My system is not decent
Chapter 1521
Ear cups, Tang Ou, Song cups, Yuan Dynasty stem cups, Ming Dynasty pressing cups, Qing Dynasty tureen, these are the unique characteristics of each era.
And now, these are our traditional cultures, which can be inherited by us.
Therefore, all kinds of glass cups have entered our lives.
Chen Wenzhe has seen contemporary high-quality glass cups before.
They are packaged as crystal glasses, which become a luxury item in a grandiose manner.
And it is a luxury that many ordinary people cannot afford.
As for ordinary teacups, the standards of contemporary people are also very simple, clean and transparent, and easy to observe the state of tea.
There is nothing more suitable than a glass cup. It is clean, thorough, practical and beautiful. The smooth surface is easy to clean, and it is not easy to leave tea dregs and dirt.
And because of its lower burning cost, most people can afford it.
Glass cups are the teacups most commonly used by the general public.
And Chen Wenzhe happens to have the top-level technology, if he wants, he can even get top-level production technology of a large number of glasses.
Of course, the technology he has obtained now is enough for the craftsmen under him to digest.
No matter how the glass they make is blown, it is the same in Chen Wenzhe's opinion.
Teacups come in all shapes and sizes. In contemporary times, we can use Jianzhan, goblets, and tureen to enjoy a sip of tea to enrich our leisure life.
However, compared to some famous brand teacups, others are scum.
"These are the ten most expensive teacups in auction history!"
Chen Wenzhe glanced at Chen Xingchen, his heart is really big.
The top teacups that can leave their names in the auction history, one teacup can be sold for a sky-high price, can they be simple?
Among the 10 most expensive classic tea utensils in the history of auction, the most expensive piece was auctioned for 2.8 million Hong Kong dollars.
If this one knows, then the others probably know very few people.
For example, Diwan, this is a tea cup with a blue and white mouth and a cup holder.
This is a classic vessel of tea ware culture in the Song Dynasty. The work is well preserved as a whole. The glaze color is bright, white and green, the carcass is white and hard, and the color is elegant and beautiful.
The high-quality shadows, not to mention those preserved in the Song Dynasty, even if they are modern works, the price is not low.
In South Vietnam before, Chen Wenzhe imitated celadon, especially Ru kiln celadon.
Therefore, he also has a lot of research on the predecessor of Ru kiln, or the elder shadow celadon.
Shadow celadon, also known as Ying celadon, is a treasure in the traditional Chinese porcelain making process.
Its predecessor was celadon porcelain, and shadow celadon porcelain known as "sebaihuaqing" was originally created by Jingzhen in the middle of the Northern Song Dynasty.
Its glaze color is bluish white and elegant, the glaze surface is clear and clean, the body is firm and greasy white, and the color is warm and moist like jade, so it has been called "fake jade" in history.
"Yingqing" is a common name for the unique style of porcelain fired by Jingzhen in the Song Dynasty.
Because its glaze color is between blue and white, with white in the blue and blue in the white, it is called shadow blue.
In addition, the porcelain body is extremely thin, and the carved patterns can be seen both inside and outside when facing the light, so it is called "shadow blue".
The glaze color of "Yingqing" is mainly divided into two categories, one is white with light blue color, and the thick part with dark green color, which is smooth and fine, crystal clear and transparent.
The predecessors called it "fake jade", and there is a reason for it, because its glaze is as crystal clear as jade.
The second is light blue and flashing yellow. This kind of glaze color "shadow blue" porcelain is the most abundant.
In addition, in the "Yingqing" glaze, there is another kind of color that is painted brown on the whole body of the utensils, which is called "point color".
In the Song Dynasty, the stippling was placed casually and naturally, and the area was often small. The color had a very obvious difference in shades, and the center was the thickest, showing an iron spot color.
It is because of these advantages that this kind of less-known Gaogu porcelain sells for a high price.
You know, this is just a teacup, the smallest utensil among porcelains.
Such a small device, any kind that can be sold for a million dollars, is the best of the best.
whether it is blue or white
Porcelain, shadow celadon, or the top Ru kiln celadon, Chen Wenzhe has on-site skills.
Now his research results have become finished products, presented in front of his eyes.
Chen Xingchen summoned experts to study and imitate the technology he provided.
It was also for this reason that Chen Xingchen was able to gather a large number of high-level craftsmen within two or three years.
Otherwise, Yi Nian Tang Ceramic Factory would not have been able to develop so fast.
Chen Wenzhe looked at the workshop here, which produced celadon and bluish-white porcelain.
They did not imitate Ru kiln porcelain, it seems that they still know the depth of their skills!
However, the celadon and shadow celadon they imitated are already very extraordinary.
"Is this a jade pillow? There are blue and white porcelain jade pillows in the Song Dynasty style, but there are also Yuan Dynasty style ones?"
In the Southern Song Dynasty, Li Qingzhao wrote the sentence "jade pillow gauze kitchen" in "Drunken Flower Yin", and the jade pillow refers to the blue and white porcelain pillow.
Some bluish-white porcelain products of the Yuan Dynasty are also printed with the inscriptions "Jade comes out of Kunshan" and "Jade comes out of Kungang".
It was mass-produced in the Southern Song Dynasty and "traveled overseas", making it a sought-after item in the market.
Don't think that mass production is ordinary goods.
You know, why does Yingqing have a shadow in her name?
It is because it is thin and delicate!
Most of the shadow celadon at that time were thinly carved with transparent flying phoenix and other patterns.
These patterns are carved on the green body by highly skilled ceramic artists, and then fired with transparent green glaze at high temperature.
With the technology provided by Chen Wenzhe, these craftsmen imitated it professionally.
At the very least, besides the bluish-white porcelain imitating Jingzhen, there are others made by Hutian Kiln.
As for Qingbai porcelain, apart from Jingzhen, Hutian kiln is the most famous, followed by Xianghu, Shengmeiting, Liujiawan and other kilns.
The varieties at that time included bowls, plates, bottles, cans and other daily utensils.
The bluish-white porcelain of the early Northern Song Dynasty had no patterns, but was distinguished by its regular shape and jade-like enamel.
After the middle period, its decoration was mainly carved, with printing, shallow relief, hollowing out, and stacking.
The blue and white porcelain with elegant and generous tones, flowers hidden in the glaze, bright and dark, gives people infinite charm.
Qingbai porcelain was once all the rage and sold both at home and abroad.
According to the Song Dynasty's "Tokyo Menghualu", there were shops selling white porcelain in Bianliang and Lin'an, Kyoto at that time.
The shop sells utensils for eating, drinking tea and drinking in the daily life of people in the capital.
Zhao Rushi recorded the situation of foreign trade of ceramics in my country at that time in "Zhu Fan Zhi", among which there are records of fan merchants in "po" and other places, trading with blue and white porcelain.
Wang Dayuan also recorded the foreign trade of porcelain in "Daoyi Zhilue".
The blue and white porcelain of JDZ in the Song Dynasty developed from translucent glaze to translucent body, which is a leap in the history of my country's porcelain development.
The rich experience in making blue and white porcelain laid the foundation for the emergence and development of blue and white porcelain in the future.
If we talk about innovation, it will be after the establishment of New China.
At that time, Jingzhen shadow celadon was developing rapidly. The blue and white shadow celadon created in 1983 caused a sensation in the porcelain world and aroused great interest from domestic and foreign merchants.
And now, these are our traditional cultures, which can be inherited by us.
Therefore, all kinds of glass cups have entered our lives.
Chen Wenzhe has seen contemporary high-quality glass cups before.
They are packaged as crystal glasses, which become a luxury item in a grandiose manner.
And it is a luxury that many ordinary people cannot afford.
As for ordinary teacups, the standards of contemporary people are also very simple, clean and transparent, and easy to observe the state of tea.
There is nothing more suitable than a glass cup. It is clean, thorough, practical and beautiful. The smooth surface is easy to clean, and it is not easy to leave tea dregs and dirt.
And because of its lower burning cost, most people can afford it.
Glass cups are the teacups most commonly used by the general public.
And Chen Wenzhe happens to have the top-level technology, if he wants, he can even get top-level production technology of a large number of glasses.
Of course, the technology he has obtained now is enough for the craftsmen under him to digest.
No matter how the glass they make is blown, it is the same in Chen Wenzhe's opinion.
Teacups come in all shapes and sizes. In contemporary times, we can use Jianzhan, goblets, and tureen to enjoy a sip of tea to enrich our leisure life.
However, compared to some famous brand teacups, others are scum.
"These are the ten most expensive teacups in auction history!"
Chen Wenzhe glanced at Chen Xingchen, his heart is really big.
The top teacups that can leave their names in the auction history, one teacup can be sold for a sky-high price, can they be simple?
Among the 10 most expensive classic tea utensils in the history of auction, the most expensive piece was auctioned for 2.8 million Hong Kong dollars.
If this one knows, then the others probably know very few people.
For example, Diwan, this is a tea cup with a blue and white mouth and a cup holder.
This is a classic vessel of tea ware culture in the Song Dynasty. The work is well preserved as a whole. The glaze color is bright, white and green, the carcass is white and hard, and the color is elegant and beautiful.
The high-quality shadows, not to mention those preserved in the Song Dynasty, even if they are modern works, the price is not low.
In South Vietnam before, Chen Wenzhe imitated celadon, especially Ru kiln celadon.
Therefore, he also has a lot of research on the predecessor of Ru kiln, or the elder shadow celadon.
Shadow celadon, also known as Ying celadon, is a treasure in the traditional Chinese porcelain making process.
Its predecessor was celadon porcelain, and shadow celadon porcelain known as "sebaihuaqing" was originally created by Jingzhen in the middle of the Northern Song Dynasty.
Its glaze color is bluish white and elegant, the glaze surface is clear and clean, the body is firm and greasy white, and the color is warm and moist like jade, so it has been called "fake jade" in history.
"Yingqing" is a common name for the unique style of porcelain fired by Jingzhen in the Song Dynasty.
Because its glaze color is between blue and white, with white in the blue and blue in the white, it is called shadow blue.
In addition, the porcelain body is extremely thin, and the carved patterns can be seen both inside and outside when facing the light, so it is called "shadow blue".
The glaze color of "Yingqing" is mainly divided into two categories, one is white with light blue color, and the thick part with dark green color, which is smooth and fine, crystal clear and transparent.
The predecessors called it "fake jade", and there is a reason for it, because its glaze is as crystal clear as jade.
The second is light blue and flashing yellow. This kind of glaze color "shadow blue" porcelain is the most abundant.
In addition, in the "Yingqing" glaze, there is another kind of color that is painted brown on the whole body of the utensils, which is called "point color".
In the Song Dynasty, the stippling was placed casually and naturally, and the area was often small. The color had a very obvious difference in shades, and the center was the thickest, showing an iron spot color.
It is because of these advantages that this kind of less-known Gaogu porcelain sells for a high price.
You know, this is just a teacup, the smallest utensil among porcelains.
Such a small device, any kind that can be sold for a million dollars, is the best of the best.
whether it is blue or white
Porcelain, shadow celadon, or the top Ru kiln celadon, Chen Wenzhe has on-site skills.
Now his research results have become finished products, presented in front of his eyes.
Chen Xingchen summoned experts to study and imitate the technology he provided.
It was also for this reason that Chen Xingchen was able to gather a large number of high-level craftsmen within two or three years.
Otherwise, Yi Nian Tang Ceramic Factory would not have been able to develop so fast.
Chen Wenzhe looked at the workshop here, which produced celadon and bluish-white porcelain.
They did not imitate Ru kiln porcelain, it seems that they still know the depth of their skills!
However, the celadon and shadow celadon they imitated are already very extraordinary.
"Is this a jade pillow? There are blue and white porcelain jade pillows in the Song Dynasty style, but there are also Yuan Dynasty style ones?"
In the Southern Song Dynasty, Li Qingzhao wrote the sentence "jade pillow gauze kitchen" in "Drunken Flower Yin", and the jade pillow refers to the blue and white porcelain pillow.
Some bluish-white porcelain products of the Yuan Dynasty are also printed with the inscriptions "Jade comes out of Kunshan" and "Jade comes out of Kungang".
It was mass-produced in the Southern Song Dynasty and "traveled overseas", making it a sought-after item in the market.
Don't think that mass production is ordinary goods.
You know, why does Yingqing have a shadow in her name?
It is because it is thin and delicate!
Most of the shadow celadon at that time were thinly carved with transparent flying phoenix and other patterns.
These patterns are carved on the green body by highly skilled ceramic artists, and then fired with transparent green glaze at high temperature.
With the technology provided by Chen Wenzhe, these craftsmen imitated it professionally.
At the very least, besides the bluish-white porcelain imitating Jingzhen, there are others made by Hutian Kiln.
As for Qingbai porcelain, apart from Jingzhen, Hutian kiln is the most famous, followed by Xianghu, Shengmeiting, Liujiawan and other kilns.
The varieties at that time included bowls, plates, bottles, cans and other daily utensils.
The bluish-white porcelain of the early Northern Song Dynasty had no patterns, but was distinguished by its regular shape and jade-like enamel.
After the middle period, its decoration was mainly carved, with printing, shallow relief, hollowing out, and stacking.
The blue and white porcelain with elegant and generous tones, flowers hidden in the glaze, bright and dark, gives people infinite charm.
Qingbai porcelain was once all the rage and sold both at home and abroad.
According to the Song Dynasty's "Tokyo Menghualu", there were shops selling white porcelain in Bianliang and Lin'an, Kyoto at that time.
The shop sells utensils for eating, drinking tea and drinking in the daily life of people in the capital.
Zhao Rushi recorded the situation of foreign trade of ceramics in my country at that time in "Zhu Fan Zhi", among which there are records of fan merchants in "po" and other places, trading with blue and white porcelain.
Wang Dayuan also recorded the foreign trade of porcelain in "Daoyi Zhilue".
The blue and white porcelain of JDZ in the Song Dynasty developed from translucent glaze to translucent body, which is a leap in the history of my country's porcelain development.
The rich experience in making blue and white porcelain laid the foundation for the emergence and development of blue and white porcelain in the future.
If we talk about innovation, it will be after the establishment of New China.
At that time, Jingzhen shadow celadon was developing rapidly. The blue and white shadow celadon created in 1983 caused a sensation in the porcelain world and aroused great interest from domestic and foreign merchants.
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