My system is not decent

Apocalypse blue and white Wuzi Dengke pot, straight mouth and short neck, shoulders and belly, circle feet.

The whole body is painted in blue and white, with rich layers and proper layout, without any sense of red tape.

The glaze color is bluish, the enamel is fine and white, and the fetal glaze is closely combined, which sets off and complements the emerald blue color of blue and white.

The abdomen is painted with a picture of "five sons ascending to the imperial examination". The characters have different expressions, combining movement and stillness, with a strong classical charm.

The brushwork is subtle, and the scene in the picture is ready to come out, which contains the atmosphere of elegance and auspiciousness.

This can be regarded as the Apocalypse Dynasty, a rare and superior work.

The last is the Chongzhen Dynasty. There is actually nothing special about this dynasty, and it is not as good as Tianqi.

The characteristics of the blue and white porcelain at this time are not much different from those of Tianqi, at most the signature is different.

Chen Wenzhe had sorted out the issue of inscription very clearly before.

Therefore, when making Apocalypse porcelain, if you change the deposit, you will have Chongzhen porcelain.

Then came the blue and white porcelain of the Qing Dynasty, and the blue and white porcelain in the early Qing Dynasty basically used Zhejiang materials.

However, due to the different preparation techniques of blue materials and painting techniques, blue and white flowers in each period have different characteristics.

During the Shunzhi period, export trade was prohibited, and craftsmen competed for the domestic market. The decorations painted catered to the needs of the public, showing the closed state of the social environment.

The blue-and-white decoration follows the style of the Ming Dynasty and innovates at the same time. It is mainly decorated with travertine and phoenix leaves, highlighting the relaxed social environment during the Shunzhi period.

The style characteristics of this period are still very obvious, for example, look at this blue and white travertine plantain phoenix jar with unicorn pattern.

It is 25cm high and 22cm wide, with a round mouth, short neck and full shoulders.

The tank body is bulging, the lower abdomen is slightly retracted, and the overall appearance is plump, plump, stable and heavy.

White glaze is applied inside and outside, the white is bluish, shiny and elegant.

The abdomen is painted with a phoenix wearing a unicorn pattern, with plantains and rocks as the background, the auspicious animal paintings are lifelike, and the outline of the rocks is smooth and free.

The blue and white are thick and light, clear and fresh, the glaze color is white and even, and the picture is vivid and pleasing to the eye.

There are many types of blue-and-white wares in Shunzhi, and the types of wares are relatively small, mainly including stoves, goblets, bottles, large and small plates, bowls, cans, etc.

The carcass is generally rough, the carcass of large utensils such as furnaces, large plates, and goblets is thick, while the carcass of small utensils such as small pans and bowls is lighter and thinner.

However, there are also individual utensils with fine and dense fetal texture, which can be seen in the shape of glutinous rice.

The bottom glaze is mostly white and blue, and some are slightly gray, and the glaze layer is thin.

The blue and white material should be Zhejiang material and Shiziqing used together, resulting in some green and some blue hair colors.

Among them, the blue and white hair color of the furnace is mostly green, while the hair color of other utensils is mostly grayish blue.

Most of the decorations are flowers and birds, landscapes, travertine stones, autumn grass, boats on the river, monsters, auspicious animals, plantains, clouds and so on.

There are also some large ones, the representative one is a large pot with blue and white peony pattern.

This large blue-and-white pot has a considerable size, a thick carcass, and smooth wall lines.

The abdomen is painted with tangled peonies, the layout is dense and orderly, and the brushwork is free and easy.

The painted peonies are plump and huge, plump and gorgeous, with elegant demeanor.

The glaze color is bright and clean, and the blue and white color is elegant and natural, which is quite interesting and lively.

In addition, it has a large volume and has high artistic value and research value.

Although there were years of wars during the Shunzhi period, compared with Chongzhen, one is the founding period of the dynasty, and the other is indeed the end of the world, so it is naturally incomparable.

After Shunzhi, it was Kangxi.

In the three dynasties of the Qing Dynasty, the most prosperous period of the Qing Dynasty, its founder, the Kangxi Dynasty, had bright blue and white colors, clear and bright.

A prominent feature of blue and white at this time is that it has distinct layers.

At this time, the water-dividing method is used to paint colors, and only one kind of green material can be used to fully express the yin and yang of the scenery, the distance and density, and make the picture full of three-dimensionality.

This kind of multi-colored blue and white flowers breaks through the monotony of traditional flat painting, making blue and white flowers as colorful as multicolored, so Kangxi blue and white flowers are also known as "colorful blue and white flowers".

This kind of fine porcelain was made a lot in the Kangxi Dynasty.

The fine products handed down include blue and white curly leaf-covered jars, which are not too big, only 16.5cm high and 22cm wide.

This big pot has a straight mouth, a short neck, a bulging belly and a ring foot.

The glazed surface of the whole vessel is smooth and lustrous.

The blue and white hair color is rich, the tire quality is firm, and the glaze layer is green and bright.

The body of the vessel is painted with deformed leaf patterns in blue and white, and the composition of the whole picture is extremely full and the layout is rigorous.

The decoration is complicated but not chaotic, and the layers are clear.

The blue and white hair color is rich and gorgeous, with distinctive characteristics of the times.

This kind of porcelain is extremely rare and very precious.

It's just that Kangxi was in power for a long time and he liked porcelain, so more of this kind of porcelain was produced at that time.

However, even if there are many handed down to the present, each piece is a treasure, because they are really high-quality products in the official kiln.

It is not easy to make each piece of porcelain like this, so it is naturally precious.

Especially large jars, such as a general jar with blue and white landscape and figure patterns.

The specification is relatively high, it is 33.5cm high and 18cm wide.

This jar has a straight mouth, short neck, full shoulders, and a bulging belly.

The lower part of the abdomen is gradually retracted, and a general cap is placed on the neck, with smooth and graceful curves.

The carcass is fine and firm, and the glaze surface is fat and moist, waxy and fine like jade.

The whole body is painted with landscape, figure and story pictures, and the blue and white are green and gorgeous.

The composition is full and the lines are smooth and free.

The figures are vivid and the artistic conception of the painting is quiet.

The painting style is desolate, with a strong literati atmosphere, and expresses a rich sense of layering, which is quite interesting in Chinese literati landscape paintings.

The modeling style of Kangxi porcelain is dignified and ancient, and the carcass is thicker.

Elephant leg vases, mallet vases, flowers, phoenix-tailed statues, etc., have distinct characteristics of the times.

The blue and white composition is stretched and the artistic conception is profound.

The traditional style of the Southern Song Academy of Painting is based on the many patriarchal styles of mountains and rivers, and the technique of cracking mountains and rocks with an axe;

The characters are influenced by Lao Lian's painting style.

In fact, there are still many special porcelains in the Kangxi period, such as Bingmei porcelain.

The representative work is the blue and white ice plum pattern Kaiguang Bogu pattern pot, which is 21cm high and 23cm wide.

This pot has a short neck, round shoulders, and lying feet, with a dignified and simple shape.

The enamel is plump and smooth, the glaze color is even and bright, and the blue and white hair color is blue.

The three places on the outer wall are consecrated, and the inside is painted with blue and white Bogu pattern, which coexists realism and freehand brushwork, implying auspiciousness.

The painting is exquisite and delicate, the composition is stretched and generous, patchwork, bright and gorgeous.

The outside of the consecration is decorated with ice plum patterns, the patterns are smooth and freehand, and the colors are soft and elegant. It is really a rare collection.

There is no other way, Kangxi Bingmei itself is a treasure, not to mention the size of this jar is not small.

The Kangxi Bingmei porcelain that has been handed down now is generally a small jar.

For example, there is a small blue and white pot with ice plum pattern made in Kangxi year, which is only 13 cm high, 5 cm in diameter and 8 cm in bottom diameter.

This jar is round in shape, with a straight mouth, thin, even and hard walls, and plum blossoms as the motif on the abdomen.

So why is this kind of porcelain called Bingmei?

The ice plum pattern refers to leaving a white plum pattern on the blue ground, forming a strong effect of blue and white contrast.

The decorative patterns in the porcelain are very eye-catching and have a strong decorative effect.