a fashionable technique for making glazed decorations in the Northern Song Dynasty.

The coarse celadon collected by Qianlong pretending to be Ru kiln is not qualified to steal the limelight, not even ordinary foreign trade porcelain!

Ru kiln's high-end foreign trade porcelain base, even if you look at it now, it can still make counterfeiters dumbfounded!

The above characteristics can confirm that the Pulu pot is a high-end Ru kiln trade porcelain in the late Northern Song Dynasty.

It is also the first standard piece of high-quality ancient porcelain handed down from generation to generation, and it is a "Shang Bronze Ware Type" tea kettle.

It has only a few dozen nails for the pulu pot appreciated by connoisseur Gao Lian in the Ming Dynasty, while it has hundreds of nails, and its characteristics are similar.

So it is the azure-glazed Ru kiln in ancient legends, a god-level noble gold fine silk winding high ancient porcelain.

It should be the first time in modern history to reveal the standard color of the Ru kiln's sky blue glaze in the Northern Song Dynasty.

It is also the first time to disclose the gold thread around Ru kiln in the Northern Song Dynasty, and the first time to disclose its mysterious shape, its porcelain quality and the craftsmanship of dipping flowers.

Its value is reflected in its different porcelain feelings on the same Ru kiln.

This confirmed white porcelain from Ru kiln is obviously different from celadon porcelain from Ru kiln, especially celadon-glazed porcelain. So does Ru kiln produce celadon or white porcelain?This is now very controversial.