My system is not decent

Just think about it, Zhu Yuanzhang was able to burn official kiln wares for decades, so if it was passed on to Emperor Jianwen, could he not burn it?

Even if you were not in the mood to burn at the beginning, and then you couldn't burn because of the daily war, then the Royal Kiln Factory in Jingzhen stopped working?impossible!

When Emperor Jianwen succeeded to the throne, Emperor Hongwu had been developing official kilns for decades.

During this period, even if the official kiln of Emperor Jianwen did not reserve funds, the porcelain produced in the past four years must be the peak type of porcelain in the Hongwu period.

Therefore, Jianwen official porcelain at least has the characteristics of the Hongwu period.

As for the types of porcelain, there must be blue and white porcelain, colored porcelain, etc., that is for sure.

And colored porcelain is definitely indispensable.

These porcelains, or the characteristics of official kiln porcelain inherited from Emperor Hongwu, are at least not inferior to those in the Hongwu period.

Therefore, the characteristics of Jianwen official porcelain are obvious.

The porcelain of this period must have regular shape, fine texture, warm and jade-like color, and exquisite craftsmanship.

Because this is also a characteristic of Hongwu period porcelain, and even a feature of Yongle period porcelain.

The type of Jianwen official kiln was inherited from Hongwu and Yongxuan later, so it cannot be too bad.

Chen Wenzhe also found some interesting changes from the collection of Jianwen official porcelain (doubtful) and the official porcelain of other dynasties in the Ming Dynasty.

Porcelain of this period changed from the simple and grand shapes of Hongwu to more refined and elegant.

The quality of the fetus seems to be more delicate than that of Hongwu, and the shape and painting decoration are surprisingly similar to the official porcelain produced by Yongxuan later.

This is in line with reality, after all, Emperor Jianwen was a young man, and he couldn't possibly like porcelain that the old people liked.

There are also blue and white materials, which cannot be fabricated.

The blue and white materials used in this period should be the same as the Yongxuan blue and white materials, showing the inherent characteristics of "Sumani blue" materials.

The hair color is also the same, it should be deep and rich, the particles are scattered and natural, and the tin spots are obvious.

The shape and decoration of the vessel are not only similar to the later Yongle Xuande porcelain, but also clearly show the existence of the legacy of Hongwu!

This shows that during the Jianwen period, the productivity of the porcelain industry has been steadily developed.

At that time, Jingzhen was the rear of the war, and the "Battle of Jingnan" should not have caused too much damage or impact on Jingzhen's porcelain production.

The use of "Suqing" material in Jianwen porcelain has never been elaborated in the historical records of Jingzhen porcelain industry.

However, judging from the color materials and decorative features on some Jianwen official porcelain, it can be concluded that the raw materials of "Sumani Qing" were imported and used in large quantities during the Jianwen Dynasty of the Ming Dynasty.

Moreover, the kiln workers in Jingzhen have mastered the technology of using this kind of green material proficiently.

Among them is a blue and white holding pot with bright flower and fruit patterns, which shows this point.

Although Chen Wenzhe saw a picture, he could still tell that it should be an antique.

Looking at the shape of the container, it is 30.6cm high and 7.5cm in diameter.

The neck is decorated with banana leaf patterns, and the shoulders are decorated with twined lotus patterns.

Inside the diamond-shaped aperture on the body of the pot, patterns of folded branches, flowers and fruits are drawn.

Peony patterns are painted on the side of the pot, and deformed lotus petal patterns are painted on the bottom of the pot near the feet.

The foot circle at the bottom of the pot is full of gills, and there is a cloud plate between the flow of the pot and the neck.

Four ganoderma lucidums are painted on the handle of the pot, and there are three milk nails under the handle, and curly grass patterns are painted on both sides of the pot flow.

In its modeling and painting techniques, the legacy of Hongwu is very obvious.

On the front of Huliu, there are six characters in blue and white regular script of "Daming Jianwen Annual System".

This is obviously different from the inscriptions of Hongwu and later Yongxuan blue and white pots.

Especially the blue and white used, showing the typical characteristics of "Su material".

Such blue and white, green into the fetal bone, deep and dense hair color.

On the whole, the whole device is exquisite in craftsmanship and magnificent in momentum.

This Jianwen large blue-and-white pot with flower-and-fruit pattern is exactly the same as the "Yongle Large Blue-and-White pot with flower-and-fruit pattern" unearthed from the Zhushan official kiln site in Jingzhen.

Its shape, painting technique, fetal glaze, blue and white hair color are surprisingly similar.

Especially the use of blue and white raw materials, regardless of their hair color, scattered, particles, tin spots, microscopic and other characteristics, are surprisingly similar.

And this just shows that the manufacturing process of Jingzhen Porcelain Industry has been passed down from generation to generation.

In terms of manufacturing technology, Yongle official porcelain has largely inherited the technology of Hongwu and Jianwen periods.

In fact, this kind of added luster to Jianwen Emperor Zhu Yunqi.

After all, Emperor Jianwen's reign was too short, and he inherited from Emperor Hongwu.

Therefore, strictly speaking, what Emperor Yongle inherited was the official kiln porcelain from the Jianwen period.

And the porcelain of this period is at most relatively new in terms of expression.

Of course, this point is trendy in antiquity.

After all, it is a new dynasty and a new atmosphere. The young emperor naturally has a younger look at things.

Perhaps this is the most important feature of porcelain in the period of Emperor Jianwen. As for the later successor Zhu Di, he is much older than Emperor Jianwen.

Therefore, the Yongle porcelain at this time should be closer to the official kiln porcelain of the Hongwu period.

It's just that, after a long time in power, it naturally has its own characteristics, which forms the characteristics of Yongle porcelain.

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As for the official kilns in the period of Emperor Jianwen, they must not be much different from those in the Hongwu period.

Among all the porcelains, Jianwen colored glazed porcelains are the most special ones.

In addition, the characteristics of Jianwen red glaze are very different from those of Yongxuan and later dynasties.

We know that the red bean process is the most complicated technology in porcelain firing, and its material formula and firing temperature must be extremely strict.

Since the firing technology of Jingzhen high-temperature red bean was not perfect in the early Ming Dynasty, the color of the high-temperature red bean in this period was not stable.

The red glaze fired in the Hongwu Dynasty has a saying that "nine out of ten kilns will fail".

Therefore, red-glazed porcelain has always been a rare and precious variety of porcelain, which is highly valued by people.

The bright red glaze fired in the Yongle period of the Ming Dynasty and the ruby ​​red glaze fired in the Xuande period are both representative products of the red glaze family.

During the Yongle and Xuande periods, red-glazed porcelain was mainly used for court sacrifices and festive and auspicious events.

Therefore, the red-glazed porcelain at that time was called "Sacrifice Red".

"Sacrifice Red" is red but not vulgar, bright and warm, with a quiet and dignified tone, just like the red clouds in the sky.

Therefore, it was given a more poetic name "Jihong".

The reason why "jihong" porcelain is precious is not only that its glaze is as bright as jade, and its color is bright and beautiful, but also because it is "a rare treasure in a thousand kilns" and "nine out of ten kilns" are treasures in porcelain.

Some people call "Sacrifice Red" an artificial gemstone in porcelain.

Some people also refer to colored glaze as a "porcelain crown".

And "jihong" is the bright pearl on this "porcelain crown".

Jianwen red glaze adopts a unique gold-containing material for hair color, which should belong to the golden red red glaze process, and its deep red glaze color is extremely unique.

Under the light of this kind of utensil, the red scorpion produces a warm and colorful clam light, and the red is so bright that it is hard to put it down.

Therefore, Jianwen red glaze is neither a high-temperature copper red glaze process nor an alum red glaze process that produces color with low-temperature iron ions.

Its craftsmanship cannot be explained so far, and no similar red ware has been found in the later dynasties.

This shows that it is difficult for future generations to imitate. In this regard, a red-ground green-glazed vase with a lotus-shaped cover is vividly expressed.