My system is not decent

Since the Song Dynasty, Jun Porcelain has been a national treasure handed down from ancient courts, and Song Jun is still an important treasure of the Palace Museum.

The firing of Jun porcelain had a period of glory in the Song Dynasty.

After the Northern Song Dynasty moved to the south, wars continued in the Central Plains, and some highly skilled craftsmen also moved south.

At the end of the Yuan Dynasty, the Jun kiln system gradually declined, and in the Ming Dynasty, Jun porcelain skills were almost lost.

Until 2004 AD, Chai-fired Jun Porcelain successfully restored the firing process of Jun Porcelain in Song Dynasty.

Since then, the firewood firing technique has become popular, and Jun porcelain has presented a pattern of firewood firing, coal firing, and liquefied petroleum gas (natural gas) firing.

Now there are top-level kilns in Nanhe, which have successfully refired Jun porcelain from the Northern Song Dynasty. These works have also been selected as national gifts and presented to foreign dignitaries many times.

At this time, there were only dozens of Jun kiln workshops in Yuzhou.

In the beginning, the scale was small, and the market price of works was low.

After 20 years of development, especially in 2003, auspicious vases, Qiankun vases, Huaxia vases, etc. were created and fired, and in the name of national gifts, they became important international places.

This is the first time in the history of Jun porcelain that it was presented in large quantities as a national gift.

And all of this actually has a strong support behind it.

It can be said that behind the re-burning is the revival of culture.

If the traditional culture of Chinese civilization is not supported by a prosperous and prosperous age, everything will be a mirror image.

"A man has no soul and cannot stand in the world; porcelain has no soul and cannot produce treasures."

For any kiln mouth that wants to make high-quality Jun kiln porcelain, countless defective products have to be smashed every year.

No matter how many are produced, most of them must be substandard and need to be smashed and buried deeply.

In this process, it is a major project to systematically study, excavate, organize and restore the art of official kilns in the Northern Song Dynasty.

The reason why the Junguan kilns in the Song Dynasty were highly respected was because of their excellence in craftsmanship.

On the basis of folk kilns, the wisdom of countless skilled craftsmen has been concentrated, which has brought the porcelain making technology to a new height.

To succeed in refiring, it is necessary to use the ancient traditional firewood firing technique to be replicated.

One color in the kiln, ten thousand colors out of the kiln, this is definitely not just talk.

Yuzhou Junci, like the most beautiful fairy tale in autumn, brings people into a colorful, gorgeous and graceful world.

But if you want to get the perfect Jun kiln porcelain, you really need to depend on luck.

"Born in the selection of soil, growing in shaping, life and death depends on firing."

This is the true portrayal of burning paper Jun kiln porcelain. This does not depend on technology, but depends entirely on luck.

Of course, the reason why Jun Porcelain is so valuable is not only the complicated firing process, but also the extremely high requirements for craftsmen.

The craftsmanship of Jun porcelain is known as "a piece of Jun porcelain is made, and it takes 72 hands".

Chen Wenzhe can master the 72 processes, but the final kiln transformation can only depend on God's will.

This is also the reason why so many are smashed after a furnace comes out of the kiln.

The firing process is complicated and strict, which is why there are very few treasures of Jun porcelain.

There are several firing methods for Jun porcelain today, and the earliest firing process must be firewood.

Jun porcelain wood burning originated from Jun porcelain in the Song Dynasty. It is a skill with a long historical and cultural background, bearing the imprint of the nation.

And if you want to use wood burning technology, you must first pay attention to the flame.

Due to the characteristics of firewood, the flame is soft and long, with softness and rigidity, so the firing speed is slow.

Then pay attention to the glaze color, the glaze color penetrates into each other, and the transition is natural, which can best reflect the charm of the magical kiln.

The glaze color is moist, soft, rich and colorful, which makes the "moist" feature of Jun porcelain more prominent.

The whole is elegant and handsome, presenting a picture scroll that is completely natural and occasionally obtained by skillful hands.

The third aspect that needs to be paid attention to must be colored painting, which is also Jun painting.

Chai-fired Jun porcelain pieces are very rare, and most of them appear in the form of Jun paintings.

The surface bubbles are less and the three-dimensional effect is strong, making Jun paintings vivid and natural, fresh and elegant.

And all of this requires perfect craftsmanship. The firing process of Jun porcelain can be adjusted intuitively.

For example, the length of the tide watching flame, but to do this, high technical skills are required.

Therefore, this firing method, which requires a lot of experience, has an extremely low yield.

With the development of the times, there are fewer and fewer Jun porcelain firewood, and only a few kilns that adhere to the traditional firing art can still see the shadow of Jun porcelain firewood.

Of course, high-end porcelain has always been produced by firewood kilns.

Therefore, Chen Wenzhe naturally chose the most difficult way to refire Jun porcelain.

Since there are "72 processes" and "nine out of ten kilns" in the firing of Jun porcelain, the complexity and tediousness of the firing process should be thoroughly studied.

The firing process of modern Jun porcelain generally requires eight processes: processing, modeling, molding, molding, bisque firing, glaze application, glaze firing, and inspection.

Processing, that is, material selection, material processing, and material grinding.

The first step is to select materials. The collection and transportation of materials can all be carried out in Yuzhou, the hometown of Jun porcelain.

The rich local raw material reserves have laid a solid foundation for the selection of Jun porcelain materials.

Because the elements required for raw materials are different in the firing process of Jun porcelain, there are many kinds of raw materials needed for selection, so that it is convenient to go back and conduct multiple experiments to compare and determine what is needed.

Then there is material processing, first of all natural processing.

After the selected materials are transported back, they are first stacked for a long time.

Make it experience wind, rain, sun and rain to achieve the effect of weathering and oxidation.It becomes soft and lubricated, which is convenient for subsequent use and achieves better results.

Then it is artificially processed, and the above-mentioned raw materials are classified and added to different machines for crushing, until they are granulated or powdered.

Stack them separately to prevent wind, rain and dust.

The third is the fine grinding of materials, which has been introduced in general before.

In fact, there is no technical difficulty, of course, this is for modern people.

In modern times, there are various machines to help. For material processing at this time, the processed materials can be loaded into machines of different sizes according to the embryo material and glaze color material, and then ground and pulverized into mud.

After completing this step, the next step is to design the shape.

That is, according to the idea that has been conceived in advance, the shape design is carried out.

Just like drawing a sketch, Jun porcelain will make a mold before firing, and the mold is usually made of mud or plaster.

First make a shape, then use this mold to make a mold, and then make an embryo and use it to replicate the same embryo.

Shapes can generally be divided into two categories, one is utensils, including bottles, plates, bowls, bowls, stoves, flower pots, etc.

The other category is sculpture, which generally refers to figures, animals and other shapes. This category is more complicated.

In the modeling of Jun porcelain firing process, the production of an embryo is not simply composed of a mold.

Instead, several or even dozens of molds need to be combined to make it, and the molding is quite complicated and cumbersome.