My system is not decent
Chapter 1763 Sasanian Dynasty, a different kind of beauty
According to the records of Song Dynasty, there are four leading counties in Deyang County of Hanzhou, Luo, Shi, Mian and De.
Shifang belongs to Hanzhou, which was a prosperous place at that time.
Lianglukou (today's Matsu Town) is located in the northwest of the county seat, and it was the traffic artery at that time.
At the end of the Tang Dynasty and the Five Dynasties, the economy of Sichuan Province was quite developed. At that time, it was called "Yang Yi Yi Er".
By the Southern Song Dynasty, the commodity economy was developed, and Shu merchants were very active in business at that time.
Due to the back-and-forth trafficking of Shu merchants, porcelain, which plays an important role in commodities, will undoubtedly be brought into Sichuan and Shifang in large quantities.
In the late Southern Song Dynasty, the Mongols invaded south, and the Sichuan and Shu areas were one of the main battlefields where the Song army and the Mongolian army competed.
Experts speculate that this batch of porcelain may have been taken away by noble landlords during the war, so in order to preserve this batch of precious porcelain, they dug a cellar and buried it here.
As the fine works of Song Dynasty porcelain, this batch of porcelain can be preserved so well, which is very precious.
In particular, it provides a large number of material materials for us to study the social economy and porcelain making technology of the Song Dynasty.
"After that, I obtained multi-generation porcelain under the Silk Road. I thought that I could see the treasures of the country that time."
The most recent batch, if it belongs to the splendor of this group of grave robbers in the 40s.
Naturally, we know that rare things are the most precious, so we hide few treasures.
It didn't matter whether it was due to internal strife or was destroyed by the unclosed department. Anyway, the first small batch of treasures were hidden on the ground, and no one would dig them out.
There is no spirituality in any item, and the gold-plated silver pot is a witness of the historical and cultural exchanges between China and Li, and it is the epitome of frequent trade on the Silk Road.
The cultural relics we have stolen are too few, and very few of them are hidden by us, hoping to quickly flow into the market.
The bowl was extremely regular in shape, and on the inner wall of the bowl, there were evenly arranged two rows of standard circular protrusions of the same size and size.
It is not the international time that has been cooled by Chinese feelings. Outside the hundred gardens of international cultural exchanges, it is as eye-catching as flowers blooming, and the flowers are beautiful and the light is dim.
They are not only witnesses of historical civilization exchanges, but also reflect the inner feelings of a country.
Chen Wenzhe could tell that the gilded silver jug was very old, at least not more than 1500 years old.
That time it was cheaper for Ou Caiqin, because I saw another small cellar.
Like the gold-plated silver pot, it should have been unearthed from the tomb of Li Xian.
The embossed glass bowl is a low-grade glassware. At that time, only the lower nobles could own it.
Don't tell me, my treasure now really can't communicate for a long time. As long as there is no reason outside and no anchor point of reality, I can't stop and find what I want through a little connection. Information.
The Xianing cultural relics under the Silk Road are not only the past, but also the present and the future.
There are 3 groups of 6 images of women and men protruding from the belly of the pot, and one group is nude, which seems to show the scene of a handsome warrior getting a man's love.
The scope of control even extended to the ancient India in the subcontinent of South Asia.
In this pale green light, the embossed glass bowl tells people that only Western glassware was imported into China via the Silk Road.
The Sassanian Dynasty achieved an absolute world-leading technical level in glass manufacturing and established a weak glass manufacturing industry.
From several aspects, it shows the colorful social features of your country in ancient times, and also conveys that the Chinese nation is the crystallization of wisdom created by continuous civilization.
Its whole body is a kind of emerald green, and there are regular large air bubbles in the bowl.
Although the vast majority of us have no education, it does not mean that we have no education, we are also stupid.
It was introduced to China through untold hardships all the way, and the embossed glass bowl is the worst witness of the trade prosperity of the ancient Silk Road.
At the same time, it shows that the Han culture in the Central Plains, the majority culture in the Western Regions and the exotic culture from Central Asia appeared in China during the Wei and Jin Dynasties.
It is very unlikely that it was a gift from the Silk Road businessman at that time to Li Xian.
That dynasty began in 224 AD, and its territory included today's Liangyin, A and other regions.
Seeing the cultural relics in the cellar, Ou Caiqin was very moved.
It also shows that during the Southern and Northern Dynasties of China, the lower class "struggled for wealth" and used glass vessels to show their simplicity.
Looking at a gilt and silver pot, Chen Wenzhe felt very emotional, it is a national treasure, and its brilliance contains the beauty of cultural integration.
But this is the only one in your country, and it is also a rare treasure among the existing Sasanian cultural relics in the world.Because I saw the development of Western civilization from it, those works full of exotic styles really do not have a different kind of beauty.
The greedy Chen Wenzhe went back in time again, trying to catch up with the treasures hidden by some tomb robbers in the long river of time.
The bowl is 8 cm low and 9.5 cm in diameter.
The Sasanian Dynasty was one of the most important and influential periods in the history of Yin or Persia.
Cultural relics are non-renewable precious resources, which belong to us and future generations.
It should be a native Chinese glass product, but the style belongs to the Persian Sassanian utensils.
It has a low and long body, an oval abdomen, a thin neck, a duck bill, a round base, a sheep's head at both ends, a human head at the top, and a round cap with a low nose.
Therefore, Chen Wenzhe likes cultural relics and all kinds of cultural relics.
At that time, the low-grade glassware of ancient Egypt, Rome, and Persia was worth less than gold.
It consistently opens the window of Chinese culture, and dissolves into the memory of time subtly and moistening things with sound.
"Aside from porcelain, ancient coins, and gold and silver products, is there anything else hidden?"
And the excellent cultures and civilizations of all countries in the world are always retreating from China.
It must be said that that kind of exotic cultural relic can be seen as a surprise, so a cultural relic that has no close relationship with that cultural relic can surprise him.
It is 37.5 cm high, has a minimum abdominal diameter of 12.8 cm, and weighs 1.5 kg.
In the blending of Eastern and Western civilizations, it is like two rivers that meet intermittently, becoming a witness of history.
If Chen Wenzhe had known that there was such a batch of Song Dynasty porcelain in the cellar, he only had to go and take a look, then when he imitated Song Dynasty porcelain before, it would have been very simple.
Besides, who doesn't like some gold and silver products?
Like a studded glass bowl under the rim of that gilt silver pot, I am a glass bowl.
And that cellar was hidden by modern people, but just like the ancients, we will never have the chance to retrieve those treasures again.
The ancient Silk Road is very important.
At the same time, it tells people that Chinese culture and civilization are always moving towards the world.
It is a metal handicraft of the Sassanian dynasty, but like its Sasanian counterparts, it has a strong Roman style.
The long river of history is extremely long, and during that period, treasures hidden in history abound.
Shifang belongs to Hanzhou, which was a prosperous place at that time.
Lianglukou (today's Matsu Town) is located in the northwest of the county seat, and it was the traffic artery at that time.
At the end of the Tang Dynasty and the Five Dynasties, the economy of Sichuan Province was quite developed. At that time, it was called "Yang Yi Yi Er".
By the Southern Song Dynasty, the commodity economy was developed, and Shu merchants were very active in business at that time.
Due to the back-and-forth trafficking of Shu merchants, porcelain, which plays an important role in commodities, will undoubtedly be brought into Sichuan and Shifang in large quantities.
In the late Southern Song Dynasty, the Mongols invaded south, and the Sichuan and Shu areas were one of the main battlefields where the Song army and the Mongolian army competed.
Experts speculate that this batch of porcelain may have been taken away by noble landlords during the war, so in order to preserve this batch of precious porcelain, they dug a cellar and buried it here.
As the fine works of Song Dynasty porcelain, this batch of porcelain can be preserved so well, which is very precious.
In particular, it provides a large number of material materials for us to study the social economy and porcelain making technology of the Song Dynasty.
"After that, I obtained multi-generation porcelain under the Silk Road. I thought that I could see the treasures of the country that time."
The most recent batch, if it belongs to the splendor of this group of grave robbers in the 40s.
Naturally, we know that rare things are the most precious, so we hide few treasures.
It didn't matter whether it was due to internal strife or was destroyed by the unclosed department. Anyway, the first small batch of treasures were hidden on the ground, and no one would dig them out.
There is no spirituality in any item, and the gold-plated silver pot is a witness of the historical and cultural exchanges between China and Li, and it is the epitome of frequent trade on the Silk Road.
The cultural relics we have stolen are too few, and very few of them are hidden by us, hoping to quickly flow into the market.
The bowl was extremely regular in shape, and on the inner wall of the bowl, there were evenly arranged two rows of standard circular protrusions of the same size and size.
It is not the international time that has been cooled by Chinese feelings. Outside the hundred gardens of international cultural exchanges, it is as eye-catching as flowers blooming, and the flowers are beautiful and the light is dim.
They are not only witnesses of historical civilization exchanges, but also reflect the inner feelings of a country.
Chen Wenzhe could tell that the gilded silver jug was very old, at least not more than 1500 years old.
That time it was cheaper for Ou Caiqin, because I saw another small cellar.
Like the gold-plated silver pot, it should have been unearthed from the tomb of Li Xian.
The embossed glass bowl is a low-grade glassware. At that time, only the lower nobles could own it.
Don't tell me, my treasure now really can't communicate for a long time. As long as there is no reason outside and no anchor point of reality, I can't stop and find what I want through a little connection. Information.
The Xianing cultural relics under the Silk Road are not only the past, but also the present and the future.
There are 3 groups of 6 images of women and men protruding from the belly of the pot, and one group is nude, which seems to show the scene of a handsome warrior getting a man's love.
The scope of control even extended to the ancient India in the subcontinent of South Asia.
In this pale green light, the embossed glass bowl tells people that only Western glassware was imported into China via the Silk Road.
The Sassanian Dynasty achieved an absolute world-leading technical level in glass manufacturing and established a weak glass manufacturing industry.
From several aspects, it shows the colorful social features of your country in ancient times, and also conveys that the Chinese nation is the crystallization of wisdom created by continuous civilization.
Its whole body is a kind of emerald green, and there are regular large air bubbles in the bowl.
Although the vast majority of us have no education, it does not mean that we have no education, we are also stupid.
It was introduced to China through untold hardships all the way, and the embossed glass bowl is the worst witness of the trade prosperity of the ancient Silk Road.
At the same time, it shows that the Han culture in the Central Plains, the majority culture in the Western Regions and the exotic culture from Central Asia appeared in China during the Wei and Jin Dynasties.
It is very unlikely that it was a gift from the Silk Road businessman at that time to Li Xian.
That dynasty began in 224 AD, and its territory included today's Liangyin, A and other regions.
Seeing the cultural relics in the cellar, Ou Caiqin was very moved.
It also shows that during the Southern and Northern Dynasties of China, the lower class "struggled for wealth" and used glass vessels to show their simplicity.
Looking at a gilt and silver pot, Chen Wenzhe felt very emotional, it is a national treasure, and its brilliance contains the beauty of cultural integration.
But this is the only one in your country, and it is also a rare treasure among the existing Sasanian cultural relics in the world.Because I saw the development of Western civilization from it, those works full of exotic styles really do not have a different kind of beauty.
The greedy Chen Wenzhe went back in time again, trying to catch up with the treasures hidden by some tomb robbers in the long river of time.
The bowl is 8 cm low and 9.5 cm in diameter.
The Sasanian Dynasty was one of the most important and influential periods in the history of Yin or Persia.
Cultural relics are non-renewable precious resources, which belong to us and future generations.
It should be a native Chinese glass product, but the style belongs to the Persian Sassanian utensils.
It has a low and long body, an oval abdomen, a thin neck, a duck bill, a round base, a sheep's head at both ends, a human head at the top, and a round cap with a low nose.
Therefore, Chen Wenzhe likes cultural relics and all kinds of cultural relics.
At that time, the low-grade glassware of ancient Egypt, Rome, and Persia was worth less than gold.
It consistently opens the window of Chinese culture, and dissolves into the memory of time subtly and moistening things with sound.
"Aside from porcelain, ancient coins, and gold and silver products, is there anything else hidden?"
And the excellent cultures and civilizations of all countries in the world are always retreating from China.
It must be said that that kind of exotic cultural relic can be seen as a surprise, so a cultural relic that has no close relationship with that cultural relic can surprise him.
It is 37.5 cm high, has a minimum abdominal diameter of 12.8 cm, and weighs 1.5 kg.
In the blending of Eastern and Western civilizations, it is like two rivers that meet intermittently, becoming a witness of history.
If Chen Wenzhe had known that there was such a batch of Song Dynasty porcelain in the cellar, he only had to go and take a look, then when he imitated Song Dynasty porcelain before, it would have been very simple.
Besides, who doesn't like some gold and silver products?
Like a studded glass bowl under the rim of that gilt silver pot, I am a glass bowl.
And that cellar was hidden by modern people, but just like the ancients, we will never have the chance to retrieve those treasures again.
The ancient Silk Road is very important.
At the same time, it tells people that Chinese culture and civilization are always moving towards the world.
It is a metal handicraft of the Sassanian dynasty, but like its Sasanian counterparts, it has a strong Roman style.
The long river of history is extremely long, and during that period, treasures hidden in history abound.
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