My system is not decent
Chapter 1531 No one is easy
If you want to make a good piece of Chenghua porcelain, the last point is the base payment, so there is no need to say more about this.
After watching too much, you will naturally know that it is difficult for modern people to imitate.
Because the bottom line of Chenghua seems simple, but it is tall and powerful.
If you are not a professional, you must not imitate it.
Chenghua porcelain is unique for its light and elegant style, pursuing elegance and gracefulness, especially paying attention to the beauty of lines.
There is a saying in the collection circle that "the Ming sees Chenghua, and the clear sees Yongzheng".
The porcelains of this period were mostly small pieces, ornamental and playful porcelains, which reached the peak of all dynasties from the perspective of art and aesthetics.
To imitate such high-grade porcelain is easy to say, but it is really difficult to do it.
Of course, as long as you grasp the key points and proceed step by step, it is not so difficult to imitate.
And this is relative to a master, who can't do anything without a master.
For example, the most important point is the fetal glaze.
The characteristics are very clear: the enamel is plump and moist like curdled fat.
The texture of Chenghua ceramics is white, fine and dry;
The carcass is beautiful and thin, and the light perspective is tooth yellow or flesh red;
The color of the glaze is slightly blue, and the enamel is plump and moist like fat, like a baby's skin when you touch it with your hands.
This has become the unique style of Chenghua official kiln wares, and this glaze color is one of the important characteristics for identifying Ming Chenghua porcelain.
If you can't even do this well, what about the more difficult decorations and glazes with covers?
Therefore, the basic tire glaze is ready, and it is the turn of the decoration.
In the Ming Dynasty, especially in the Chenghua period, the decorative lines of porcelain were slender and soft, and the method of double-line outline and color filling was often used.
In the Chenghua period, the decorative lines are slender and soft, and the double-line outline coloring method is often used, and the coloring is lighter.
This point has been mentioned before, but it is not easy to achieve good results.
Because of the elegant state of blue and white porcelain in this period, such as singing and dancing, the painting is elegant and unrestrained.
The decoration of Chenghua bucket color utensils pays attention to the combination of shades and shades, mainly flat paint, regardless of yin and yang, and the picture lacks a sense of hierarchy.
The flowers and clothes of the characters are painted with flat paint, and the leaves and flowers have no distinction between yin and yang.
The clothes of the characters are only painted with monochromatic coats, without underwear, so there is a saying that "one piece of clothing in a kiln", and the mountains and rocks have no sense of unevenness.
If these are the characteristics of a kind of porcelain, then in Chenghua Doucai, or simply on top of all Chenghua porcelain, the color material is the most important.
"Chazi" has been said before, one color is unique, the color is like red iron.
In addition, Chenghua color has an elegant color effect, which is unique in ancient and modern times.
The uniqueness among the colors is not only a colorful purple, there are many others.
Such as bright red, bright as blood, uneven thickness;
Goose yellow, delicate, transparent and shimmering greenish;
Apricot yellow, shimmering reddish;
Water green, leaf green, mountain green, all transparent and slightly yellowish;
Beeswax yellow, slightly transparent;
dark ochre-purple;
Ginger yellow strong light weak;
These glaze colors can appear on court porcelain, each of which is not simple.
Therefore, if you want to imitate them, you need to pay attention to each one, or spend money!
Top porcelain such as the Sanqiu Cup and the Chicken Crock Cup originally had to rely on the power of the state to imitate it in China.
If you want to complete this kind of high-quality porcelain produced by the top royal kiln factory with your own strength, you need not only a huge amount of money, but also the top technology.
Naturally, Chen Wenzhe couldn't help being moved by such porcelain.
And after Chen Wenzhe couldn't bear to do it himself, this production line imitating the Sanqiu Cup was officially established.
It's just that there are too many senior craftsmen gathered for a Sanqiu cup production line.
Not to mention the shape and decoration of the utensils, this is the basic skill. If you want to work on this line, you must have this confidence.
The other is the preparation of the glaze. If the preparation is good and the firing is beautiful, then it is eligible for the Sanqiu Cup.
This can help many people, because the glaze colors on Sanqiu cups and chicken pot cups are too many and too beautiful.
Not to mention the two kinds of colorful, because he has done these two before.
Not to mention red, he has already made all of them, and he has also made a lot of green glazed porcelain.
Even Chazi, he has made several high-quality chicken cups, so he is no stranger to it.
On the contrary, it is yellow glazed porcelain, which he has not done much.
Yellow glaze is not simple, even Chen Wenzhe needs to study it seriously.
If you seriously study the yellow glaze, don't say true or false, just talk about the yellow glaze color, then the history will be long.
The earliest yellow-glazed wares in my country can be traced back to the Han Dynasty.
After that, almost every generation has innovations and breakthroughs.
The potters of the Eastern Han Dynasty added iron oxide as a coloring agent to the glaze, and used lead as a flux.
In the oxidizing atmosphere of the kiln, the color reaction of iron is used to create and burn the yellow-brown colored glaze pottery.
For example, the famous "Eastern Han Dynasty Yellow Glazed Green Colored Cloud and Air Pattern Plate Mouth Pottery Pot", from this pottery pot, it can be seen that the yellow glaze color at that time was darker.
Painted pottery refers to pottery that has been fired and painted with natural mineral pigments, and then is not fired in a kiln.
It has been found in some ruins as early as the Neolithic Age.
It flourished during the Warring States, Qin and Han Dynasties.
Generally, color is applied on gray pottery, and the shapes are mostly bright objects such as statues, pots, tripods, warehouses, and figurines.
The applied colors are red, hexagram, brown, yellow, green, blue, white, purple and so on.
Most of the decorations imitate the decorations on lacquerware of the same period, such as clouds, swirls, dragons and phoenixes, and "four spirits" are more common.
Low-temperature lead-glazed pottery also belongs to the funerary Ming ware.
It first appeared in the Guanzhong area during the Western Han Dynasty, and prevailed throughout the country during the Eastern Han Dynasty.
There are mainly two kinds of glaze colors, yellow and green, and ferric oxide and copper oxide are used as coloring agents respectively.
All use lead oxide as a baking aid, the firing temperature is about 700c--900c, and the glaze is bright.
The shape mostly imitates the lacquerware and bronze ware of the same period, giving people a refreshing feeling.
For example, a painted gray pottery pot with embossed dragon and phoenix patterns and a lid with a double tie pot from the Western Han Dynasty. It is 64 cm high, 21 cm in diameter, and 24 cm in foot diameter.
Pot gray pottery.Mouth curled, neck tied, shoulders slipped, belly rounded, feet rounded high.
The abdomen is symmetrically placed with a ring system, and the whole body is painted and decorated.
The abdomen is divided into two upper and lower decorative belts with three convex string patterns.
The upper side is decorated with embossed dragons, tigers and rosebirds chasing each other among the flowing clouds. The colors are gorgeous, the lines are smooth and graceful, and the picture is lively and lively.
The decorative belt on the lower side is decorated with painted twig patterns.
Under the edge of the mouth, a triangle pattern is painted.
The neck is in the triangular pattern, depicting cloud patterns.
Draw 3 string patterns on the circle foot.
This painted pottery pot is decorated with gorgeous colors, and the colors used are red, green, blue, black, white, yellow and other colors.
Although after more than 2000 years, it is still dazzling.
Painted pottery began to be fired in the late Neolithic period, and red, black, yellow, white, and black colors were often used to paint patterns on the surface of gray pottery.
The Warring States Period and the Qin and Han Dynasties were periods of prosperity for the development of painted pottery.
Regardless of the south or the north, painted pottery pots, beans, plates, statues, tripods, etc. are often buried in tombs.
Most of the painted pottery patterns imitate the lacquerware patterns of the same period, with rich colors and complex compositions, full of romantic artistic charm.
After watching too much, you will naturally know that it is difficult for modern people to imitate.
Because the bottom line of Chenghua seems simple, but it is tall and powerful.
If you are not a professional, you must not imitate it.
Chenghua porcelain is unique for its light and elegant style, pursuing elegance and gracefulness, especially paying attention to the beauty of lines.
There is a saying in the collection circle that "the Ming sees Chenghua, and the clear sees Yongzheng".
The porcelains of this period were mostly small pieces, ornamental and playful porcelains, which reached the peak of all dynasties from the perspective of art and aesthetics.
To imitate such high-grade porcelain is easy to say, but it is really difficult to do it.
Of course, as long as you grasp the key points and proceed step by step, it is not so difficult to imitate.
And this is relative to a master, who can't do anything without a master.
For example, the most important point is the fetal glaze.
The characteristics are very clear: the enamel is plump and moist like curdled fat.
The texture of Chenghua ceramics is white, fine and dry;
The carcass is beautiful and thin, and the light perspective is tooth yellow or flesh red;
The color of the glaze is slightly blue, and the enamel is plump and moist like fat, like a baby's skin when you touch it with your hands.
This has become the unique style of Chenghua official kiln wares, and this glaze color is one of the important characteristics for identifying Ming Chenghua porcelain.
If you can't even do this well, what about the more difficult decorations and glazes with covers?
Therefore, the basic tire glaze is ready, and it is the turn of the decoration.
In the Ming Dynasty, especially in the Chenghua period, the decorative lines of porcelain were slender and soft, and the method of double-line outline and color filling was often used.
In the Chenghua period, the decorative lines are slender and soft, and the double-line outline coloring method is often used, and the coloring is lighter.
This point has been mentioned before, but it is not easy to achieve good results.
Because of the elegant state of blue and white porcelain in this period, such as singing and dancing, the painting is elegant and unrestrained.
The decoration of Chenghua bucket color utensils pays attention to the combination of shades and shades, mainly flat paint, regardless of yin and yang, and the picture lacks a sense of hierarchy.
The flowers and clothes of the characters are painted with flat paint, and the leaves and flowers have no distinction between yin and yang.
The clothes of the characters are only painted with monochromatic coats, without underwear, so there is a saying that "one piece of clothing in a kiln", and the mountains and rocks have no sense of unevenness.
If these are the characteristics of a kind of porcelain, then in Chenghua Doucai, or simply on top of all Chenghua porcelain, the color material is the most important.
"Chazi" has been said before, one color is unique, the color is like red iron.
In addition, Chenghua color has an elegant color effect, which is unique in ancient and modern times.
The uniqueness among the colors is not only a colorful purple, there are many others.
Such as bright red, bright as blood, uneven thickness;
Goose yellow, delicate, transparent and shimmering greenish;
Apricot yellow, shimmering reddish;
Water green, leaf green, mountain green, all transparent and slightly yellowish;
Beeswax yellow, slightly transparent;
dark ochre-purple;
Ginger yellow strong light weak;
These glaze colors can appear on court porcelain, each of which is not simple.
Therefore, if you want to imitate them, you need to pay attention to each one, or spend money!
Top porcelain such as the Sanqiu Cup and the Chicken Crock Cup originally had to rely on the power of the state to imitate it in China.
If you want to complete this kind of high-quality porcelain produced by the top royal kiln factory with your own strength, you need not only a huge amount of money, but also the top technology.
Naturally, Chen Wenzhe couldn't help being moved by such porcelain.
And after Chen Wenzhe couldn't bear to do it himself, this production line imitating the Sanqiu Cup was officially established.
It's just that there are too many senior craftsmen gathered for a Sanqiu cup production line.
Not to mention the shape and decoration of the utensils, this is the basic skill. If you want to work on this line, you must have this confidence.
The other is the preparation of the glaze. If the preparation is good and the firing is beautiful, then it is eligible for the Sanqiu Cup.
This can help many people, because the glaze colors on Sanqiu cups and chicken pot cups are too many and too beautiful.
Not to mention the two kinds of colorful, because he has done these two before.
Not to mention red, he has already made all of them, and he has also made a lot of green glazed porcelain.
Even Chazi, he has made several high-quality chicken cups, so he is no stranger to it.
On the contrary, it is yellow glazed porcelain, which he has not done much.
Yellow glaze is not simple, even Chen Wenzhe needs to study it seriously.
If you seriously study the yellow glaze, don't say true or false, just talk about the yellow glaze color, then the history will be long.
The earliest yellow-glazed wares in my country can be traced back to the Han Dynasty.
After that, almost every generation has innovations and breakthroughs.
The potters of the Eastern Han Dynasty added iron oxide as a coloring agent to the glaze, and used lead as a flux.
In the oxidizing atmosphere of the kiln, the color reaction of iron is used to create and burn the yellow-brown colored glaze pottery.
For example, the famous "Eastern Han Dynasty Yellow Glazed Green Colored Cloud and Air Pattern Plate Mouth Pottery Pot", from this pottery pot, it can be seen that the yellow glaze color at that time was darker.
Painted pottery refers to pottery that has been fired and painted with natural mineral pigments, and then is not fired in a kiln.
It has been found in some ruins as early as the Neolithic Age.
It flourished during the Warring States, Qin and Han Dynasties.
Generally, color is applied on gray pottery, and the shapes are mostly bright objects such as statues, pots, tripods, warehouses, and figurines.
The applied colors are red, hexagram, brown, yellow, green, blue, white, purple and so on.
Most of the decorations imitate the decorations on lacquerware of the same period, such as clouds, swirls, dragons and phoenixes, and "four spirits" are more common.
Low-temperature lead-glazed pottery also belongs to the funerary Ming ware.
It first appeared in the Guanzhong area during the Western Han Dynasty, and prevailed throughout the country during the Eastern Han Dynasty.
There are mainly two kinds of glaze colors, yellow and green, and ferric oxide and copper oxide are used as coloring agents respectively.
All use lead oxide as a baking aid, the firing temperature is about 700c--900c, and the glaze is bright.
The shape mostly imitates the lacquerware and bronze ware of the same period, giving people a refreshing feeling.
For example, a painted gray pottery pot with embossed dragon and phoenix patterns and a lid with a double tie pot from the Western Han Dynasty. It is 64 cm high, 21 cm in diameter, and 24 cm in foot diameter.
Pot gray pottery.Mouth curled, neck tied, shoulders slipped, belly rounded, feet rounded high.
The abdomen is symmetrically placed with a ring system, and the whole body is painted and decorated.
The abdomen is divided into two upper and lower decorative belts with three convex string patterns.
The upper side is decorated with embossed dragons, tigers and rosebirds chasing each other among the flowing clouds. The colors are gorgeous, the lines are smooth and graceful, and the picture is lively and lively.
The decorative belt on the lower side is decorated with painted twig patterns.
Under the edge of the mouth, a triangle pattern is painted.
The neck is in the triangular pattern, depicting cloud patterns.
Draw 3 string patterns on the circle foot.
This painted pottery pot is decorated with gorgeous colors, and the colors used are red, green, blue, black, white, yellow and other colors.
Although after more than 2000 years, it is still dazzling.
Painted pottery began to be fired in the late Neolithic period, and red, black, yellow, white, and black colors were often used to paint patterns on the surface of gray pottery.
The Warring States Period and the Qin and Han Dynasties were periods of prosperity for the development of painted pottery.
Regardless of the south or the north, painted pottery pots, beans, plates, statues, tripods, etc. are often buried in tombs.
Most of the painted pottery patterns imitate the lacquerware patterns of the same period, with rich colors and complex compositions, full of romantic artistic charm.
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