My system is not decent

Carefully taste the color flow of different colored glazes, and you will find different artistic conceptions.

The materials of colored glaze are actually similar, but because of that difference, colored glaze, crystal, and glass are not used.

Of course, they have some special features in common, such as a high refractive index for light, so they can show a crystal clear effect.

With the cooperation of light, its artistic characteristics can be fully expressed.

As colored glaze, it is not only a work of art, but also a religious object.

However, the works produced by the casting process are highly expressive, rich in layers, delicate and delicate, especially the flow of colors is unpredictable, whether passionate or subtle, and each piece is different.

Appreciate the effect of light and shadow, especially the refraction of light of different angles, thickness and color, which can present a three-dimensional visual effect.

And in the process of appreciation, you will find that colored glaze cannot be made too transparent.

In other words, the transparency of colored glaze should not be too pure or too bright.

Good colored glaze must have a certain level and smoothness, otherwise it will lose its beauty of dynamic vitality.

Grasping all these special processes, the colored glaze produced will not be too bad.

Besides, the ancient technique determines that there are no two pieces of colored glaze that are exactly the same in the world.

The so-called "natural craftsmanship" refers to the singleness of colored glaze products.

Carefully taste the color flow of different colored glazes, and you will find different artistic conceptions.

The history of making glass in ancient my country can be traced back to the Western Zhou Dynasty, but people called it Liuli at that time.

It wasn't until glass from Western countries was introduced into China that the name "glass" came into being.

Western glass is composed of sodium-calcium elements, while the elements contained in Chinese glass are lead and barium.

By the Han Dynasty, the production level of colored glaze was quite mature.

However, the smelting technology is in the hands of the royal family and nobles, and has been kept secret.

Because it was difficult to obtain among the people, people at that time even regarded colored glaze as more precious than jade.

Liuli has such a long history of development in China, but why so few people know about it?

There are actually many people who know about colored glaze, especially in ancient times, colored glaze is a special material, just like apricot yellow and dragon pattern, it belongs to the royal family.

At the earliest, only the real royal family could use colored glaze products, and the manufacturing process of colored glaze was also controlled by royal craftsmen.

Because of the discoverer of Liuli, that is, Fan Li.

In the eyes of the ancestors, people believed that colored glaze, like crystal, has the function of memory and inheritance.

More importantly, colored glaze can bless the owner "if you stay at home, you will be a daughter, and if you are an official, you will be a prince."

Around the Yuan Dynasty, with the artificial fault of Han culture, many skills of the Han royal family were also lost, and Liuli was among them.

So in the Ming and Qing Dynasties, colored glaze was only found in myths and legends.

To make colored glaze, one needs to understand colored glaze. First of all, colored glaze is completely different from crystal and glass.

So what is the difference between glass and crystal, that is, Western crystal glass?

First of all, these things are clearly distinguished in the history books.

There are similar records in the Diamond Sutra.

Among all the Buddhist scriptures in our country, the first five categories of the seven treasures of Buddhism are generally recognized.

That is, gold, silver, colored glaze, clam, and agate. Some of the latter two types are said to be crystal, some are said to be amber, glass, and so on.

This shows that colored glaze is a recognized Buddhist treasure, and colored glaze is completely different from crystal and glass.

And in modern times, we all know that the chemical composition of the three is different.

Of course, the main components of natural crystal, glass, and glass are silica.

The contemporary state-level monograph "Research on Ancient Chinese Glazed Glass" records: "Fayance" in ancient Egypt, the ancestor of Western crystal glass, the proportion of silicon dioxide is 92%-99%.

This "fayence" is opaque.

The proportion of silicon dioxide in the glaze of the Zhou Dynasty in my country is only slightly more than 90%, which is transparent.

This 9% difference is the biggest difference between glass and crystal.

Ancient colored glaze was fired by adding colored glaze stones to colored glaze mother.

Glass stone is a colored crystal material, the main component should be mainly silicon dioxide.

Liulimu is an ancient formula that is collected from nature and artificially refined.

After artificial refining, the structure and physical properties of the crystal can be changed.

There are obvious differences in shape, color and transparency.

The medicinal jade of the Ming Dynasty should have some differences in the formula of Liulimu.

Therefore, the color of medicinal jade in the Ming Dynasty has little change and is not transparent.

The grade of colored glaze actually depends on the raw materials and preparation methods of colored glaze mother.

This has been an unspoken secret since ancient times. It is precisely because of the existence of glass mother that the ancient glass and crystal in my country, and even the Western crystal glass "Faience", have a 9% difference in composition.

The so-called Liuli attracts wealth and keeps peace, which has a lot to do with Liuli mother;

There are still many types of colored glaze, such as ancient colored glaze, which is made by adding "glass stone" and "glass mother".

Liuli stone is recorded in "Tiangong Kaiwu·Pearl and Jade".

All glazed stones are of the same type as Chinese water spirits and Zhancheng fires...the stones have five colors...the good fortune of this universe is hidden on the easy ground.Natural glazed stones are increasingly scarce and especially precious.

Liulimu is also recorded in detail in "Qianwei Mountain Industry Talk".

Those who enshrine the Chenku are also the treasures of the ancestors...the mother of Liuli, if the money is like that today, the size of a piece is like a fist...It is also called the real temple imperial object...but it can be made into a Kezi shape, with blue, red, yellow and white colors, Rather than self-defense;

And these classics, especially rare ancient books, are a shortcut for Chen Wenzhe to learn the ancient method of glass firing.

Chen Wenzhe easily obtained the ancient method of making colored glaze because he accidentally obtained a damaged glazed jade ring from the Warring States period.

The production process of ancient colored glaze is quite complicated and time-consuming to make.

It is quite difficult to grasp the various links, which require experience.

It is difficult to grasp the heat, and it can be said that half depends on skill and half depends on luck.

If you want to say that ancient glaze is the most feared, which dynasty was the best, it is undeniable that it must be the Qing Dynasty.

Therefore, in order to compete with the current top domestic manufacturers, Chen Wenzhe could only choose the best glazed products and make a batch of imitations first.

Of the glazed products of the Qing Dynasty, the most classic must be the snuff bottle.

One by one, like the cool oil bottles, after being fired with ancient colored glaze, they need to be decorated with various crafts.

Such snuff bottles can be made, but the level and level of craftsmanship used on them will show different values.

As for the various crafts used for decoration, Chen Wenzhe really has no shortage, such as inner painting, inner engraving and so on.

It is not surprising that they even make snuff bottles of various colors, and then create on them to make various styles and patterns.

Now Chen Wenzhe's painting, carving, talent and other craftsmanship are all at the master level.

Therefore, he only needs to maximize his own advantages to make his works more competitive.