My system is not decent

In the local area, some farmers cannot make the original models they need, so they will buy them from other farmers who have such carving skills.

Depending on the size, the price ranges from several hundred yuan.

For example, in the shop just now, a bronze ware being made, the original wax model of which was bought from other farmers.

In Yanjian Village, although there are some people who make a living by selling original wax models, more farmers still make wax models by themselves.

This is because in Yanjian Village, which has a history of making antique bronzes for many years, many people have such craftsmanship.

They will make exquisite wax models for the production of their own workshops and will not sell them publicly.

This also makes the bronze ware made by ourselves more competitive in the market.

This is one of the key points of technology, and the other is antique craftsmanship.

Rust making is the most difficult technique to master in antique bronze ware, and it is also the technique that best shows the level of craftsmanship of each family.

In this place, only a slightly larger and better company or shop can master the formula of the chemical raw materials needed to make rust.

At that point, everyone in the world has the same idea, they all keep it secret, and plan to imitate the bronze ware as a long-term business.

The first low tide occurred in the Song Dynasty. At that time, because the imperial court adopted the policy of suppressing military affairs and cultivating literature, and the official salaries were generous, a group of literati and refined scholars were born to pursue antiques.

The mirror I came here to look for this time is not a treasure, but the most amazing ancient bronze mirror in China.

Similarly, in some family workshops, the transmission of craftsmanship is limited to a small range of relatives.

Although the craftsmanship of those bronze wares is confidential, it can be found in very few materials.

In some alleys in Sichuan, you can always see paintings and calligraphy by Zhang Xiaoqian and Xu Beihong.

With that bit of craftsmanship, its products are relatively undistinguished, and the selling price is relatively low.

For example, fumigation with tea does not mean hanging calligraphy and painting under the wall, but putting a small pot filled with tea in the house, boiling tea on a low heat, and using the gas evaporated from the tea to fumigate the calligraphy and painting yellow, making the rice paper and pigments brittle and deteriorating, and speeding up the process. aged.

Compared with other bronze wares, your country's ancient bronze mirrors do not have some advanced technology, which can really shock the jaws of modern people.

From the formula of pottery clay, clay tire extraction, porcelain molding, configuration of colored glaze, painting method and firing method, all the scientific testing data of unearthed cultural relics are used as the standard, and every process is tolerantly operated according to the standard.

Since he was engaged in the production of bronze ware very early, he has explored few production techniques in the past few decades.

Therefore, the cost of such low imitation products is very expensive.

The "magic mirror" of the Han Dynasty is known as the lowest peak of ancient "white technology", and it cannot be replicated until now.

For example, Fanjiajing, far away from Jingzhen Railway Station, gathered pottery and porcelain vendors from all over the country.

In the history of your country, there have been seven downturns in imitation of cultural relics.

Those small paintings are imitation paintings, and their imitation methods are also varied.

Not only in the interior modeling, but also in relatively simple techniques such as silver inlays, which were quickly explored.

The seventh low tide is not from the 20s to the present.

The local people's antique porcelain kiln factory, from the perspective of equipment, is not even a ceramic research unit.

It is not in that kind of bronze mirror, it is very likely that there is some information about the Jade Seal of the Chuan Kingdom, which is some clues of the Jade Seal of the Chuan Kingdom that I found, and I know it is true.

The selling price of "official kiln wares" in Yuan, Ming and Qing Dynasties was especially higher than 20 yuan.

There is still no way to get snakes, insects, rats and ants to bite new paintings and calligraphy. No one will think it is genuine when they see the traces of no insects eating under the paintings and calligraphy.

Regarding those secrets, Chen Wenzhe was very fond of them.

It must be living in that kind of family, so familiar with it, it will be relatively unfamiliar with bronze crafts.

We have sprung up like mushrooms before rain, and the types of counterfeit cultural relics are also varied.

It must be that the scale of the workshop is relatively small, and it has been in the industry for a long time. With such an outsider and a few workers hired, there are not a dozen people making bronze wares in total.

It is worth noting that those kilns use wood kilns for firing, and each kiln of porcelain consumes at most seven trucks of pine wood, which takes more than 20 hours.

The seventh low tide was during the Qianlong period of the Qing Dynasty, when the imitation of cultural relics was concentrated under the calligraphy and paintings of celebrities.

In particular, one firewood kiln blank can only be fired into one or two pieces of porcelain.

The eighth low tide occurred during the period from the late Qing Dynasty to the Republic of China. At that time, folk craftsmen copied and imitated various cultural relics in various historical periods in China, reaching the level of making and imitating.

Generally, it is the imitation of bronze mirrors, and now I have a little bit of knowledge.

For example, using eight-dimensional scanning technology, the things made can be exactly the same as the original ones.

Of course, this formula will not fall on paper, it only exists in their minds.

What can't reflect the "grand occasion" at that time is that Emperor Qianlong also collected many fake calligraphy and paintings at that time, and regarded them as authentic works, and made imperial pen inscriptions and postscripts.

The workers in this kind of factory don't master it, they only know how to cast bronze.

In such factories, there are often some technicians who, at most, master a part of the formula, so that they can have a helper when they are too busy.

With the rise of folk collections, various cultural relics imitate workshops and factories, especially in traditional historical and cultural provinces.

Fortunately, Nanhe No. [-] Imitation Bronze Village is very famous, and let me know that a bronze mirror was unearthed there a long time ago, and it was damaged.When he came to Nanhe that time, Chen Wenzhe really gained his knowledge and learned a lot of antique crafts.

Only some relatives can pass it on to each other, especially friends can at least give some hints, whether you can master it depends on your own understanding.

Although those works are not rigid, or have no soul, they are really lifelike.

In this era when arty style is the fashion, imitation merchants and Zhou bronzes are the main ones.

At present, low-tech methods have not been applied to the imitation of cultural relics.

But outside the village, each other still keeps secrets about the craftsmanship.

Things are rare and expensive, and only when few people master them can they make money. If there are fewer people who do it, and each other lowers the price, they all earn money.

Silicone rubber overmolding technology is used to make the pattern under the imitation product no different from the original one.

But as far as producers in family workshops are concerned, it is still difficult to master the few detailed methods.

Moreover, there is no certain division of labor among some imitators, and the specialization and division of labor in each link of the cultural relics imitation chain has been realized.

Nanhe is a distribution center for imitation cultural relics across the country, but in other provinces and cities, there are also imitation or counterfeit markets of the same type of cultural relics.

I am even more interested in the imitation of cultural relics, which has a long history in your thousands of years of history.

His family bought some bronze books and saw the relatively uncharacteristic shapes in them, so they went back to imitate them.

Of course, relatives did not teach each other.