My system is not decent

After thinking about it carefully, it seems that there are still three pieces left. Since there are enamel colored materials, let's make a yellow-ground enamel colored plum pattern bowl first.

In their factory, the most indispensable thing is the small bowl embryos to dry.

These embryos can appear here, naturally they are exquisite products made by masters.

Therefore, Chen Wenzhe only needs to refine the embryos a little, and then they can be glazed and used directly.

The small bowl imitated this time has a slightly outward rim, curved walls and round feet.

The inner wall is white glazed without decoration, and the outer wall is painted with yellow color ground, which is pure and flawless, and a plum blossom is painted on it.

The curly branches of plum blossoms are horizontal and slanting, and the red and white plum blossoms are delicate and gorgeous.

A five-character poem is inscribed on one side: "I only say that flowers are snow, but I don't realize that there is fragrance."

The seal seal "Xianchun" is signed at the top of the poem, and there are two seals "Shougu" and "Xiangqing" at the bottom.

The four-character inscription "Yongzheng Nianzhi" in blue-colored regular script on the bottom foot is obviously a fine small bowl from the Yongzheng period.

Moreover, it is yellow glaze enamel color. It can be said that except that this is a small bowl, whether it is yellow glaze or enamel color, it is synonymous with high price.

It turns out that Chen Wenzhe has also made a lot of yellow glazed porcelain, so naturally he won't do more this time.

The next thing he made was a famille rose plate with pheasant and peony patterns. This porcelain is definitely a high-quality piece, but the specific age needs to be verified.

This dish has a sloppy mouth, a folded edge, a shallow belly, and a round foot. It is unrecognizable.

The whole body is covered with white glaze, the inside of the plate is decorated with famille rose, the folded edge is painted with brocade ground consecration, and the inside of the consecration is painted with miscellaneous treasure patterns.

The inner bottom is painted with pheasant peony patterns, lined with travertine, magnolia, and chrysanthemum patterns, and the outer wall is plain.

The decoration style of this plate is close to the famille rose porcelain of the Kangxi period in the Qing Dynasty.

In particular, the consecration of a week of brocade at the edge of the mouth and the decoration method of filling the center of the plate with patterns are very common in the famille rose wares of the Kangxi period.

From this, it can be inferred that this utensil should be the early work of Yongzheng.

By this time, there were not many porcelains that Chen Wenzhe wanted to make, and it seemed that there was only the last one left.

This is a Doucai Ruyi ear garlic bottle, which Chen Wenzhe has never made before.

However, this is also a piece of Yongzheng porcelain, from which we can see the status of Yongzheng porcelain in history.

Among the top ten treasured porcelains, the last few pieces are almost all from Yongzheng, which can explain the problem very well.

The mouth of this garlic bottle is in the shape of a garlic head, with a narrow neck, slack shoulders, round belly, round feet, and ruyi ears placed symmetrically between the mouth and shoulders.

The outside of the bottle is decorated with bucket colors, the edge of the mouth is painted with fretwork as a border, and the mouth of garlic is painted with broken branches and flowers.

There are ribs on the neck, and there are three layers of decorations, which are scroll grass, flowers and banana leaf patterns.

Ruyi cloud patterns and deformed lotus petal patterns are painted on the shoulders and shin respectively.

The abdomen is painted with six groups of folded branches and flower patterns, with lotus patterns in between.

The blue and white "Yongzheng Year System of the Great Qing Dynasty" double-line six-character regular script signature is signed inside the blue and white double circle on the outer bottom.

Porcelain garlic vases were popular in the Ming and Qing Dynasties, and Jingzhen kiln products were the most common.

Jingzhen kiln garlic vases in Ming and Qing Dynasties have various monochromatic glaze varieties such as blue and white, five-color, pastel, blue glaze, and sauce glaze.

Jiajing Garlic Vase of the Ming Dynasty, decorated with piles of plastic panchi on the shoulder;

Ming Cheng Hua garlic bottle, only the mouth is petal-shaped, and the ears are randomly piled up;

Ming Zhengde garlic bottle, with a halberd on the belly of the bottle;

Ming Wanli garlic bottles tend to be simplified, and there is no garlic in the mouth, but the shape is tall, and blue and white are the most common.

....

The shape of the garlic bottle in the Qing Dynasty tends to be light and beautiful.

Yongzheng garlic vases, in addition to this bucket-colored porcelain, also have enamel-colored garlic vases with flower patterns.

The origin of its name should be based on its shape!

Straight mouth slightly skimmed, round belly, ring feet, 17.5 cm high, 2.7 cm in diameter, 5.2 cm in foot diameter.

Manufactured in the Yongzheng period of the Qing Dynasty, with the four-character inscription "Yongzheng Year System" in the blue material stack in the foot.

The whole body is painted with enamel, the outside of the mouth is painted with drooping and deformed Ruyi head patterns, and the inside is painted with lotus.

There are two raised string patterns on the neck, and the middle is given

Four flowers, with rocks and peonies painted on the belly

The ink-colored inscription on the shoulder: "A cluster of beautiful colors" and "Cool wind on all sides" are two lines of five-character poems.

The upper one is "Jiali", and the lower one is "Jincheng" and "Xuying" rouge color seals.

The whole picture is a collection of poems, calligraphy and paintings, which is meaningful and timeless, and is a fine piece of porcelain.

This is one of the common vase styles of Jingzhen kiln in Ming and Qing Dynasties, imitated from the bronze garlic pot of Han Dynasty.

It is generally named after the long neck, slashed shoulders, round belly, ring feet, and the mouth of the bottle looks like a garlic head.

The shape is like a garlic head and the neck is slightly longer, so it can also be called a tiger claw bottle.

To appreciate the treasures of Yongzheng, we need to pay special attention to their aesthetics.

Unlike Qianlong's, Qianlong's antique treasures are all about the two words "towards lively", and prosperity can also be described in the same way.

But the antique treasures of the Yongzheng period were influenced by the cultural background.

Antique porcelains from the Yongzheng period all reveal a very elegant aesthetic style, especially those of the Song Dynasty.

It is also for this reason that everyone actually appreciates Yongzheng's antique porcelain more than Qianlong's.

But not everyone thinks like this, under the background of different times, the porcelain of each period needs to be appreciated from different cultural backgrounds.

For example, the garlic bottle with Jun glaze is in line with the highest aesthetics of Yongzheng porcelain.

Therefore, there were many imitations of Jun kiln porcelain in this period, among which there were also garlic vases imitating Jun kiln.

The overall shape of this kind of porcelain is very beautiful, and at the very beginning of the opening, it is a narrow mouth shape.

In addition, it goes down with the long neck, followed by a slanted shoulder.

Is there a feeling of deja vu in this kind of aesthetics?

It is estimated that Yongzheng absorbed the aesthetics of Song Dynasty porcelain at that time, so he made similar garlic bottles.

In addition, the most eye-catching thing about the whole porcelain is the change of the bulging abdomen, and finally the ring foot.

And the bottom of the entire porcelain is engraved with four characters and two lines of seal script inscribed in the year of Yongzheng.

A very beautiful treasure, the most eye-catching, the most eye-catching is the glaze color of Jun glaze.

Most of the beauty of Yongzheng porcelain is also presented on the glaze color.

When appreciating this kind of garlic bottle, there is a unique aesthetic feeling.

And the most important thing about this treasure is that the whole body is covered with Jun glaze.

There is also a faint blue-green, combined with some purple-red lines intertwined and flowing.

This kind of glaze color is not outdated even if it is put into the present, the coordination and fusion of the whole glaze color is extraordinarily beautiful.

This kind of glaze color, which was created and fired in the Yongzheng period, is like the outline of green mountains and green waters, forming a self-contained landscape.

Compared with blue and white porcelain, the shape of this garlic bottle is quite unique.

In addition, with the glaze color of this kind of Jun porcelain, it is particularly attractive and has become the object of everyone's eager collection.

It's a pity that there are not many garlic bottles of this type, and the stock is very small. In the entire auction market, the price is getting higher every year.

Good things are not afraid of being expensive, people's lives are better, and when they have money, ordinary people can also play collections.

Rare things are more expensive, but in the market, there are still many types of fakes, you need to see clearly before you start.

[It has been running stably for many years, comparable to the old version of the book chasing artifact, and the old bookworms are using it to change the source, huann.]

madness