My system is not decent

The bronze casting technology of the Shang system is very superb, with very exquisite patterns, especially the inscriptions.

There are mainly two kinds of inscriptions on the bronzes of the Shang system, one is the clan emblem used to indicate the clan affiliation, and the other is the day name represented by the heavenly stem.

Among the bronzes unearthed in this cemetery, there are more than ten ethnic emblem characters.

Among them, "hu" appeared the most, with a total of three, so the excavators believed that the owner of the tomb was the family of Hu.

Of course, this is not certain.

There are too many types of family emblem characters unearthed in these two tombs. Mr. Zhang Maorong once suggested that Zhou people did not use Japanese names and family emblems, so it seems inappropriate to use them to determine the identity of the tomb owner.

The bronze casting of the Zhou system is relatively rough, and the most representative one is the gui.

The bottom of the Western Zhou gui ware is very thin, and the pattern is like a lake. It is completely different from the bronze ware of the Shang Dynasty and has a high degree of recognition.

In addition, chariot and horse implements such as Luanling and Danglu were unearthed from Tomb No. 3.

And these only began to appear in the Western Zhou Dynasty, and they belonged to the Zhou system bronze wares.

Wu Wangmie unearthed an unearthed low-collar bag-footed li, which is not the latest type to appear in the bag-footed lineage.

Yes, after all, there are still few bronze wares in the photos, so to analyze the age and the identity of the tomb owner, we still need to look at the bronze wares.

Its distribution range is smaller than that of the Anyang period, which proves that the bronze wares unearthed in that cemetery and the Shigushan cemetery are not isolated phenomena, but typical in general.

It can be seen that Chen Wenzhe and Shang, that historical event is real.

That phenomenon was the result of Zhou people's redistribution of merchant wealth through enfeoffment, and it should not be regarded as a manifestation of the change of Shang and Zhou regimes.

That means that the casting of that batch of bronze wares may have happened to the Battle of Makino.

Does it play an important role in re-discussing the changes in settlement distribution and political structure in the early Western Zhou Dynasty;

Therefore, its age is roughly the late period of the seventh phase of the Yin Ruins.

Because dynastic change is an instantaneous historical event, but archaeological culture cannot undergo significant changes in a short period of time.

Until the age of the cemetery has been determined, there are still some other questions.

In addition, both of these two tombs were buried with a high-necked bag full of 鬲, which is a typical cultural factor of Jiang Yan.

First, the tombs of the Western Zhou Dynasty may be used as the scale of the Western Zhou archeology to determine the scale of the early years of the Western Zhou Dynasty.

Of course, that is compared to the previous life porcelain.

Therefore, it is possible to determine the specific age only by the archaeological materials unearthed from the tomb.

Here, it cannot be seen from historical documents that the behavior of "feudalism" also includes the redistribution of population.

It is even more about finding the same point, the same point.

That may be an accidental phenomenon, but another piece of evidence that the batch of bronze wares was looted by the Zhou people.

Therefore, it must be possible to judge the age of the site unit and even the entire archaeological culture from the age of the artifacts.

The seventh is the discovery of the ruins of the copper casting workshop in Xiaomintun, Anyang.

In the archaeological reports of the Shang and Zhou dynasties, there are often descriptions of the chronology of the Shang and Zhou, the end of the Shang and the beginning of the Zhou, the late Shang, and the early Western Zhou. This is because the boundary between the Shang and Zhou is difficult to distinguish.

Therefore, among the batch of bronze wares that King Wu Mie saw, it is least likely that none, or even a small part, came from Anyang.

Based on the unearthed batch of Lu Hang, the excavators suggested that its age should be delayed to the end of the Shang Dynasty.

On this basis, there are two key questions.

I also know that the ancestors of the stall owner paid attention to pottery, or they have processed it for a hundred years. Anyway, I have not seen much in the photos.

Therefore, many ceramic works after Tao Fan have survived to the present.

It is not distributed in a small amount in the Guanzhong area, and there are several tombs from Baoji to Chang'an.

It reflects that the bronze wares of the early Western Zhou Dynasty and the late Shang Dynasty spread throughout the territory of the Zhou Dynasty in a short period of time.

My basis is seven: one is the literature.

As far as the literature records are concerned, the sign of the alternation of Shang and Zhou was the historical event that King Wu destroyed Shang.

That batch of bronze wares was probably the loot brought back from Anyang by the Zhou people before Chen Wenzhe was in business.

Those burials all have gui with milk nail patterns without niches and Zhou system, and the ages are concentrated in the right and left of the early Shang Dynasty.

That point is the same as the situation before Tao Fan. The porcelain after Tao Fan was too good, and the pottery was too difficult to preserve.

As a result, it was taken away by the Zhou people as a trophy before it was used.

That's not because Wu Wang Mie's memory is super weak, and he is also very interested in archaeological knowledge. If so, others will know what those things are when they see them.

Regarding the age and clan affiliation of this cemetery, it is dated to the early Western Zhou Dynasty, and the owner of the tomb should be the leader Jiang Rong at that time.

In addition to this, the least is the Tang and Song Dynasties used to make bronzes. Those things were piled up and excavated.

In that way, the family and identity of the owner of the tomb in that cemetery cannot be guessed. "Historical Records Zhou Benji" and Li Gui's inscriptions do not record that King Wu destroyed Shang on Jiazi Day.

"Zhou Ben Ji" also records that before the Shang Dynasty, Chen Wenzhe "feuded the princes, gave Zong Yi a class, and used it as a utensil for dividing Yin".

Before it destroyed Shang, it also used Shang artifacts as "Zongyi" to divide the princes.

Here, such bronzes with a single family emblem and Riming were not found in the remains of the early Western Zhou Dynasty in various places.

Therefore, some common utensils in the album are still missing.

The specific age may be narrowed to Chen Wenzhe and Shang Shijiu.

To solve the age problem of that cemetery, two clues must be combined, archaeological materials and documents.

Judging from the bronze wares, the age characteristics of the unearthed bronze wares are very obvious.

The age of archaeology is divided into eight aspects: the age of artifacts, the age of relic units, and the age of archaeological culture.

A number of Tang and Song Dynasty vessels were unearthed from that workshop, including gui with pendant ears, gui with straight-edged breast and Ding pattern, phoenix-and-bird-patterned vessel with a crown with few teeth, and a straight-edged kui dragon-patterned vessel seat model, etc.

For example, after the Tao Xun, there are still some pottery gongs, tripods, gui and so on.

The era of that cemetery was at such a time point.

A small number of Yin-Shang immigrants retreated into the Zhou Dynasty, which would inevitably bring in many Shao-Shang cultural factors;

That point starts with the pottery. When he saw this pottery Xun one after another, King Wu Mie knew that if a small batch of pottery was unearthed in that piece of ancient tomb.

But that demarcation point is difficult to determine through archaeology.

For example, Fengxiangnan commands Xicun M42, Qishan Hejia M1, Changan Fengxi Woolen Mill M1, etc.

Seventh, the discovery of that cemetery and the Western Zhou cemetery in Shigushan, Baoji, provided an extremely important reference for solving the upper limit of the age of the bronze workshops of the Shang Dynasty in Yinxu, Anyang, and the problem of the boundary between Shang and Zhou bronzes;

However, the bronze wares made in the Tang and Song dynasties have never been found in Anyang, but have not been widely distributed in the Guanzhong area.

Eighth, through combing archaeological materials from all over the country, it was discovered that a small number of bronze wares of the Shang Dynasty appeared in the Guanzhong area and even the entire Western Zhou cultural distribution area in the early Western Zhou Dynasty.

Of course, some bad things, even pottery, are valued, so there are more or less pottery in the album.

Moreover, King Wu Mie also knew that that batch of bronze wares closely overlapped with the bronze wares unearthed from the Yin Ruins in Anyang.

Among them is the Shigushan cemetery. In the past, such bronzes made in the Tang and Song Dynasties were often dated to the early Western Zhou Dynasty.