My system is not decent

This Ru kiln three-legged brush washes its glaze color, just like "after the rain, the blue clouds break the place, and the green waves of thousands of peaks come"!

In addition, the soil is fine and moist like jade, and the green body is like Dong body, with thick glaze and fragrant sound, bright like jade but not dazzling.

Even the five tiny sesame nail marks on the bottom of the vessel are very pure.

This engraved three-legged washbasin has a light and elegant glaze color, soft and delicate, embellished like jade, and is noble and majestic.

Such porcelain, even if it is a modern imitation, is of great collection value.

Chen Wenzhe really didn't expect that besides him, someone else could imitate Ru Kiln porcelain to such an extent.

Especially the circle of imperial inscriptions on it is imitated very well.

The underside of this plate is engraved with a spring imperial inscription in the Jiawu Year of Qianlong (1774).

Pale blue ice cracks and fine lines are covered, and the secret vessel is still preserved inside the repair,

The ancient Bingke is the first in the present, and the talent is sighing or so.

Therefore, when it comes to engraved porcelain, we must mention Emperor Qianlong of the Qing Dynasty.

He wrote countless poems in his life and liked to order people to engrave them on porcelain.

It is because the royal family likes it, so it developed into a new ceramic decoration technique after the late Qing Dynasty, when steel diamonds or stones were used as tools to depict landscape figures on fired white porcelain, it was even more elegant. .

During the period of the Republic of China, Yuan Datou once ordered someone to be a portrait of King George of England.

Because of its lifelike shape and vividness, it is well received.

Later, porcelain engraving developed and gradually became a profession.

The handicraft work of engraved porcelain has formed a traditional art that integrates painting, calligraphy, engraving, and integrates brush, ink, color, and knife.

It is not easy to carve and chisel various images and patterns on the surface of porcelain and porcelain plates with special knives.

And this kind of craft usually refers to sculpture handicrafts carved and chiseled on porcelain and porcelain plates.

Carved porcelain is also known as "embroidery" on porcelain, and it shows kung fu every moment.

The earliest surviving engraved porcelain is from the Daoguang period of the Qing Dynasty.

During the period from Tongzhi to Guangxu, the calligraphers and painters Deng Shiru and Huafa in Shendu wrote, painted and carved themselves on porcelain, which promoted the development of carved porcelain.

Huafa's engraved porcelain is mainly based on fine brushwork landscape paintings, using knives instead of brushes, which can be used freely, and passed on to bj Zhu Youlin, Chen Zhiguang and others.

In the 28th year of Guangxu (1902), the School of Crafts Bureau of the Ministry of Agriculture, Industry and Commerce of the Qing court set up a porcelain engraving department.

Zhu Youlin was the first batch of graduates, and later stayed in the school to teach.

His handed down works include "Poinsettia" and so on.

The special knives used for engraving porcelain are made of high carbon steel and diamond.

The top is conical, which is convenient for engraving and chiseling on the hard porcelain surface.

Porcelain engraving mainly involves the following processes. The first step is to write or draw with ink on white porcelain.

The second is to carve and chisel with a drill knife according to the ink manuscript on the porcelain.

Traditional techniques include drill knife method, double hook method and scraper method.

The drill method is to use a small wooden hammer to evenly beat the high-carbon steel drill to form an arrangement of points of different sizes, densities, and depths on the surface of the porcelain to form the required picture or font.

The double hook method is to use a sharp diamond knife to trace along the outline of the font or picture, and use double lines to express the font and picture.

The scraper method is to carve the outline of calligraphy and painting with the double hook method first, and then scrape off the enamel between the double lines for coloring.

The final process of engraving porcelain is coloring, usually black.

The varieties of engraved porcelain include stationery, tea sets, bottles, plates, porcelain plates and so on.

The style of engraved porcelain is simple and elegant, and the technique is not simple.

Chen Wenzhe felt that he had learned this time again. He had never been exposed to this kind of porcelain carving technique before.

However, he has done carved porcelain, but it does not mean that he has no foundation at all.

After all, engraving techniques above the master level are not in vain.

Therefore, he can learn a lot just by looking at this modern engraved porcelain work in his hand.

Especially the hand-carved porcelain process, he can see very detailed.

The process of hand-carved porcelain is mainly divided into technological processes such as material selection, sample extension, engraving, coloring and drying.

Now he knows that no matter what the process is, the most important step is chiseling.

Carved with a sharp chisel, chiseled to form a surface, showing the porcelain carving technique without losing the charm of painting with deep and shallow layers, and made calligraphy and painting works.

The themes it shows are mainly portraits of people, objects with a strong sense of block, three-dimensional Buddha statues, stone withers and so on.

The flat knives used are divided into three types, large, medium and small, and are the main tools for carving porcelain.

The technique is to replace the pen with a knife, and use the different changes of the blade to carve into lines, blocks, surfaces, and the combination of virtual and real effects.

It can express multi-genre art forms such as figures, calligraphy, landscapes, flowers and birds.

For line engraving, it is best to use a natural diamond engraving knife for line engraving on shallow glazes.

Combined with punching lines, it can engrave special lines such as meticulous figures and feathers.

Then there is mixed carving, which can carve works of various complex artistic styles by comprehensively using pointed chisels, flat knives, and diamond knives.

Especially the engraving of small and medium-sized utensils is even more charming.

The last is coloring and coloring. The ancients used ink as the main color and single color.

Today's engraved porcelain works have changed from special oil paint to acrylic paint, enamel pastel paint and other coloring techniques, so that they can fully meet the color tone of art works.

At present, the main coloring methods include fine brushwork painting embellishment and dyeing, multi-level painting and dyeing, accumulation dyeing and other coloring techniques, so as to achieve the effect of "color ink permanent" and never change color.

After the porcelain is carved, ink is applied. In modern times, in order to make the art of porcelain carving more beautiful, ink is used to add color.

The style of engraved porcelain is simple and elegant, and it pays attention to carving, which can not only reflect the artistic style of traditional calligraphy and painting, but also maintain the crystal clear and clean surface of the porcelain, forming a unique effect.

Chen Wenzhe found that he can learn new techniques by just looking at them now!

Therefore, no matter when it is, you can't work behind closed doors.

This time, he hid in the factory for such a long time because he was so popular abroad.

The limelight should pass by now, right?Chen Wenzhe was holding a big red-glazed dish with a thoughtful expression on his face!

When he saw this big dish, he thought of the Chenghuangmiao Antique Market, and this thing could only come from there.

Red is already very dazzling, not to mention this plate, it looks too new.

New, but not necessarily a modern imitation.

And this plate should be an authentic Qing Dynasty product, and it is from the early Qing Dynasty, probably the work of Kangxi in the Qing Dynasty.

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Turn it over and look at the bottom of the plate. Sure enough, on the bottom of this single-color plate with Kangxi Ji red glaze, there is a six-character double-line regular script inscription "Made in Kangxi Years of the Great Qing Dynasty".

It's a pity that no one should believe that such a formal deposit is real.

Even Chen Wenzhe thought it was a fake glance when he first saw it.

No way, it looks too new.

Chen Wenzhe would never have paid special attention to this plate if he hadn't discovered interesting engraved porcelain one after another, as well as a fine imitation of Ru kiln tripod washers.

Now he found that he seemed to have underestimated Li Jinli's gaze.